Himeaimichu

One other trope I'd like to mention is speaking parts. This requires literally no knowledge of music theory so I can explain this fully lol.
 
Basically, Visual Kei bands REALLY love their spoken parts. I assume this is a hand-me-down from the Japanese goth scene. Most notably, G-Schmitt songs
The song CATHOLIC by G-Schmitt, which has a notable speaking part in the guitar solo, seems to have been a song that was popular among early Vkei bandmen. Popular enough for bands like Gilles De Rais, Luna Sea, Deshabillz, Missalina Rei, Dir en Grey and more to pick up on it. Why speaking parts? Well it's takes the least amount of effort, and sounds fucking cool. Initially, they were just used for intros and during certain parts, but their use eventually spread to other parts of the songs.
 

I was actually wondering this myself. There are a lot of cliche musical elements in 90's Visual Kei that I can easily point out, but don't know the music theory behind because I'm barely a musician. There are certain drum beats, chord progressions, scales, effects, vocal techniques, and more that have become cliche in Visual Kei.
 
One notable example is what I call "THAT" Visual Kei chorus. It's not really one thing, but a combination of factors that come together. Mainly the drum beat and chord progession.
Compare the chorus of these songs:
These aren't the best examples, but they're the first that comes to my mind. From what I've seen, it seems to be a synthesis of influences from Luna Sea, G-Schmitt, BOOWY, Zi:Kill and whatnot, but I really don't know which artists made it "cool", per-se, probably Luna Sea. They don't all use the same chord progessions or drum beats, but they revolve around similar ones.
 
Then there are the pinch harmonics. (This is where my super basic knowledge in playing guitar comes in). For those who don't know what pinch harmonics are, they're when you lightly touch the guitar string with your thumb joint while picking a note, in order to get a higher pitched sound. In Western Rock, these are referred to as "squealies" because they're often used to make high pitched squeals. In Visual Kei, however, they're used as ornaments to a riff that basically shift around the octaves of the notes.
I would say this started as mainly a glam rock thing, as BOOWY implemented it occasionally in songs, such in the bridge of LIKE A CHILD (which has also influenced Vkei in other ways)
 

I was actually wondering this myself. There are a lot of cliche musical elements in 90's Visual Kei that I can easily point out, but don't know the music theory behind because I'm barely a musician. There are certain drum beats, chord progressions, scales, effects, vocal techniques, and more that have become cliche in Visual Kei.
 
One notable example is what I call "THAT" Visual Kei chorus. It's not really one thing, but a combination of factors that come together. Mainly the drum beat and chord progession.
Compare the chorus of these songs:
These aren't the best examples, but they're the first that comes to my mind. From what I've seen, it seems to be a synthesis of influences from Luna Sea, G-Schmitt, BOOWY, Zi:Kill and whatnot, but I really don't know which artists made it "cool", per-se, probably Luna Sea. They don't all use the same chord progessions or drum beats, but they revolve around similar ones.
 
Then there are the pinch harmonics. (This is where my super basic knowledge in playing guitar comes in). For those who don't know what pinch harmonics are, they're when you lightly touch the guitar string with your thumb joint while picking a note, in order to get a higher pitched sound. In Western Rock, these are referred to as "squealies" because they're often used to make high pitched squeals. In Visual Kei, however, they're used as ornaments to a riff that basically shift around the octaves of the notes.
I would say this started as mainly a glam rock thing, as BOOWY implemented it occasionally in songs, such in the bridge of LIKE A CHILD (which has also influenced Vkei in other ways)
 

I was actually wondering this myself. There are a lot of cliche musical elements in 90's Visual Kei that I can easily point out, but don't know the music theory behind because I'm barely a musician. There are certain drum beats, chord progressions, scales, effects, vocal techniques, and more that have become cliche in Visual Kei.
 
One notable example is what I call "THAT" Visual Kei chorus. It's not really one thing, but a combination of factors that come together. Mainly the drum beat and chord progession.
Compare the chorus of these songs:
These aren't the best examples, but they're the first that comes to my mind. From what I've seen, it seems to be a synthesis of influences from Luna Sea, G-Schmitt, BOOWY, Zi:Kill and whatnot, but I really don't know which artists made it "cool", per-se, probably Luna Sea. They don't all use the same chord progessions or drum beats, but they revolve around similar ones.
 
Then there are the pinch harmonics. (This is where my super basic knowledge in playing guitar comes in). For those who don't know what pinch harmonics are, they're when you lightly touch the guitar string with your thumb joint while picking a note, in order to get a higher pitched sound. In Western Rock, these are referred to as "squealies" because they're often used to make high pitched squeals. In Visual Kei, however, they're used as ornaments to a riff that basically shift around the octaves of the notes.
I would say this started as mainly a glam rock thing, as BOOWY implemented it occasionally in songs, such in the bridge of LIKE A CHILD (which has also influenced Vkei in other ways)
 

You know you're a shitty person when even Yuuga himself, one of the biggest douches in Vkei, calls you out lol. 

I used to have live plants back when I kept aquariums. I'm considering doing it again, but this time, going full on aquascaping

Hearing that the former Inugami members are in this is a little unexpected

Hearing that the former Inugami members are in this is a little unexpected

-COBRA- / Devil Kitty
不幸自慢 / Devil Kitty
「我、悪魔故。」 / Devil Kitty
Desperate... / 弥叉
我神昌嘆 / MADARA 
Explosion Showcase (omnibus)
 

Ramune for life. Especially Yuzu flavor. I'm a slutty hoe for Yuzu flavor

I've noticed early 2000's Diru, as somewhat kinda previously mentioned by @Himeaimichu, has a very kind of Y2K vibe to it, in fact Kisou and MACABRE share similar vibes.
 
 
 
 

edited bc i don't think it actually fit the aesthetic after all lol
 

Recently, I've been getting more interested in the Y2K aesthetic. For those who don't know, the Y2K aesthetic is a collective term for the sleek futurism of the late 90's and early 2000's that manifested itself in music videos, fashion, and technology.
As Aesthetic Wiki puts it, "Y2K is an aesthetic that was most prevalent from roughly 1998 to 2003. Y2K aesthetics are often characterized by a distinct aesthetic period, encapsulating fashion, hardware design, music and furnishings shiny with tech optimism – sometimes literally. According to the Y2K Institute, some of Y2K's aspects include, tight leather pants, silver eye-shadow, shiny clothing, Oakleys, gradients, and Blobjects and Blobitecture. Most of Y2K aesthetics rely on the use of technology and slick futuristic looks, signaling the optimism a new era as people approached the millennium".
 
This thread is to discuss the use of the Y2K aesthetic in Visual Kei.
One of my favourite examples is the iconic music video for Yokan by Dir en Grey. This pretty much speaks for itself
And while this is definitely past the era of Y2K, the music video for Mikansei to GUILT by Phantasmagoria is definitely influenced by Y2k futurism.
 

👀 Nice phantasmagoria video 

Laputa had some fun with futuristic visuals when they hopped onto the electro-rock train towards the end of their career.
 
For example:
 

Recently, I've been getting more interested in the Y2K aesthetic. For those who don't know, the Y2K aesthetic is a collective term for the sleek futurism of the late 90's and early 2000's that manifested itself in music videos, fashion, and technology.
As Aesthetic Wiki puts it, "Y2K is an aesthetic that was most prevalent from roughly 1998 to 2003. Y2K aesthetics are often characterized by a distinct aesthetic period, encapsulating fashion, hardware design, music and furnishings shiny with tech optimism – sometimes literally. According to the Y2K Institute, some of Y2K's aspects include, tight leather pants, silver eye-shadow, shiny clothing, Oakleys, gradients, and Blobjects and Blobitecture. Most of Y2K aesthetics rely on the use of technology and slick futuristic looks, signaling the optimism a new era as people approached the millennium".
 
This thread is to discuss the use of the Y2K aesthetic in Visual Kei.
One of my favourite examples is the iconic music video for Yokan by Dir en Grey. This pretty much speaks for itself
And while this is definitely past the era of Y2K, the music video for Mikansei to GUILT by Phantasmagoria is definitely influenced by Y2k futurism.
 

Gackt's Vanilla PV borrowed part of the aesthetic, even though you can still see the 90's here and there.
 
 
 
I feel like Tonight PV by Luna Sea would have liked to use the aesthetic too (at least for the parts with the band playing inside the "futuristic" room) but the director/post production didn't received the memo (they didn't even put the omnipresent cold blue filter).
 
 
 
 
OT: For the ones that don't know whats Y2K aesthetic is, basically the 2 biggest cultural spreader (and large scale influencer?) were Matrix and Bjork "All is full of love video" video, if my memory doesn't fail me. Good to know it has a name now, at that time I liked to call it the "aseptic futurism"
 
 

Recently, I've been getting more interested in the Y2K aesthetic. For those who don't know, the Y2K aesthetic is a collective term for the sleek futurism of the late 90's and early 2000's that manifested itself in music videos, fashion, and technology.
As Aesthetic Wiki puts it, "Y2K is an aesthetic that was most prevalent from roughly 1998 to 2003. Y2K aesthetics are often characterized by a distinct aesthetic period, encapsulating fashion, hardware design, music and furnishings shiny with tech optimism – sometimes literally. According to the Y2K Institute, some of Y2K's aspects include, tight leather pants, silver eye-shadow, shiny clothing, Oakleys, gradients, and Blobjects and Blobitecture. Most of Y2K aesthetics rely on the use of technology and slick futuristic looks, signaling the optimism a new era as people approached the millennium".
 
This thread is to discuss the use of the Y2K aesthetic in Visual Kei.
One of my favourite examples is the iconic music video for Yokan by Dir en Grey. This pretty much speaks for itself
And while this is definitely past the era of Y2K, the music video for Mikansei to GUILT by Phantasmagoria is definitely influenced by Y2k futurism.
 

Recently, I've been getting more interested in the Y2K aesthetic. For those who don't know, the Y2K aesthetic is a collective term for the sleek futurism of the late 90's and early 2000's that manifested itself in music videos, fashion, and technology.
As Aesthetic Wiki puts it, "Y2K is an aesthetic that was most prevalent from roughly 1998 to 2003. Y2K aesthetics are often characterized by a distinct aesthetic period, encapsulating fashion, hardware design, music and furnishings shiny with tech optimism – sometimes literally. According to the Y2K Institute, some of Y2K's aspects include, tight leather pants, silver eye-shadow, shiny clothing, Oakleys, gradients, and Blobjects and Blobitecture. Most of Y2K aesthetics rely on the use of technology and slick futuristic looks, signaling the optimism a new era as people approached the millennium".
 
This thread is to discuss the use of the Y2K aesthetic in Visual Kei.
One of my favourite examples is the iconic music video for Yokan by Dir en Grey. This pretty much speaks for itself
And while this is definitely past the era of Y2K, the music video for Mikansei to GUILT by Phantasmagoria is definitely influenced by Y2k futurism.
 

Recently, I've been getting more interested in the Y2K aesthetic. For those who don't know, the Y2K aesthetic is a collective term for the sleek futurism of the late 90's and early 2000's that manifested itself in music videos, fashion, and technology.
As Aesthetic Wiki puts it, "Y2K is an aesthetic that was most prevalent from roughly 1998 to 2003. Y2K aesthetics are often characterized by a distinct aesthetic period, encapsulating fashion, hardware design, music and furnishings shiny with tech optimism – sometimes literally. According to the Y2K Institute, some of Y2K's aspects include, tight leather pants, silver eye-shadow, shiny clothing, Oakleys, gradients, and Blobjects and Blobitecture. Most of Y2K aesthetics rely on the use of technology and slick futuristic looks, signaling the optimism a new era as people approached the millennium".
 
This thread is to discuss the use of the Y2K aesthetic in Visual Kei.
One of my favourite examples is the iconic music video for Yokan by Dir en Grey. This pretty much speaks for itself
And while this is definitely past the era of Y2K, the music video for Mikansei to GUILT by Phantasmagoria is definitely influenced by Y2k futurism.
 

Recently, I've been getting more interested in the Y2K aesthetic. For those who don't know, the Y2K aesthetic is a collective term for the sleek futurism of the late 90's and early 2000's that manifested itself in music videos, fashion, and technology.
As Aesthetic Wiki puts it, "Y2K is an aesthetic that was most prevalent from roughly 1998 to 2003. Y2K aesthetics are often characterized by a distinct aesthetic period, encapsulating fashion, hardware design, music and furnishings shiny with tech optimism – sometimes literally. According to the Y2K Institute, some of Y2K's aspects include, tight leather pants, silver eye-shadow, shiny clothing, Oakleys, gradients, and Blobjects and Blobitecture. Most of Y2K aesthetics rely on the use of technology and slick futuristic looks, signaling the optimism a new era as people approached the millennium".
 
This thread is to discuss the use of the Y2K aesthetic in Visual Kei.
One of my favourite examples is the iconic music video for Yokan by Dir en Grey. This pretty much speaks for itself
And while this is definitely past the era of Y2K, the music video for Mikansei to GUILT by Phantasmagoria is definitely influenced by Y2k futurism.
 

S I K E
you just got
PRANKED
 

This band keeps getting more Vkei and I'm all here for it

This band keeps getting more Vkei and I'm all here for it

This band keeps getting more Vkei and I'm all here for it