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saiko got a reaction from cinnymoncinder for a status update, Today on Missing VK Children Radio: Have you ever listened to Yousei Teikoku or Asrie
Today on Missing VK Children Radio: Have you ever listened to Yousei Teikoku or Asriel?
I think the VK influence in both is pretty obvious judging by some core arrangements into their music, and also the looks on some of the male members. I wonder why they don't seem to have ever wandered a bit into the VK circuit. Judging by their respective wide catalogs of songs done for anime shows and videogames, and their live performances packed with dudes, I think they preferably managed to hook up an otaku audience, just as any other regular anison project. Also, it's obvious thath the fact of them both having a female singer sets this marketing strategy perfectly.
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saiko got a reaction from Gesu for a status update, Today on Missing VK Children Radio: Have you ever listened to Yousei Teikoku or Asrie
Today on Missing VK Children Radio: Have you ever listened to Yousei Teikoku or Asriel?
I think the VK influence in both is pretty obvious judging by some core arrangements into their music, and also the looks on some of the male members. I wonder why they don't seem to have ever wandered a bit into the VK circuit. Judging by their respective wide catalogs of songs done for anime shows and videogames, and their live performances packed with dudes, I think they preferably managed to hook up an otaku audience, just as any other regular anison project. Also, it's obvious thath the fact of them both having a female singer sets this marketing strategy perfectly.
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saiko reacted to nekkichi for a status update, >that ranunculus chorus be hittin'
>that ranunculus chorus be hittin'
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saiko reacted to cheesy_VK_Freak for a status update, I love the fact that Ali Project reliably releases a new album every summer, every ye
I love the fact that Ali Project reliably releases a new album every summer, every year. Arika-sama my japanese diva 😭
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saiko reacted to nick for a status update, This must be Mikoto (Zigzag Vo.)'s dog.
This must be Mikoto (Zigzag Vo.)'s dog.
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saiko reacted to Himeaimichu for a status update, It's really crazy listening to proto-kei bands like G-Schmitt and BOOWY, playing melo
It's really crazy listening to proto-kei bands like G-Schmitt and BOOWY, playing melodies and riffs that would become cliche in Visual Kei, many of them still cliches today.
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saiko reacted to nikuman for a status update, i keep forgetting that resonance by exist trace isnt on american spotify anymore 😔 ri
i keep forgetting that resonance by exist trace isnt on american spotify anymore 😔 rip...
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saiko reacted to CAT5 for a status update, Lianne la Havas covered one of my favorite Radiohead songs, and it's super dope! Her
Lianne la Havas covered one of my favorite Radiohead songs, and it's super dope! Her new album is perfect, btw.
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saiko reacted to zombieparadise for a status update, Who's GazettE's female back up singer?
Who's GazettE's female back up singer?
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saiko reacted to suji for a status update, if vk strays into kpop boy band territory and idol kei becomes a thing, then i'm done
if vk strays into kpop boy band territory and idol kei becomes a thing, then i'm done with vk
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saiko reacted to Gesu for a status update, I dropped my Shrek mug on the kitchen floor last night and it broke. I had that mug f
I dropped my Shrek mug on the kitchen floor last night and it broke. I had that mug for two years. Farewell, Shrek... for now. I will probably purchase another identical Shrek mug because I am strangely heartbroken by this turn of events.
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saiko reacted to 少女椿 for a status update, La'cryma Christi gt.Koji was disagnosed with esophageal cancer. Can we just cancel 20
La'cryma Christi gt.Koji was disagnosed with esophageal cancer. Can we just cancel 2020, this shitstream is seems to have no end.
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saiko reacted to Arkady for a status update, France: Today is le 14 Juillet, the day we celebrate the Storming of the Bastilles in
France: Today is le 14 Juillet, the day we celebrate the Storming of the Bastilles in 1789.
Italy, an intellectual: Today is the 14th of july, it may not be official, but all the nation gets together to commemorate our beloved Lady Oscar (Versailles no bara) premature death.
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saiko got a reaction from Desqui for a status update, MAKE VISUAL KEI GREAT AGAIN.
MAKE VISUAL KEI GREAT AGAIN.
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saiko got a reaction from monkeybanana4 for a status update, MAKE VISUAL KEI GREAT AGAIN.
MAKE VISUAL KEI GREAT AGAIN.
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saiko got a reaction from nikuman for a status update, MAKE VISUAL KEI GREAT AGAIN.
MAKE VISUAL KEI GREAT AGAIN.
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saiko got a reaction from Total Saikou for a status update, Returning to the idol kei topic. Nowadays, when I watch/listen back to ViViD —one of
Returning to the idol kei topic.
Nowadays, when I watch/listen back to ViViD —one of the first VK bands I came across and one that I enjoyed the most— I think I can acknowledge the hints that actually indicate how heavily they were produced to appeal to the crowds in an idol way. So, they surely weren't that pure and artistical about VK and stuff, and of course could have had more than one A-side produced by one or more ghost-writters...
But, let's be honest: can we ignore the fact that the arranges of their songs were fucking brilliant, and so were their skills as interpreters? Many, many kudos to Reno's polished approach to shredded guitar, IV's hyper-melodic bass lines, and Shin's VERY well managing of the VK vocal traits —whose exaggeration in some cases ruined great capacities forever, like what happened with Nightmare's Yomi— while at the same time enduring a full show delivering a constant and massive vocal flow.
This band was a fucking thrill, although the commercial intention of their project became so blatantly notorious in their last releases that many fans (myself included) lost interest almost inmmediatly.
That said, I really wish that nowadays' idol kei bands, even if they put their efforts to make that kind of career into the scene, at least make something commercial in the level of the quality bands like ViViD did back in their time.
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saiko got a reaction from Miku70 for a status update, Returning to the idol kei topic. Nowadays, when I watch/listen back to ViViD —one of
Returning to the idol kei topic.
Nowadays, when I watch/listen back to ViViD —one of the first VK bands I came across and one that I enjoyed the most— I think I can acknowledge the hints that actually indicate how heavily they were produced to appeal to the crowds in an idol way. So, they surely weren't that pure and artistical about VK and stuff, and of course could have had more than one A-side produced by one or more ghost-writters...
But, let's be honest: can we ignore the fact that the arranges of their songs were fucking brilliant, and so were their skills as interpreters? Many, many kudos to Reno's polished approach to shredded guitar, IV's hyper-melodic bass lines, and Shin's VERY well managing of the VK vocal traits —whose exaggeration in some cases ruined great capacities forever, like what happened with Nightmare's Yomi— while at the same time enduring a full show delivering a constant and massive vocal flow.
This band was a fucking thrill, although the commercial intention of their project became so blatantly notorious in their last releases that many fans (myself included) lost interest almost inmmediatly.
That said, I really wish that nowadays' idol kei bands, even if they put their efforts to make that kind of career into the scene, at least make something commercial in the level of the quality bands like ViViD did back in their time.
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saiko got a reaction from monkeybanana4 for a status update, Returning to the idol kei topic. Nowadays, when I watch/listen back to ViViD —one of
Returning to the idol kei topic.
Nowadays, when I watch/listen back to ViViD —one of the first VK bands I came across and one that I enjoyed the most— I think I can acknowledge the hints that actually indicate how heavily they were produced to appeal to the crowds in an idol way. So, they surely weren't that pure and artistical about VK and stuff, and of course could have had more than one A-side produced by one or more ghost-writters...
But, let's be honest: can we ignore the fact that the arranges of their songs were fucking brilliant, and so were their skills as interpreters? Many, many kudos to Reno's polished approach to shredded guitar, IV's hyper-melodic bass lines, and Shin's VERY well managing of the VK vocal traits —whose exaggeration in some cases ruined great capacities forever, like what happened with Nightmare's Yomi— while at the same time enduring a full show delivering a constant and massive vocal flow.
This band was a fucking thrill, although the commercial intention of their project became so blatantly notorious in their last releases that many fans (myself included) lost interest almost inmmediatly.
That said, I really wish that nowadays' idol kei bands, even if they put their efforts to make that kind of career into the scene, at least make something commercial in the level of the quality bands like ViViD did back in their time.
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saiko got a reaction from platy for a status update, Returning to the idol kei topic. Nowadays, when I watch/listen back to ViViD —one of
Returning to the idol kei topic.
Nowadays, when I watch/listen back to ViViD —one of the first VK bands I came across and one that I enjoyed the most— I think I can acknowledge the hints that actually indicate how heavily they were produced to appeal to the crowds in an idol way. So, they surely weren't that pure and artistical about VK and stuff, and of course could have had more than one A-side produced by one or more ghost-writters...
But, let's be honest: can we ignore the fact that the arranges of their songs were fucking brilliant, and so were their skills as interpreters? Many, many kudos to Reno's polished approach to shredded guitar, IV's hyper-melodic bass lines, and Shin's VERY well managing of the VK vocal traits —whose exaggeration in some cases ruined great capacities forever, like what happened with Nightmare's Yomi— while at the same time enduring a full show delivering a constant and massive vocal flow.
This band was a fucking thrill, although the commercial intention of their project became so blatantly notorious in their last releases that many fans (myself included) lost interest almost inmmediatly.
That said, I really wish that nowadays' idol kei bands, even if they put their efforts to make that kind of career into the scene, at least make something commercial in the level of the quality bands like ViViD did back in their time.
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saiko got a reaction from Desqui for a status update, After listening PVs at random on Youtube, I decided to listen to a whole album of Las
After listening PVs at random on Youtube, I decided to listen to a whole album of Lastier. I picked up their second. The first track kicked out, and the chords are killing me. Fucking glorious.
What the fuck, it's been so long since a band hooked up my ears like this. I hope this ride comes up with more great stuff!
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saiko got a reaction from Arkady for a status update, After listening PVs at random on Youtube, I decided to listen to a whole album of Las
After listening PVs at random on Youtube, I decided to listen to a whole album of Lastier. I picked up their second. The first track kicked out, and the chords are killing me. Fucking glorious.
What the fuck, it's been so long since a band hooked up my ears like this. I hope this ride comes up with more great stuff!
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saiko got a reaction from nick for a status update, After listening PVs at random on Youtube, I decided to listen to a whole album of Las
After listening PVs at random on Youtube, I decided to listen to a whole album of Lastier. I picked up their second. The first track kicked out, and the chords are killing me. Fucking glorious.
What the fuck, it's been so long since a band hooked up my ears like this. I hope this ride comes up with more great stuff!