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saiko

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Posts posted by saiko


  1. This isn't a thing only related to psychopathology. The problem isn't about having depression or suicidal thoughts, but keeping alive a culture of abuse within the industry, pontentially fueled by the whole sacrificial Japanese working culture, with its devotional hierarchy aspects and so on... So mental health issues should be a normal response of anybody previously involved into that sadism of an enviroment.

     

    9 hours ago, nekkichi said:

    it's like everyone at shimizuya is hellbound on giving their jisatsu queens reasons to be ~inspired~ daily. meThod acting!!!!

     

    Said.


  2. 22 minutes ago, Snaked0g said:

    I'm very mad I was told "rule wo mamore".

    The rule I didn't even know.

     

    I don't know why but I just hate to be said.

    It sounds like I broke it on purpose.

     

    This Japanese neurosis of being so concerned about obeying or not the rules to the extent of not reaching the sleep amazes me even to this day.


  3. Fuckyeahbangya had proofs about Tooru Nishimura not being Kyo's actual name, same for Die being Daisuke. But I don't remember very well; I think I remember reading that Die's true name is Manabu and Kyo's Hironori? Or something like that. Maybe someone might correct me.


  4. Gauze's production is a dream. You can definitely hear every instrument in there.

     

    Perhaps they had the biggest amount of investment of their whole career at that time... Having Yoshiki arranging your A-sides should have been anything but cheap...


  5. 1 hour ago, LIDL said:

    Actually most of their remakes after they turned bit into Ooga Booga sounds are mostly misses for me. There are lots of beats but lack of harmony. 

     

     

    This is my situation with the Kiri to mayu remake. I don't dislike the Ooga Booga at all, but constructing 90% of the song exclusively over this basis makes listening to it kinda unsatisfying for me. The dramatic hyper-melodic outro makes passing trough it worthy, though.


  6. Both songs are "good". They are well produced, they sound good, they pull off their own way of sounding... but I can't find anything else. I feel I already have the entirely WTD if I want to enjoy this kind of arrangments...

     

    Could somebody explain to me what do they find so thrilling about this A-side?

    4 hours ago, Karma’s Hat said:

    The A-side is fine for a retirement home deg single when you don't think about how about ten years ago every time they released a new single they pretty much changed the game up. This is maybe my favorite A-side from them since Rinkaku*. 

    Feeling this so much. I wish DEG could be the torch leading the scene someday again...


  7. Excuse me? What is this, that someone in charge at an academic place, whomever him/her may be, actually calls off some student

    for being in a music project? What the hell has someone from a University to do with a student's private life, mostly if this guy is a grown-up that may do fine in life without some papa or mama scolding him and prohibiting him to go and play with friends until he finishes his homework and tidy up his room...

     

    Also, all this Japanese public movie of "I apologize for being so selfish"... 

     

    Seriously, this is fucking scary.

     

    Just what the hell is this behaviour.

     

    Besides, @nekkichi I would totally say that to the guy if I knew him personally lol

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