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kuyashii

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About kuyashii

  • Rank
    Kisaki's Errand Boy
  • Birthday September 4

Profile Information

  • Gender
    Male
  • Location
    Bridge of Sighs
  • Interests
    Self-harm, drug abuse, toxic relationships

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979 profile views
  1. kuyashii

    Yeah I was expecting much worse. Well, the song has a lot going on and it's as such pretty hard to absorb in a few listens, but it's kinda cool. Of course if it wasn't by the heavy elements I wouldn't even give a listen to the band, and as such seeing them ditching the heavy elements is a bit underwhelming, but I always thought they were very good at writing poppy, memorable stuff (actually the first time I heard Chedoara it was exactly the softer parts that stood out the most to me) so I don't think everything is lost. I agree the song is a bit derivative (isn't all VK though) and I feel like they've really betting all slots in this mathy clean guitar kind of sound that has been absolutely blowing up lately (see Ichika Nito and all that) so it doesn't have that strong of a first impact as something like "Vanitas" or "Shigarami" (or even "Aharewata" for that matter, as much as I hate that song), but is definitely a grower. The production is good but I wish I could pick Sho's vocal harmonies on the chorus better. Haven't heard the itunes samples and I don't think I can either tbh so don't have anything to say about anything else. 2 SEs are absolutely unnecessary though
  2. Sounds pretty good! Will keep on eye on them. I agree that Nero's vocals still have some room for improvement, specially when it comes to phrasing and english pronunciation.
  3. kuyashii

    IIRC he lost his voice
  4. The composition is really hard to absorb in a single listen, but I'm kinda liking it. Positively surprised at the Dexcore dude's vocals! I feel like his cleans are rather subpar but his screams are really good. Absolutely gorgeous cover art indeed
  5. kuyashii

    That's a pretty good track! Kinda sounds like a modern take on Withering to Death era DeG with some of the "extreme" flourishes
  6. kuyashii

    The song gets a bit better after some listens, but I still feel like it's a tad longer than it needs to. I haven't seen the lyrics, but judging from what people are saying, it's kinda odd how the major key (?) music clashes against the subject matter of the song and the imagery displayed on the music video
  7. kuyashii

    My favorite album by them is Uroboros. Don't have anything else to say, it's just that good. It's a bit hard for me to choose their worst album since I really dislike both Kisou and TIW, but going by the circumstances each one of those were released, I think TIW stands out negatively more. Kisou is an album by a band that is still trying to find their sound and is expanding their sonic palette by trying new things, but while the ideas are good on paper, it often fails flat when it comes to executing them. Saying that, I think Kisou succeeds at what it tries: to be a weird, experimental and off-putting album, which the strange-sounding production definitely adds to the atmosphere of the record. The Insulated World, on the other hand, was released when the band already reached significant success and following, after a string of three records with very positive reception, and after the biggest interval between LP releases so it was a highly antecipated album. While Kisou at least has some originality, I feel like TIW is a rehash of ideas and formulas that already had some mixed reception at the time of their releases (see The Marrow of a Bone). The production is terrible and definitely doesn't add up to the album, the track order and pacing of the album is really problematic and the stand-out tracks are very by-the-numbers. Stuff from Kisou like "Jessica" or "Embryo" (and even though I don't like the studio version vocals, "24 Cyllinders" is an awesome composition) were legit stand-outs. I like "Ranunculus" a lot but I don't really think it has the power of their previous power ballads, and while the single tracks are fun to listen to, they are really underwhelming compared to the stuff that came before it. So yeah my complete list would be: Uroboros>Vulgar>DSS>Gauze>Arche>WtD>Marrow>Macabre>Kisou>TIW
  8. kuyashii

    Composition is pretty standard anime ED fare and I couldn't care less about it, but there are other things that bother me more in the song, namely the autotune and those really cheap VST strings.
  9. It's kinda hard saying anything about the composition but I'm not really a fan of the vocalist tbh. If it had Sho from Dimlim on it instead, it would be perfect
  10. kuyashii

    Yeah of course the Tomurai debacle was very hard to swallow but to be honest I wouldn't be concerned yet. The "Vanitas" music video was posted on the 2nd of June, and Chedoara itself was out on the 8th of August, more than 2 months after it. We woulnd't see a "digest video" of the Chedoara songs until August 13, 5 days after the release of the album. I understand people have legitimate reasons to be feeling concerned but I don't think it's time to be freaking out yet. Have stuff to be continuously postponed without little explanation like Tomurai, then I'm going to be actually concerned. BTW, has any j-rock/vk band ever tried any crowdfunding campaign or subscription system or something like that? Maybe it could help them. I kinda doubt it considering the japanese music industry is so assbackwards lol
  11. kuyashii

    I'm loving this look tbh
  12. kuyashii

    Maybe they never really were fans of the whole visual thing and they just went for it expecting to appeal to its fanbase and eventually just grew tired of it (more or less a reverse Nocturnal Bloodlust, who started as a non-vk act and shifted into vk for the money)?
  13. kuyashii

    Technique is important when it comes to screams. Yeah, "expressing your feelings", I get it, but if you can't realy do it properly don't even try. Yeah, Vanitas is definitely their best moment IMO Can't really remember anything from it other than the intro, this song and "V-Rock is Dead" though
  14. I see Shinya as a bit like Nick Mason of Pink Floyd when it comes to drumming (even their tom-tom and cymbal work is kinda similar!). Their styles are actually pretty neat and really add up to the songs when it comes to creating atmosphere, but they definitely aren't the most technical drummers and I'm pretty sure if Mason tried to play something by someone like Neil Peart or Bill Bruford, the results wouldn't be that stellar - which is what happens when Shinya tries to go outside his comfort zone. Maybe part of Shinya's love of Yoshiki includes a desire to get worse and worse with time lol
  15. While I'm not trying to protect Shinya from any justified criticism (I agree the drumming on TWoM was pretty underwhelming) if people tend to bring Kyo's health issues when defending him from criticisms when it comes to his problems regarding vocals, I think we should also consider that Shinya has been struggling with some health problems afaik since 2011 (I remember during a live on the AQA tour he had to be rushed into a hospital and it was discovered he had stress fracture on the ribs and managed to play an entire gig through immense pain). I haven't really watched much live footage by them in a good while but I remember in stuff from 2011 you could see he was often making faces of pain while playing songs. While it's kinda understandable he toned down some of the craziest things within his drumming I agree his work has been kinda repetitive and monotone (even though I always loved his more "proggy" drumming with all the toms and cymbal rolls I agree on TWoM his drumming is rather bland and not really varied) and his stuff on the heavy parts has been kinda samey and overall pretty boring. This is one of the reasons I'd rather have them toning down all the more extreme metal influences: they haven't really been in the prime physical condition they used to be when they were at their craziest instrumental habilities so they need to acknowledge the way their physical limitations interfere with their musicianship - and while I think the band still has room to evolve, the arguably questionable quality of their recent attempts at doing heavier stuff - via TIW- kinda demonstrated this is not really the way they could achieve the best results, plus, there are some younger bands that have been absolutely killing on this whole br00tal kei scene. On TWoM itsel, I can't still express how much I love the tempo change around 8:40. That is probably my favorite moment of the song.
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