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Not sure if 0.1gの誤算 gets points for "creativity"/unpredictability, but lord, the composition is all.over.the.place.png
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Genre smashing is fine and all, but this is super sloppy. Like, what happened at 1:21? This is probably Lack-co.'s fault.
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fitear1590 reacted to this
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I don't really listen to stuff like this, but i actually think this is pretty cool. Like if I went this kind of oshare, I'd be a fan of this band. Just a few tempo and signature changes. The part @1:19 is just a bar of 6 which immediately transitions into a quick tempo change. If you follow the vocal, it seems a bit unusual, but you can follow the meter change listening to the drums and guitar.
Maybe it's just because I'm a tired rock fan, but I've always admired that a lot of Japanese musicians will sort of go "over the top" by western standards and have an unusually high amount of unique sections compared to western standards. One common example is I find a lot of my most listened to VK songs have two chorus sections, so the format might be something like: intro - > verse 1 - > verse 2 - > prechorus - > chorus A - > post chorus instrumental - > guitar solo - > prechorus - > chorus A - > chorus B - > bridge - > chorus A - > chorus B - > post chorus instrumental. Which for most rock/metal acts in the western world might be a unique section or two further than they would go.
I could be biased in my sampling throughout my life by not really listening to VK bands I would deem having boring arrangement, but I feel like this is definitely VK phenomenon.