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About kuyashii

  • Rank
    Kisaki's Errand Boy
  • Birthday September 4

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  • Location
    Bridge of Sighs
  • Interests
    Self-harm, drug abuse, toxic relationships

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  1. kuyashii

    IIRC he lost his voice
  2. The composition is really hard to absorb in a single listen, but I'm kinda liking it. Positively surprised at the Dexcore dude's vocals! I feel like his cleans are rather subpar but his screams are really good. Absolutely gorgeous cover art indeed
  3. kuyashii

    That's a pretty good track! Kinda sounds like a modern take on Withering to Death era DeG with some of the "extreme" flourishes
  4. kuyashii

    The song gets a bit better after some listens, but I still feel like it's a tad longer than it needs to. I haven't seen the lyrics, but judging from what people are saying, it's kinda odd how the major key (?) music clashes against the subject matter of the song and the imagery displayed on the music video
  5. kuyashii

    My favorite album by them is Uroboros. Don't have anything else to say, it's just that good. It's a bit hard for me to choose their worst album since I really dislike both Kisou and TIW, but going by the circumstances each one of those were released, I think TIW stands out negatively more. Kisou is an album by a band that is still trying to find their sound and is expanding their sonic palette by trying new things, but while the ideas are good on paper, it often fails flat when it comes to executing them. Saying that, I think Kisou succeeds at what it tries: to be a weird, experimental and off-putting album, which the strange-sounding production definitely adds to the atmosphere of the record. The Insulated World, on the other hand, was released when the band already reached significant success and following, after a string of three records with very positive reception, and after the biggest interval between LP releases so it was a highly antecipated album. While Kisou at least has some originality, I feel like TIW is a rehash of ideas and formulas that already had some mixed reception at the time of their releases (see The Marrow of a Bone). The production is terrible and definitely doesn't add up to the album, the track order and pacing of the album is really problematic and the stand-out tracks are very by-the-numbers. Stuff from Kisou like "Jessica" or "Embryo" (and even though I don't like the studio version vocals, "24 Cyllinders" is an awesome composition) were legit stand-outs. I like "Ranunculus" a lot but I don't really think it has the power of their previous power ballads, and while the single tracks are fun to listen to, they are really underwhelming compared to the stuff that came before it. So yeah my complete list would be: Uroboros>Vulgar>DSS>Gauze>Arche>WtD>Marrow>Macabre>Kisou>TIW
  6. kuyashii

    Composition is pretty standard anime ED fare and I couldn't care less about it, but there are other things that bother me more in the song, namely the autotune and those really cheap VST strings.
  7. It's kinda hard saying anything about the composition but I'm not really a fan of the vocalist tbh. If it had Sho from Dimlim on it instead, it would be perfect
  8. kuyashii

    Yeah of course the Tomurai debacle was very hard to swallow but to be honest I wouldn't be concerned yet. The "Vanitas" music video was posted on the 2nd of June, and Chedoara itself was out on the 8th of August, more than 2 months after it. We woulnd't see a "digest video" of the Chedoara songs until August 13, 5 days after the release of the album. I understand people have legitimate reasons to be feeling concerned but I don't think it's time to be freaking out yet. Have stuff to be continuously postponed without little explanation like Tomurai, then I'm going to be actually concerned. BTW, has any j-rock/vk band ever tried any crowdfunding campaign or subscription system or something like that? Maybe it could help them. I kinda doubt it considering the japanese music industry is so assbackwards lol
  9. kuyashii

    I'm loving this look tbh
  10. kuyashii

    Maybe they never really were fans of the whole visual thing and they just went for it expecting to appeal to its fanbase and eventually just grew tired of it (more or less a reverse Nocturnal Bloodlust, who started as a non-vk act and shifted into vk for the money)?
  11. kuyashii

    Technique is important when it comes to screams. Yeah, "expressing your feelings", I get it, but if you can't realy do it properly don't even try. Yeah, Vanitas is definitely their best moment IMO Can't really remember anything from it other than the intro, this song and "V-Rock is Dead" though
  12. I see Shinya as a bit like Nick Mason of Pink Floyd when it comes to drumming (even their tom-tom and cymbal work is kinda similar!). Their styles are actually pretty neat and really add up to the songs when it comes to creating atmosphere, but they definitely aren't the most technical drummers and I'm pretty sure if Mason tried to play something by someone like Neil Peart or Bill Bruford, the results wouldn't be that stellar - which is what happens when Shinya tries to go outside his comfort zone. Maybe part of Shinya's love of Yoshiki includes a desire to get worse and worse with time lol
  13. While I'm not trying to protect Shinya from any justified criticism (I agree the drumming on TWoM was pretty underwhelming) if people tend to bring Kyo's health issues when defending him from criticisms when it comes to his problems regarding vocals, I think we should also consider that Shinya has been struggling with some health problems afaik since 2011 (I remember during a live on the AQA tour he had to be rushed into a hospital and it was discovered he had stress fracture on the ribs and managed to play an entire gig through immense pain). I haven't really watched much live footage by them in a good while but I remember in stuff from 2011 you could see he was often making faces of pain while playing songs. While it's kinda understandable he toned down some of the craziest things within his drumming I agree his work has been kinda repetitive and monotone (even though I always loved his more "proggy" drumming with all the toms and cymbal rolls I agree on TWoM his drumming is rather bland and not really varied) and his stuff on the heavy parts has been kinda samey and overall pretty boring. This is one of the reasons I'd rather have them toning down all the more extreme metal influences: they haven't really been in the prime physical condition they used to be when they were at their craziest instrumental habilities so they need to acknowledge the way their physical limitations interfere with their musicianship - and while I think the band still has room to evolve, the arguably questionable quality of their recent attempts at doing heavier stuff - via TIW- kinda demonstrated this is not really the way they could achieve the best results, plus, there are some younger bands that have been absolutely killing on this whole br00tal kei scene. On TWoM itsel, I can't still express how much I love the tempo change around 8:40. That is probably my favorite moment of the song.
  14. kuyashii

    I'm kinda amused by the fact they chose to finish this album chapter with... a song that doesn't sound anything like it lol. Yeah their first post-album singles never really sounded like they could fit the previous albums very well so it doesn't really surprises me. I wonder if they're still going to pursue this "proggier" direction (I'm not really talking about song lenghts, but you know, more detailed arrangements, more adventurous song structures, that kind of thing) considering TIW was kinda punkish and they probably feel done with that thing for a while? I won't lie I had dreams of a full-on prog album by them before lol You know, 5-6 songs, all really long
  15. First Listen Impressions: Can't really care about the live "Grief" take, since there are countless versions of that song already and this one isn't particularly a nice performance. The acoustic "Dozing Green" is one of the coolest things they've done in a good while! The arrangement is really good, I love the drumming and Kyo's more understated performance (I was afraid he would be singing the original in the same key of the original, resulting in a very strainful sound that clashed hard with the softer arrangement, like they did for the acoustic "Different Sense"). There's one particular note near the end which sounds really odd for me (it's on the key of the song but there's either a weird autotune glitch or the note was spliced on from a different take, resulting in a rather strange effect). "The World of Mercy". Yeah, the comparisions to their longer compositions are somewhat warranted but I don't really think it sounds that much similar to their other longer songs (tbh, other than that somewhat similar riff during the heavier parts, I never really heard much similarity between "Diabolos" and "Vinushka", I always think the comparisions are due to the similar lenghts and the "through peaks and valleys" approach, but the songs have totally different song structures when it comes to the order . It's going to need many many listens to have a better idea of what it is. You know, I think it kinda reminds me of the new Tool album. It definitely has the "classic" elements of the band when it comes to vocals and instrumentation, but it's nowhere as crazy as their previous stuff and there's a bit of a bigger emphasis on "atmosphere" overall than anything else. I won't lie I was expecting the heavier parts to be crazier and the "freakout" was pretty short. I can't really say I like it yet, but I say in advance it needs a lot of patience and multiple listens to really be able to say more about it Mixing is way better than anything from The Insulated World. Not particularly perfect but definitely less headache inducing than TIW (I felt like it kinda lacks depth, the drums still sound rather plastic, the guitar tone is pretty scooped and you can't hear the bass very well) inb4 Next album will come in 14 years and will have only 10+ songs and an interlude of Shinya playing a drum solo with his head.
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