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chemicalpictures

Reincarnated Really Hot People
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chemicalpictures last won the day on September 14 2018

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About chemicalpictures

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  1. chemicalpictures

  2. chemicalpictures

    I'm really into this 小林太郎 dude's voice! Wasn't familiar with him, gotta look for more everything else is usual aiolin. never bad, most of the times pretty bland
  3. chemicalpictures

    Shit, I'm giving Ready Player and flight plan a spin and it's definitely some good shit. I'm positively impressed now, the new album just got into my radar
  4. chemicalpictures

    So are we calling 23yo people old now? I guess me and some other fellas here already on our thirties gotta start applying for retirement or smh, lol Welcome to MH! Have a good one!
  5. chemicalpictures

    I've lost any hope of them releasing good stuff on a constant basis, it will always be this kind of rollercoaster. This one is blaaaaand, still waiting for the banger that will be hidden between all the fillers on the album
  6. FINALLY something interesting again!
  7. Ikuo is a beast, really looking forward to this!
  8. chemicalpictures

    If you do understand how elitist and entitled that sounds, okay, to each their own I guess You do realize that they do instores to try to improve sales and bring more people to their concerts, and bonuses are there just because a regular release isn't appealing enough, right? Fighting modernity has never worked before and never will I for one am really happy bands like dimlim and dexcore are putting their releases on spotify and I can somehow support them, instead of giving them exactly 0 cents, which would be the case if I had to download their stuff. This is a weird thought. You wouldn't like everything to be on spotify, but would like for it to be readily available on itunes? So people who can't afford the asked price wouldn't be able to have the same access? If you wish to support them harder, there are a lot of ways of doing that with merch, physical copies, instead of limiting access to music. If xTRiPx released their stuff on spotify I would love it and still buy every release I could, because I want to support regardless of access, so stream would just be another form of revenue...
  9. chemicalpictures

    I'm always down for new Akito! 1/f no yuragi was SO my jam, sad they were so low with their releases
  10. chemicalpictures

    It's a worldwide trend. Albums became less frequent, singles in the way japan do (before full albums) are much more common, sometimes not even being featured in albums. You can blame it on stream if you want, there are several studies noticing how spotify dictates even how songs are being produced nowadays (not that I see this happening in japan soon, as they are always stubbornly behind some trends). In a way it's good, it extends songs longevity, which lets artists focus more on delivering good content instead of always putting stuff out. And TBH, in the whole world music releases are a supplemental income to live concerts. Artists must survive with their lives, that's just the way it is after the internet. The sooner japanese bands understand that and adopt stream the way they should, the better for everyone.
  11. chemicalpictures

    remember kids, heavy isn't everything that solo is GOTY so far, daaaaaamn
  12. xTRiPx's Yoshito. I have so many things I'd ask him
  13. chemicalpictures

    I think that was the general consensus here? Shit tons of potential, less than favorable delivery... I do enjoy a song here and there tho, tenten will always be a favorite
  14. chemicalpictures

    Don't see any DIMLIM references at all, aswell. There's A LOT of J-indie nods tho, which I love and think this scene absolutely needs to be less stale. The first verse cadence is actually VERY similar to a vistlip song, btw. As for the song itself, I love it and would love it even more if they had spent more than 10 dollars for that recording studio. Really excited for more awa in the future
  15. chemicalpictures

    It's a recurrent argument I've seen people talk about now and then during these years that the negotiations are different depending on if the songs are new or old, if they are exclusive and so on which I believe do make sense, but I don't know if that's really true
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