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I've been driving with the new album for 2 days now and i can't  believe how well mastered it is. Where did he learn that? Also I'm guessing piano and drums are programmed by him right?

 

Insane talent to write all of that if so. Like scary talent.

 

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On 9/14/2018 at 9:33 AM, Reiko said:

I've been driving with the new album for 2 days now and i can't  believe how well mastered it is. Where did he learn that? Also I'm guessing piano and drums are programmed by him right?

 

Insane talent to write all of that if so. Like scary talent.

 

He does everything by himself alone. It seems like there is no infrastructure for- and no money to be made from- his music in Korea so he basically had to learn to fill all positions himself. But I agree that the new album is absolutely amazing in both sound and composition and I hope everyone is going to listen to it once it releases digitally.  I don't think there is anything comparable from Japan or anywhere really. 'A day in black' is just genius. 

 

On 9/15/2018 at 5:46 AM, ahnchc said:

To be honest, I'm not big on Madmans Esprit's sound. I do really enjoy ms. isohp romatem.

 

I'll keep an eye out for both since I definitely see the potential.

 

They're all very talented.

 

actually ms. isohp romatem released two new music videos! I'm not sure if you saw it already :

 

 

 

 

 

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Kyuho is indeed very active with the promotion, a few months ago he asked around for help to get his music more known. Shortly after that, he started releasing teasers and MV's. I find it also interesting that he also is releasing covers, while he is in the middle of the promotion of ME's newest album. I think it really helped him, in combination with the music he makes, to get a deal with GAN-SHIN and ... It made me interested as well, so I ordered Nacht and the newest album as soon as I could. 

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On 9/17/2018 at 8:42 PM, CELESTIAL CIEL said:

 sad to see nothing but aggressive promotion...

 

17 hours ago, Seraphinne said:

 I think it really helped him

This really has two sides. When you don't promote it, you are cool and underground but they think you are inactive. When you promote it, it helps your exposure, but people find it aggressive. 

When I first discovered ME, they didn't promote it at all and therefore almost nobody listened to it. The few nerds who somehow found it really enjoyed it, though, so it could be somehow highly praised cvlt in a small circle. But on the other hand this kind of status doesn't help an artist at all. Being an artist itself can only stay a hobby without an audience. There is a small number of people who will check out music outside their 'known' scope but the majority will only try things that others already judged as 'good' or that they repeatedly see presented to them.

So basically without a label that takes care of distribution and promo and a surrounding where you can have regular shows, the only thing you can do to make people check out your work is to annoy them with it online and lose your 'cool artist' status.

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This is great!! I'm a total nerd for blast beats and hearing them get used a bit more in VK always makes me happy, but so much of this going a bit more in the "full BM" direction is really satisfying.

 

I'd love to see more bands in the scene pull from that kind of metal - just a certain level of atmosphere and intensity that isn't found in some of the "chuggier" riffs a lot of bands rely on.

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