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Hakoniwa

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  1. Thanks
    Hakoniwa got a reaction from Komorebi in The Japanese Language Learning / Support Thread!   
    @togz I used my mad mouse drawing skillz to explain, hope it makes sense :v
    Also, please don't pay attention to the grammar now since this is casual japanese.
     
    A: nani sore? (what's that?) -- far from speaker
    B: kore wa GREEN THING desu! (this is a GREEN THING!) -- close to speaker

    When (A) says "what's that?" they mean to ask what is the thing that is far from the speaker (A) but close to the listener (B).
     
    A: ja, are wa? (then, what's that?) -- far from both
    B: ah! are wa MONSTER desu! (ah! that is a MONSTER!) -- far from both

    Then, (A) asks what's that thing that's far from both of them, so they can't use "sore" -- it's far from the listener (B) too. In this case, use "are". (B) does the same, for the same reason.
     
    A: dore ga MONSTER desu ka? (which one is the MONSTER?)
    B: migi desu. hidari wa KAWAII NEKO desu ne. (the one on the right. the one on the left is a CUTE CAT, right?)

    There are two things there, so (A) asks "which one" of those is the monster. (A) uses "dore" as a way to say "which one", it's a way to express a question. Of course we already know the monster is the one on the right, since the one on the left is a very, very realistic cat.
     
    The same relation can be found on other examples with kono, koko, etc.
    Just to clarify:
     
    * when talking about something
    - KOno... (this...) -- close to the speaker. | Ex.: kono KAWAII NEKO ga suki desu (I like this CUTE CAT)
    - SOno... (that...) -- far from speaker, close to listener | Ex.: sono MONSTER ga kirai desu (I hate that MONSTER)
    - Ano... (that...) -- far from both speaker and listener | Ex.: ano GREEN THING wo tabetai! (I want to eat that GREEN THING)
    - DOno... (which...) -- the distance doesn't matter, it's used to express a question regarding something they don't know about | Ex.: Dono ningen ga ichiban oishii no ka? (which human is tastier?)
     
    KOko, SOko, Asoko and DOko are the same, but about place. Here, doko is using to ask "what place", i.e. "where".
    There are some other variations too, but it's always the same.
    Hope it didn't sound too confusing...
  2. Like
    Hakoniwa reacted to Chi in Kenshi Yonezu is gonna release 4th full album "BOOTLEG" in November   
    So, today news came out that Yonezu is gonna release a new album titled "BOOTLEG" on November 1st.
     
     
    It's gonna have 13 songs, including the previously released:
    - LOSER
    - number nine
    - orion (3gatsu no lion ED)
    - peace sign (my hero academia S2 OP)
    And self-covers of:
    - Suna no Wakusei/Dune (Hatsune Miku "Magical Mirai 2017" theme song he released as HACHI)
    - Uchiage Hanabi (originally released along w/ Daoko for this anime movie)
     
    I wanna see how he's gonna go about this album, since it includes very different songs.
    I hope it doesn't live up to its title though. Lol
     
    oh and for anyone that cares, he's gonna start touring again
     
    Source
  3. Like
    Hakoniwa reacted to WhirlingBlack in MUCC new DVD and tribute album release !   
    I attended two of the shows on this old school tour in osaka and posted them on Facebook. Decides I might just as well repost them here:
     
    Day 1:
    "
    I just attended the best show of my life, and it was a MUCC live.
     
    The best way I can describe it is as if I went back in a time machine to 2001 and attended one of their oneman lives. They performed only old songs, including tracks so old several fans noticably did not recognize then, like Kranke (my favorite song!) and Koibito. The entire live felt dangerous and rough, just like one of those 90s lives where the audience are headbanging their necks off and the band is taunting them further into a frenzy. Before VK became a polished business.
     
    It was super intense, during some songs the entire audience was moshing and thanks to the intense mosh I ended up in the second row in front of tatsurou during the second half of the live, where I ended up catching him as he stage dived during Orugooru. At the end, when they played Kurutta Kajitsu, we were even ordered to perform a wall of death and delivered it splendidly.
     
    https://www.setlist.fm/setlist/mucc/2017/esaka-muse-osaka-japan-2be5b0e2.html
     
    Tomorrow is Homura Uta day... can't wait. Dir en grey, take note. This is how you do nostalgia shows."
     
    Day 2:
    "
    So... MUCC day 2 was every bit as good as day 1. Homura Uta day, so practically the whole album was performed, along with some songs from Antique and Tsuuzetsu.

    Especially the performance of Kimi ni Sachi Are and Kurayami ni Saku Hana stood out as soulcrushingly beautiful, and tracks like Kokuen made the whole audience mosh yet again while Tatsurou kept jumping into the front rows to make us work harder.
     
    Before OYOGE! TAIYAKI-KUN Tatsurou addressed me directly, asking if I knew the lyrics (since I was seemingly the only foreigner at least in the front of the venue). I made an OK sign and he looked surprised and happy and made some comment about it, and then we all sang it together, the entire venue.
     
    During the wall of death during Kurutta Kajitsu today, he jumped into the audience and participated for a bit before being rescued back onto the stage. 
     
    To be honest, unless MUCC makes further nostalgia tours, I might not attend any more of their lives in the future. Nothing can top this tour no matter how hard they try. Sure, I'd like to see a Zekuu and Kuchiki no Tou tour as well, but until that happens I might just lay off their lives in the future.
     
    Todays Setlist:
    HOMURA UTA (intro)
    ZETSUBOU
    SHIAWASE NO SHUUCHAKU
    KOKUEN
    YAKEATO
    KARE GA SHINDA HI
    KIMI NI SACHI ARE
    MAMA
    SHIGATSU NO RENGESOU
    BOKU GA HONTOU NO BOKU NI TAEKIREZU TSUKUTTA HONTOU NO BOKU
    KURAYAMI NI SAKU HANA
    USO DE YUGAMU SHINZOU
    KAERANU HITO
    KOKONOKA
    OYOGE! TAIYAKI-KUN
    SUISOU
    MAE E
    SUIMIN
    Encore:
    YUME NO MACHI
    SHOUFU
    DAIKIRAI
    KURUTTA KAJITSU (WARAI)"
     
    Hope someone here finds it interesting to read!
  4. Like
    Hakoniwa reacted to saishuu in 凛として時雨 (Ling Tosite Sigure) new single, "DIE meets HARD"   
    I'm usually a lot more tolerant of TK's mainstream work, even if most of the time it tends to be unremarkable, but this is so boring.
  5. Like
    Hakoniwa reacted to platy in Choose The Theme for The Next TRADE-OFF!   
    The next Monochrome Heaven music trade-off will be soon and we need your help choosing the theme!  

     
     
  6. Like
    Hakoniwa reacted to fitear1590 in Recommended Tracks: June 2017!   
    Greetings, MH! June felt a little slow for some of us, but nonetheless, here is our latest batch of recommended tracks!  Check them out and let us know what you think!
     
    (We apologize if some videos aren't available due to region restrictions!)

    @helcchi's Picks
    "vainglory" by MEIDARA

    In February, a mysterious masked band released a disruptive trailer, raising speculation on whether at least the vocalist was an established member of the scene. The speculation was soon dispelled when it was revealed that the band were relative newcomers having regrouped from previously disbanded Galumia, however their music has left a lasting impression on me. "vainglory" might be the most overlooked of the three songs on MEIDARA’s debut single, with its softer sound and slower pace yet this ambitious little number doesn’t scrimp on expressiveness. With Yagami’s powerful voice, an anthemic chorus and a half-minute guitar solo, this song is fitting for an ending track as "vainglory" closes out an excellent debut on a high note.
     
    "蜉蝣の夢" by FIXER
    "Kagerou no Yume" by FIXER

    An atmospheric ballad that is pretty in its simplicity and not often synonymous with FIXER. The 4-minute emotion-filled song features a beautiful chorus that is punctuated by discordant guitars, distorted vocals and distant screaming, emanating a sense of unrest and culminating in a soaring climax. This song would also work well unplugged, and whilst many will find it mediocre, I think it’s got enough charm earn itself a spot in a playlist for rainy days. Besides, one of the last ballads that Jey sang was the remarkable but off-tune "Dears" by RevieЯ so I’ll take it.
     
    "Omelas" by JILUKA

    JILUKA have upped the ante with their release of the explosive “Omelas" - faster, louder and are you kidding me. The premise of the song is possibly a nod to Ursula K. Leguin’s short fiction "The Ones Who Walk Away from Omelas”, with the cave and caged scenery of the PV  illustrating the hidden atrocity that lies beneath the utopian city of Omelas wherein a single child must be locked away in the darkness and kept in a state of perpetual filth and misery as a social contract to maintain the city’s peace and happiness. The production quality of the PV is a feast for the eyes with outstanding cinematography while the gripping powerplay between the guitar and drums weaves an intricate auditory story that is diabolically mesmerising.

    @emmny's Pick
     
    "ドラマチックな恋心" by SAVAGE
    "Dramatic na koigokoro" by SAVAGE

    If you're ever curious as to what a dry month (some of us) had for June and for all of 2017...this sums it up. SAVAGE are that friend with benefits that you have known for a bit too long to give up on so you text occasionally and meet up once in a blue moon for mediocre sex but somehow it's all kind of fun and cute? That's a lie, SAVAGE are actually the herpes you get after the fact but it's kind of cool because you knew you were gonna end up with something so you might as well consider it a parting gift. In fact, SAVAGE as a strand of herpes would be like...antibiotic-resistant or something because these guys actually won't die and keep rehashing the same shit over and over. Luckily for some of us with questionable taste, it's all in good fun. I've been on a SAVAGE kick since they've been coming through with their six city oneman tour digest footage on their YT channel, quelling my curiosity for live audio from them. They sound sharp live, at least in comparison to their studio output, and threw a surprisingly solid show by the looks of it. "Dramatic..." was the track that looked especially engaging; I always heard it in the snippets and was like "hey, I should probably listen to the full track" but didn't get around to it until now. Their weirdly psychedelic take on visualcore that has taken off in the past year is in full effect here and oddly intoxicating. June was dry, but SAVAGE made it somehow worthwhile...and that's one thing I don't regret from our affair!
     

    @fitear1590's Picks
    "セクシーホモサピエンス" by クウチュウ戦
    "Sexy Homosapiens" by Koochewsen

    These days, Koochewsen is one band that I can truly count on. Accompanying the release of their '1st love album,' whatever that means, they released the PV for "Sexy Homosapiens." The song title should be apparent enough, but this band always keeps it entertaining and their PVs never disappoint. If I had to sum up this particular video in one phrase, I'd go with: 'bathtub guitar solos.' "Sexy Homosapiens" is a fine and prog-alicious introduction to Koochewsen's wacky world, so do yourself a favor and try them out.

    "ラビリンス" by MONDO GROSSO featuring 満島ひかり
    "Labyrinth" by MONDO GROSSO featuring Hikari Mitsushima

    Clicking around the related and recommended videos on YouTube can be a surprisingly rewarding experience. My favorite Japanese find this month comes from DJ/producer MONDO GROSSO featuring J-pop vocalist Hikari Mitsushima. The dreamy house-style beats mesh perfectly with her delicate voice. But what brings it all together for me is the gorgeous PV. Filmed in a single shot (I'm a sucker for ambitious one-takes) in Hong Kong at night, the video brilliantly captures all the vibrant lights and colors while the camera glides through an urban market and residential area. The splendid visuals all mask the fact that Hikari isn't exactly the most graceful dancer!

    "ガブリエル" by Yeti
    "Gabriel" by Yeti

    Yeti may have built a following with their sprightly indie rock, but PV track "Gabriel" from their sixth mini album ハウル (Howl) sees the band broaching a ballad-oriented style. Call me a sap, but I'm loving it. They don't lose all their energy though, as the choruses pulse with power pop momentum. Also, since the subject of Yeti's VK status is a hot topic around these parts, let's consider a few things. With the video's church setting and the random white kid (classic VK PV tropes), as well as the song's general composition and Satoshi's quivery whispered delivery at the beginning of the third chorus, is this song a step (or at least a nod) towards their VK roots? In any case, this song is just one facet of their sonic palette (see plastic's review of "Mujuuryoku").
     

    @plastic_rainbow's Picks
     
    "See Inside" by PASSing truth DRIVE


    PASSing truth DRIVE was a random find when I browsed through the youtube channel of a J-indie record label called 'KiliKili Villa'. The song "See Inside" comes off of their new album Ha and opens with a dizzying echo of the voice, signaling the strangeness that comes ahead. What we have here are some peculiar acoustic guitars, a funky digitized voice, an eerie saxophone and basically a mix of nujazz/trip hop and folk into one. There is also an avant-garde side to it as the video for the song showcases the aesthetics from old black and white films like 'A Trip to the Moon'. Watching the video while listening to the song is a must in order to fully experience the uncanny storytelling. The repetitive whispering of 'see inside' and the monotonous rap section generates a sense of dark horror as you watch the robotic men march without purpose. PASSing truth DRIVE have been around for years, forming in 1992 and to my surprise used to perform with the well-known punk band Eastern Youth. Despite an apparently punkier sound in their earlier years, they have decided to break away from those roots this time around into something more experimental and jazzy, which may not be for everyone but can be pleasing to the ears if you have an open mind.

    "雨中遊泳" by Plastic Tree
    "Uchuu Yuuei" by Plastic Tree

    Sure enough, Plastic Tree always stay rooted to their signature sound and "Uchuu Yuuei" is like any other fruit that flourishes from that tree. In celebration of their 20th anniversary since their major debut it's not a negative thing to say that the track recycles all of their previous material because it pays homage to their pre-2010 works. Particularly, "Uchuu Yuuei" is reminiscent of "Tsumetai Hikari" and "Yuki Hotaru" as it creates a similar kind of solitude and coldness emanated from Ryutaro's mournful singing. On top of that, the emotive guitar riffs and skip of the piano immerse you into the shivering rain of loneliness, which is essentially what the ballad strives to express. Even though Plastic Tree have not done anything totally impressive in a while, the beauty and sadness of "Uchuu Yuuei" is still worth a listen. And seeing how they continue to stand vigorously even after over twenty years, Plastic Tree will surely not wither away just yet.
     
    "無重力" by Yeti
    "Mujuuryoku" by Yeti

    If you thought Yeti were going to put out another mini album entirely composed of soft alternative rock, think again. Howl blesses us with two tracks that characterize a heavier sound, one of them being "Mujuuryoku". If you listen to the first few seconds you would have never thought that it was written by Yeti, who claim to be no longer involved with the VK scene. Yet, the slow and metal infused opening practically sounds like something you'd hear from a heavier VK ballad, until Satoshi's delicate vocals come in and you remember that oh wait, this is Yeti that I'm listening to. Satoshi's vocals work well against the heavy backdrop, but in a matter of 'un duex trios' the track reverts back to Yeti's soft sound and lays out a serene ballad. It was honestly a tough pick between the two heavier tracks and I recommend VK listeners, as well as all listeners, to check out "Aun" also, which unlike "Mujuuryoku" does not transition to a ballad and is more edgy. It would be great if Yeti experiment more with this heavier sound and I look forward to what they'll be putting out next.

    @The Reverend's Pick
    "最近じゃデパートのオリジナルソングにすら 幸せを感じるんだ" by The Mirraz
    "Even the songs in the department store, can make me happy these days." by The Mirraz

    The Mirraz have decided to dip their toes in the post-hardcore wading pool with their new single "Even the songs in the department store, can make me happy these days." The new track still features Shouhei's highly-caffeinated rapid-fire vocal delivery but tempers the energy a bit with a backdrop of slower, fuzzy melodies and purposeful yet dreamy drums and backup vocals.  There are still a lot of just *words* being yelped and sung every which way, but on this track they take on a twinge of emo-ness (see: the title) and appropriate urgency. If you're intrigued by the possibility of a punk love song filtered through the lens of At The Drive-In and The Novembers be sure to check the newest by The Mirraz.

    @Disposable's Pick
    "あましずくとマクガフィン" by グリモア
    "Ama shizuku to McGuffin" by GRIMOIRE

    How long has Grimoire been around, a year or two? Either way, you couldn't tell that by looking or listening to them. Their aesthetic concept, both musically and visually, is so sharp and defined that nobody sounds nor looks like they do and the production values are just unparalleled — and now in a very un-visual kei fashion we have an album for once. A crude description would be for you to imagine Pentagon at their most primordial, mixed in with a little bit of Mejibray (don't take that wrong, okay ) and Moran in a way that their style at its bare essence consists of brooding, stylised core riffs and RyNK's cute mischievous boy voice in a netherworld dark pastel carnival. Their signature is not being exactly lighthearted or jovial, but certainly an aversion to the heartrending blackness some of their contemporaries that might dabble in similar soundscapes and riffs in particular; it's a playful darkness that defines them. 
    "あましずくとマクガフィン" stands out from the rest of their discography for a couple of reasons. It's slower paced, more inclined to rely on the atmosphere than their tracks have tended to in the past; a clear album opener within the visual kei tradition in this regard. It vaguely reminds me of similar tracks Mejibray has done, but fuck if their own style is beyond reproach at this point. What I think achieves this effect in particular is that RyNK's tone is always almost conversational, but especially in here to me he sounds like a child singing in his room next to scattered toys and posters, a visual effect further emphasised by the jingling riffs and their trademark samples of bells and the rest of it — flourishes so consistent with their aesthetic that one often doesn't even consciously catch them, because it's so comfortably ingrained into Grimoire's character. It's the music box variety of new visual kei that has once again transformed its imported riffing style seamlessly into its purposes and aesthetic vision.
     
     
    Guest Recommendations:
    @Ada Suilen's Picks
    "Bad Blood" by Acid Black Cherry

    I started to know Yasu with this project and I was literally hooked by his suggestive vocals and his unexpected versatility, making him one of the best singers around in the scene. This year for him marked an interesting achievement, as the project arrived at the tenth anniversary, and for the occasion came Acid Blood Cherry; considered a spin-off release, it can be defined in its entirety by this track, where the stronger point is the contrast between Yasu's bright vocals and screamo vocals by Tenji Nagano from Crack6, one of the many illustrious guests of the release, for a raging and unique rock track, suitable for each to hear.

    "Sans Toi Mamie" by Ataru Nakamura

    This song marks my own regret for not having listened to this singer before. Following up a blasting solo career and a brief but engaging phase with the visual kei band Decays, Ataru Nakamura releases her first mini-album, which is surely a worthy one, made of melting tones and of a gloomy depth, where this track is the peak; the powerful guitar in the background reinforces the struggling melody of this ballad, accompanied by a moving vocal interpretation, meaning that this singer will be one of my replays, and I hope even yours.
    - - - - - - - - - - - - - - - - - - - - - - - - - - -
    Thanks for checking out our recommendations this month! And another big thanks to our guest contributor Ada Suilen! If you have any thoughts on the list, or if you have any recommendations of your own, we look forward to seeing your comments below!
     
  7. Like
    Hakoniwa got a reaction from clow_eriol in X Japan new album scheduled for 30th of TBD   
    Which leads me to a previous tweet of mine lmao
     

     

     
    Jokes apart, I do hope it'll become true this time! I don't consider myself a X fan, but I do respect them as a band and some of the new songs are pretty good! Also it feels like we've been waiting for the longest time...
  8. Like
    Hakoniwa got a reaction from diryangrey in BORIS will release new album "DEAR" in July   
    It's crazy to think they were thinking about disbanding though..... I guess they want to try something new, other bands or solo projects? I'm glad they didn't, but this also means it could happen soon-ish
    ...or maybe not. idk, it's just weird to think about it.
  9. Like
    Hakoniwa reacted to Seimeisen in BORIS will release new album "DEAR" in July   
    After nearly three years since "NOISE," BORIS will release their next album "DEAR" in July 2017. It will first be released in Japan through Daymare Recordings, on 2CD (¥3,200+tax) and 3LP (¥7,000+tax), on 12th July, 2017. Then, Sargent House will release a regular 1CD/2LP version on 14th July, 2017.
     
    According to NPR, the band was originally planning to release this as a final album and then disband, but they felt a presence of new energy during the PINK TOUR in 2016. The album reportedly contains "10 tracks culled from three albums worth of material."
     

     

     
     
    Tracklist:
    1. D.O.W.N -Domination of Waiting Noise-
    2. DEADSONG -詩-
    3. Absolutego -絶対自我-
    4. Beyond -かのひと-
    5. Kagero -蜉蝣-
    6. Biotope -ビオトープ-
    7. The Power
    8. Memento Mori 
    9. Dystopia -Vanishing Point / 何処へ-
    10. Dear
     
    Daymare Recordings bonus CD/LP
    1. More
    2. Evil Perspective
    3. D.O.W.N -Domination of Waiting Noise- (Full Version)
     
    Sources: NPR, BORIS OHP
  10. Like
    Hakoniwa reacted to Ito in The Album that Defines Your Time on MH   
    Lmao that is a wonderful idea.
  11. Like
    Hakoniwa reacted to saishuu in #resurrectVK   
    Renaissance in the west? Was it ever alive? Does anyone want it to be?
  12. Like
    Hakoniwa got a reaction from Ito in The Album that Defines Your Time on MH   
    We should have one of these for memes too, u know
    "The Meme that Defines Your Time on MH"
     
    ...why not
     
     
  13. Like
    Hakoniwa reacted to CAT5 in The Album that Defines Your Time on MH   
    The GazettE - DIM
     

     
    I've been enamored with too many albums to name during my time on MH, but strictly speaking in terms of VK, I'd say "DIM" had the greatest impact on me. I joined MH in 2008, so by that time, most of my favorite VK albums were behind me (D'espa's "coll:Set", and Renter en soi's "sphire croid"), and I was beginning to delve much deeper into J-indies. I hadn't listened to The GazettE since the "filth in the beauty" single and completely skipped over SR, so I curiously checked up on Ruki & co. via the "LEECH" single and was completely sold. Pretty much all of the singles leading up to the album grabbed my attention in a major way. I loved what the band was doing both musically and aesthetically (the PVs were gorgeous for their time), and when the album finally dropped I was blown away! I think that may have been the last time that I was so incredibly hyped over a VK album, and to have it fully deliver too! Good times~
     
     
  14. Like
    Hakoniwa got a reaction from Ito in The Album that Defines Your Time on MH   
    ^ THIS.
    Before clicking the topic's title I was still unsure of what album could clearly define this, but it became clear once I saw that. I remember how I was crazy about that album when I got here and everyone  else seemed crazy about it too lol. It made me happy. But this was not the only one that reminds me of old TW, I remember how hyped I was about girugamesh's MUSIC too and even how the whole forum went crazy when Dir en grey released OUROBOROS, both were around the same time iirc. I especially remember I could hear Satoshi singing "Playstation NOW!" and "FOR OUROBOROS!" in Asking why... lol. I think that was the time I was most active around here.
  15. Like
    Hakoniwa reacted to Ito in The Album that Defines Your Time on MH   
    When you look back at the time you have spent here, no matter how long it has been, what is the album that has defines Monochrome Heaven for YOU? It can be the album you feel encompasses the mood of the forum, the album that meant the most to you during your time visiting here, that rare album that you finally found, or any other possible reason. Make sure you explain why it is as well!
     
    For me, that album HAS to be D'espairsRay's Coll:set.
     

     
    The dark and edgy mood mixed with excellent song writing was just what teen Ito craved and was looking for more off when he was setting up the the forum. I mean, if it wasn't obvious, just look at the forum's original name - Tainted World. Gee, I wonder where we came up with that idea from...
  16. Like
    Hakoniwa reacted to Chi in PELICAN FANCLUB to release 1st Full Album "Home Electronics" on May 10   
    tracklist info!!
     
    http://pelicanfanclub.com/home_electronics/
     
    1. 深呼吸
    Word by エンドウアンリ
    Music by エンドウアンリ・カミヤマリョウタツ
    Arranged by PELICAN FANCLUB
    2. Night Diver
    Word & MUSIC by カミヤマリョウタツ
    Arranged by PELICAN FANCLUB
    3. Luna Lunatic
    Word by エンドウアンリ
    Music by エンドウアンリ・カミヤマリョウタツ
    Arranged by PELICAN FANCLUB
    4. Black Beauty
    Word & MUSIC by エンドウアンリ
    Arranged by PELICAN FANCLUB
    5. You’re my sunshine
    Word by エンドウアンリ
    Music by エンドウアンリ・カミヤマリョウタツ
    Arranged by PELICAN FANCLUB
    6. 夜の高速
    Word by エンドウアンリ
    Music & Arranged by PELICAN FANCLUB
    7. ダダガー・ダンダント
    Word & MUSIC by エンドウアンリ
    Arranged by PELICAN FANCLUB
    8. 許されない冗談
    Word by エンドウアンリ・カミヤマリョウタツ
    Music by エンドウアンリ
    Arranged by PELICAN FANCLUB
    9. Trash Trace
    Word by エンドウアンリ
    Music by カミヤマリョウタツ
    Arranged by PELICAN FANCLUB
    Synthesizer adviser by Avec Avec(Sugars Campaign)
    10. 花束
    Word by エンドウアンリ
    Music & Arranged by PELICAN FANCLUB
    11. 朝の次へ
    Word by エンドウアンリ
    Music by エンドウアンリ・カミヤマリョウタツ
    Arranged by PELICAN FANCLUB
    Synthesizer adviser by Avec Avec(Sugars Campaign)
    12. Esper
    Word & Music by エンドウアンリ
    Arranged by PELICAN FANCLUB
  17. Like
    Hakoniwa reacted to Chi in PELICAN FANCLUB to release 1st Full Album "Home Electronics" on May 10   
    I DONT KNOW FOR HOW LONG BUT YOU CAN STREAM THEIR ALBUM ON SOUNDCLOUD >> 
    https://soundcloud.com/pelicanfanclub
     
    @fitear1590 @Original Saku @CAT5 @Hakoniwa
  18. Like
    Hakoniwa got a reaction from Furik in D'espairsray limited revival & Mirrors 10th anniversary rerecording   
    i really like HIZUMI and all, but I gotta say i love the new vocalist :0
    it's also awesome how supportive HIZUMI is being on twitter even though he can't participate himself:
     

    https://twitter.com/hiz0302/status/848163999598247936
     
    10 years is a long time indeed!! He sounds impressed...
  19. Like
    Hakoniwa got a reaction from Komorebi in D'espairsray limited revival & Mirrors 10th anniversary rerecording   
    i really like HIZUMI and all, but I gotta say i love the new vocalist :0
    it's also awesome how supportive HIZUMI is being on twitter even though he can't participate himself:
     

    https://twitter.com/hiz0302/status/848163999598247936
     
    10 years is a long time indeed!! He sounds impressed...
  20. Like
    Hakoniwa got a reaction from herpes in D'espairsray limited revival & Mirrors 10th anniversary rerecording   
    i really like HIZUMI and all, but I gotta say i love the new vocalist :0
    it's also awesome how supportive HIZUMI is being on twitter even though he can't participate himself:
     

    https://twitter.com/hiz0302/status/848163999598247936
     
    10 years is a long time indeed!! He sounds impressed...
  21. Like
    Hakoniwa reacted to herpes in D'espairsray limited revival & Mirrors 10th anniversary rerecording   
    http://www.despairsray.co.jp
    http://www.twitter.com/despa10
     
     
     
     
    1. "Damned"
    2. "Trickstər"
    3. "MIЯROR"
    4. "Sixty∞Nine"
    5. "Kogoeru Yoru ni Saita Hana" (凍える夜に咲いた花)
    6. "Screen"
    7. "Lost Scene"
    8. "Hollow"
    9. "Closer to Ideal"
    10. "Angeldust"
    11. "Squall"
    12. "Kaleidoscope"
    13. "Desert" 
     
    it's finally happening! to celebrate the 10th anniversary of their 3rd best album, the band are reuniting for a limited time this year and rerecording! Hizumi is still unable to sing so they've revealed the guest vocalist in the exciting new promo pic.
     
     
    LIVES:
    4月1日 高田馬場AREA (無料ライブ)
    4月8日 Ukraine
    4月9日 Poland
    4月10日 Poland
    4月11日 Belarus
    4月12日 Ukraine
    4月14日 London (cancelled)
    4月15日 Chechnya
    4月16日 Ukraine
  22. Like
    Hakoniwa reacted to Shaolan974 in 凛として時雨 (Ling Tosite Sigure) new single, "DIE meets HARD"   
    凛として時雨 (Ling Tosite Sigure) will return...soon according to that new video on their Youtube channel
     
     
  23. Like
    Hakoniwa reacted to Ito in Old User Names and Avatars   
    That is an amazing relic
  24. Like
    Hakoniwa reacted to enyx in Old User Names and Avatars   
    Once upon a time I used the name Phoenix (or some variant of that, I forgot what specifically), but then everyone started calling me Pho so... ¯\_(ツ)_/¯
     
    It's quite amusing to see that some users who I'd thought had left the site had simply just changed names xD
  25. Like
    Hakoniwa got a reaction from nick in Old User Names and Avatars   
    I was surprised when doe mentioned it too lolol I thought I didn't remember most people but it's also because I can't keep up with nickname changes... I couldn't keep up then, can't now. XD
    I was always Hakoniwa, though people used to call me Hako back then when I was...actually active lol.
    But I had many avatars and signatures... I don't remember most of them, but my Photobucket is still active and IT remembers some. The ones I remember having used here are:
     
             
     

     

     

     

     

     
    I think this is it... maybe there's more that I didn't upload on PB, but I honestly can't remember >_>
    I thought I had a Satoshi one but maybe not? lol
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