GreatNorthernVK

It was only two albums wdym 🙃
 
Jokes aside, not saying he was 100% in the dark about it, but on those two albums Asaki was the main "composer" 
There are no plagiarism issues in any of the previous albums (Jake was the composer then) nor in any the 4+ bands Full was in after Guniw (where he is the main composer)
 
Also there's a 10 pages long thread about plagiarized songs in here leave this man alone!!!
 

 
 

Code Vein features a few VAMPS songs, but I’m not sure whether that counts as Visual Kei.

More prog rock 
 

Eins Zwei Drei Vier

Guniw Tools - Niwlun
cali≠gari - Dai 6 Jikkenshitsu
Buck-Tick - 13kai wa Gekkou
Plastic Tree - Puppet Show
Merry - Modern Garde
 
coincidentally these are also the only 5 visual kei albums that exist

Eins Zwei Drei Vier

I agree, they need to consider scheduling, and budgeting. Someone on Facebook was saying “Oh, well if they liked Dimlim, they should have bought tickets no matter the cost! Even if it was more expensive than the Super Bowl!” 
 
Yeah, people don’t have that kind of money to throw around. Especially not most people in Mexico. Especially if people have to travel to the city.
 
It’s one of the reasons why Gazette’s Toronto show was only half sold. Because people aren’t just attending from Toronto. They’re flying in from numerous cities. And not everyone can keep doing that for every Japanese band that comes.

I agree, they need to consider scheduling, and budgeting. Someone on Facebook was saying “Oh, well if they liked Dimlim, they should have bought tickets no matter the cost! Even if it was more expensive than the Super Bowl!” 
 
Yeah, people don’t have that kind of money to throw around. Especially not most people in Mexico. Especially if people have to travel to the city.
 
It’s one of the reasons why Gazette’s Toronto show was only half sold. Because people aren’t just attending from Toronto. They’re flying in from numerous cities. And not everyone can keep doing that for every Japanese band that comes.

I agree, they need to consider scheduling, and budgeting. Someone on Facebook was saying “Oh, well if they liked Dimlim, they should have bought tickets no matter the cost! Even if it was more expensive than the Super Bowl!” 
 
Yeah, people don’t have that kind of money to throw around. Especially not most people in Mexico. Especially if people have to travel to the city.
 
It’s one of the reasons why Gazette’s Toronto show was only half sold. Because people aren’t just attending from Toronto. They’re flying in from numerous cities. And not everyone can keep doing that for every Japanese band that comes.

Sho and Koichi have the same sugar daddy.

Eins Zwei Drei Vier

Eins Zwei Drei Vier

Eins Zwei Drei Vier

Eins Zwei Drei Vier

I agree with this, I’m definitely number 2 

Don’t know what they expected. If they’re pushing for an international audience, renouncing VK isn’t it.
 
There are basically four camps:
1) Those that will only listen to VK, because the aesthetics are slightly more important than the music.
2) Those that mainly listen to VK because of an interest in the scene, but who wouldn’t stop listening if a band dropped their image, if the music was still good. Won’t seek out non-VK bands regularly .
3) Those that listen to all types of J-music as long as it’s good. Doesn’t care one way or another if it’s VK.
4) Actively avoids VK, either because “it’s gay”, or “I hate the fandom”. Won’t listen to a band that used to be VK either, because of fandom crossover.
 
So basically, there’s very little reason for a band to drop the “VK” label, especially in the foreign market.

Don’t know what they expected. If they’re pushing for an international audience, renouncing VK isn’t it.
 
There are basically four camps:
1) Those that will only listen to VK, because the aesthetics are slightly more important than the music.
2) Those that mainly listen to VK because of an interest in the scene, but who wouldn’t stop listening if a band dropped their image, if the music was still good. Won’t seek out non-VK bands regularly .
3) Those that listen to all types of J-music as long as it’s good. Doesn’t care one way or another if it’s VK.
4) Actively avoids VK, either because “it’s gay”, or “I hate the fandom”. Won’t listen to a band that used to be VK either, because of fandom crossover.
 
So basically, there’s very little reason for a band to drop the “VK” label, especially in the foreign market.

Don’t know what they expected. If they’re pushing for an international audience, renouncing VK isn’t it.
 
There are basically four camps:
1) Those that will only listen to VK, because the aesthetics are slightly more important than the music.
2) Those that mainly listen to VK because of an interest in the scene, but who wouldn’t stop listening if a band dropped their image, if the music was still good. Won’t seek out non-VK bands regularly .
3) Those that listen to all types of J-music as long as it’s good. Doesn’t care one way or another if it’s VK.
4) Actively avoids VK, either because “it’s gay”, or “I hate the fandom”. Won’t listen to a band that used to be VK either, because of fandom crossover.
 
So basically, there’s very little reason for a band to drop the “VK” label, especially in the foreign market.

Don’t know what they expected. If they’re pushing for an international audience, renouncing VK isn’t it.
 
There are basically four camps:
1) Those that will only listen to VK, because the aesthetics are slightly more important than the music.
2) Those that mainly listen to VK because of an interest in the scene, but who wouldn’t stop listening if a band dropped their image, if the music was still good. Won’t seek out non-VK bands regularly .
3) Those that listen to all types of J-music as long as it’s good. Doesn’t care one way or another if it’s VK.
4) Actively avoids VK, either because “it’s gay”, or “I hate the fandom”. Won’t listen to a band that used to be VK either, because of fandom crossover.
 
So basically, there’s very little reason for a band to drop the “VK” label, especially in the foreign market.

This album sounds like a weird hybrid of Dance Gavin Dance and (new) Bring me the Horizon

Sho and Koichi have the same sugar daddy.

Sho and Koichi have the same sugar daddy.

Sho and Koichi have the same sugar daddy.

Sho and Koichi have the same sugar daddy.

Sho and Koichi have the same sugar daddy.