Himeaimichu

Their music and aesthetic did influence early Vkei bands though. Like, listen to the song Catholic. Visual Kei literally partially grew from Japanese Goth bands. Obviously G-Schmitt pre-dates Visual Kei, but their music was definitely an important step. Many of the first Visual Kei musicians were goth, and probably listened to Japanese goth bands as well as your standard western goth bands.

Obviously G-Schmitt isn't full on Visual Kei, but to say they didn't influence Visual Kei at all, is really stretching it.

I'm afraid people who went to see late 80s post-punk liveshows or walpurgis etc events made their own post-punk/no wave bands to stay underground...  I can hear post-punk-ish rhythm and "nerve" in the very early vkei, but it disappeared too fast...

And then there's the great Auto-Mod, who had Tomoyasu Hotei on guitars before he moved on to Boowy. I always considered Auto-Mod/Genet to be the secret grandfather of visual kei. It always felt like Kiyoharu got his early warbly voice in Kuroyume more from Genet than the obvious Robert Smith. The Tribute to Auto-Mod album really drives that home with Kiyoharu's epic Deathtopia cover.

And then there's Libido who I've gotten into recently who was connected with YBO2 and the Transrecord scene of krautrock. Their songs definitely had gothic moments both aurally and visually. One of Libido's early guitarists actually was one of the founding members of G-Schmitt before moving on to other projects.