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Leaderboard Like I said in the suggestions thread : The official MH Visual Releases Calendar is ow opened ! I will do my best for daily updates and feel free to add the missing ones . 2018 JANUARY 2019 FEBRUARY 2019 MARCH 2019 APRIL 2019 MAY 2019 JUNE 2019 JULY 2019 AUGUST 2019 SEPTEMBER 2019 OCTOBER 2019 NOVEMBER 2019 DECEMBER 2019 JANUARY 2020 FEBRUARY 2020 MARCH 2020 APRIL 2020v MAY 2020 JUNE 2020 JULY 2020 AUGUST 2020 SEPTEMBER 2020 OCTOBER 2020 NOVEMBER 2020 DECEMBER 2020 JANUARY 2021 FEBRUARY 2021 MARCH 2021 APRIL 2021 MAY 2021 JUNE 2021

DIMMDIVISION. announced their 3rd single [ Brightly, Brightly / Slide ] to be released at their 1st oneman live this Sunday.

Nice! The Velvet do the kind of low-budget kei I'll always give a chance, looking forward to it. If you were actually curious: melancholy is a noun, melancholic is the adjective form.

Sadly I don't speak japanese, but I think I found out what privilege DVD it should be. It should be from YesAsia for Philia. Here a screen shot (with the Philia era costumes).

The Velvet "new" album re-release 「再上映禁止の水玉キネマ」(Saijouei kinshi no mizutama kinema) price: 3000 yen (3240 tax-in) release: 2018/9/9 (pre-release 8/31 at ikebukuro chop) Tracklist: 1.禁曜ロードショウ (Kinyobi Roadshow) 2.迷い猫のドォリス (Mayoi neko no Doris) 3.致死量メランコリィ (chishiryou Melancholy) 4.Candy Night Lover 5.ストリッパー (Stripper) 6.溺れる人魚 (Oboreru ningyo) 7.変態 (Hentai) 8.ダレカサンガ コロンダ (Dare kasan ga Colonda) 9.同じ月を見ている (Onaji tsuki wo miteiru) 10.感染するアンドロイド (Kansensuru Android) 11.君が見た夢 (Kimi ga Mita yume) 12.真夜中のサーカス (Mayonaka no Circus)

From 2018.07.20 to 2018.08.31, every person buying for 1500 yen or more will receive a DVD called 「Like an Edison 2018 SUMMER GEKIATSU!! DVD 」in Like an Edison's stores (Tokyo, Harakuju, Nagoya and Osaka). --> http://ktai.la-edison.com/pc/SummerSale2018_2.html Bands : ■Vol.1 1.R指定 2.AIOLIN 3.i.Rias 4.Awake 5.アクメ 6.天照 7.umbrella 8.Anli Pollicino 9.アルファリア 10.アンフィル 11.IGGY 12.犬神サアカス團 13.vistlip 14.ヴィルシーナ 15.L.A bash all the emotions 16.えんそく 17.大村孝佳 18.乙女国家 19.怪人二十面奏 20.怪盗戦隊ヌスムンジャー 21.GARAK'S 22.Kaya 23.己龍 24.空想ノベル 25.CLACK inc. 26.グラビティ 27.クロノ×クラウン 28.ゴシップ 29.コドモドラゴン 30.コントラリエ 31.C4 ■Vol.2 1.-真天地開闢集団-ジグザグ 2.ジグソウ 3.Sick2 4.死ニタガリ 5.ジャックケイパー 6.JACK+MW 7.Chanty 8.Jin-Machine 9.Scarlet Valse 10.SCAPEGOAT 11.Smileberry 12.ゼログミ 13.零[Hz] 14.ソニックデスモンキー 15.ZON 16.ぞんび 17.DASEIN (Black DASEIN) 18.DAMY 19.DARIAN MARIAN 20.だるま喰ったら龍ニ成ル。 21.Develop One's Faculties 22.てんさい。 23.DOG inTheパラレルワールドオーケストラ 24.TЯicKY 25.NoGoD 26.π乙。 27.heidi. 28.BugLug 29.HAKLO 30.HELLO. ■Vol.3 1.バロムナイツ 2.ビバラッシュ 3.Blu-BiLLioN 4.BLESS THIS MESS 5.ベル 6.ヘルタースケルター 7.The Benjamin 8.ペンタゴン 9.ペンデュラム 10.POIDOL 11.THE MICRO HEAD 4N'S 12.マイナス人生オーケストラ 13.MagistinaSaga 14.MAD LIP 15.マルコ 16.未完成アリス 17.MICBAM 18.メトロノーム 19.メリーバッドエンド 20.最上川司 21.ユナイト 22.La'veil MizeriA 23.LEZARD 24.Linaria 25.Lill 26.LUCIFER 27.0.1gの誤算 28.the Raid. 29.麗麗-reirei- 30.REIGN 31.Royz An omnibus called 『SUMMER SELECT 2018』will be given to those buying for more than 1800 yen at Like an Edison's store in Osaka. It will be available from 2018.07.20 to 2018.08.31. Tracklist : アクメ / ROTTEN ORANGE Clack inc. / Last[E] Chanty / ソラヨミ ジグソウ / 近所のあの子 ゼログミ / スプラッシュボーイ David / Mage てんさい。 / ベストセフレンド TRNTY D:CODE / GRAVITY 泣キ虫 / 正直者は馬鹿を見る。 ビバラッシュ / Century Mermaid MICBAM / PIERROT LUCHIFER / HADES レイヴ / 「転んだ。」 the Raid. / メルトスノー

Oh, they meant that song is gonna be an ending, right? Right? He just mistyped it. Silly Yoshiki...

Just FYI guys, the support member's name is Yamamitsu. https://twitter.com/neko0908287

I like it a lot

Guys for so long I tried ripping my VK VHS tapes but it didn't work at all!! But now I found out it's JUST BECAUSE I HAVE A PAL VHS PLAYER!!! Tried so many different methods lol for such a simple thing.

I mean its an anime intro, my guess is they asked for a certain style a long with other requirements so this is what he came up with. Its sounds okay but id have to hear the full version to make a final decision. Im sure if he had full liberty to make what ever he wanted it would have been different.

It saddens me so much that after 11 years of waiting, XA-VAT, hector and DAV limit their CD aviability to their concerts...

What's the difference between melancholic and melancholy? *edited, anyway next time, since you are mod, be free to edit my post with corrections.

Sounds pretty good to me.

They're like a physical way of downloading a digital file. Each one has a download code on it for the songs.

They're really only that sporadically active? I somehow thought they were more productive than that. It's a pity cuz I remember their music being good

They haven't released anything for 5 years, and performed 2-3 times a year only. For example, their latest lives were: 2018/4/28, (no lives in 2017) 2016/11/18, 2016/1/21, 2015/6/27, 2015/3/2, 2015/1/10, 2014/9/2, 2014/8/2, 2014/5/27, 2013/11/18 ...

It's really nice to hear you guys enjoy his music! ; > I completely agree. It's not that easy to find innovative and genuine artists in visual kei so supporting them is very important. Especially if they are this skilled, too. Also the non Japanese bands often try to imitate the Japanese ones so much that they end up lacking substance and miss the chance to add their own perspective and this is very different. A teaser for the upcoming MV has been released yesterday:

Lack-co are in the middle of hosting a series of Monday two-man shows called "ステゴロ" (what does Stegoro mean??) and having never seen Tenten in any of his bands and The Gallo being one of my favorite active VK bands I had to go to this one while I was visiting Tokyo. 東高円寺二万電圧 (Higashi Koenji ni man Den-atsu) is just outside the central Tokyo region defined by the Yamanote Line, but it was a quick trip on a couple trains and Den-atsu is very close to the station when you arrive. To access the venue you first have to descend an outdoor, concrete staircase toward an outdoor landing. The descent actually made me a bit nervous as there was no railing on one side and it was raining at the time. This was a very non-descript entrance from the roadway. After walking down the stairs and making a turn I was looking at a way too-cool-for-school 30-something dude manning the ticket table. Acknowledging that I don't look much like the typical VK fan in Japan, when I asked for one ticket this guy with shaggy hair at the table actually asked me "You know who's playing tonight?" He didn't sound mean about it, I think he genuinely wanted to save me from seeing this show normally reserved for younger women assuming I had just stumbled to the club looking for any live music I could find. I assured him I was there to see The Gallo and he handed me my paper ticket that doubled as a drink ticket. I liked the set up in side Den-atsu as the bar and merch tables were outside the stage area, which meant I could stand pretty much anywhere inside and not be in the way of people trying to sell things. I found a spot in the rear of the club in front of a tiny alcove that was littered with bags belonging to the VK girls in attendance. This was a fairly small club with low ceilings; their website says the capacity is 130 and I'd say this show had about 80-90 people in attendance. The head count reminded me just how niche a scene VK is. I'd consider The Gallo and Lack-co two of the more well-known indies bands, so it was a bit jarring to see the small venue they were playing at even in a giant city. I'm obviously too deep into VK to remember that almost no one cares about this stuff. Obviously The Gallo were going to be playing first... both because Lack-co were hosting the event and because I saw a lot of the girls standing near the stage holding their signature bowl and spoon. One girl near me had a plain bowl with no logo on it that I could see, did I miss something or did this girl just bring her own bowl from her kitchen to clap along with? I think the latter scenario is pretty funny/ingenious actually. I mentioned in a live report from a couple years ago that The Gallo fans kept doing furi during the band's music playing between sets over the club's PA, and during this show the fans clapped along to the bass drum sound check. Gallo fans seem like a fun bunch in general. The curtain was drawn to reveal the band in their latest Gallo-Vuitton all over print leisure suits. Jojo had his hair cascading through the top of a hat with the top cut off and some Day of the Dead skull inspired makeup for a very Tim Burton-y look overall. Andy had his palm against the ceiling atop the stage, and I don't think he was raising his hand to get the crowd hyped but rather to test whether or not he could pump his fist upward during the show (he couldn't without hitting his hand... a lot of the band members had to deal with this and would only throw up their hands while bending backward to afford themselves a little more space.) Some of the audience were even checking to see if they could touch the ceiling. The stage right guitarist (they have names for these positions in VK but I don't remember them) had one of those guitars with no headstock, and it looked from across the room like the end of the neck had dripping red wax poured on it a la a Maker's Mark bottle. The newer guitarist, Nov, passed out paper plates to the audience so that people who didn't bring their own (like me, no I didn't pack my Gallo plate in my luggage) could clap along and the set began with "Belphegor". "Belphegor" has some pretty obvious clapping along portions, so even a noob like me could get the hang of the plate banging fairly quickly. The highlights of the set for me were the fact that they played "Kuroi Ondori" (ok they played the remade version from Nero, but still) which is a favorite of mine, and also the 'circle pit' that Jojo started with himself dancing in the center of the maelstrom playing with a megaphone set to siren mode. The lowlights, if you can call them that, were that two different songs had the audience doing the wave (do we need that two separate times?) and that the MC music was "Tokyo Cinderella" but they didn't actually play "Tokyo Cinderella". Some of the non-bowl-based audience participation that was fun was the crowd stomping on the floor in time the beat and the crowd holding hands and swaying back and forth. Of course a couple songs had the requisite gyaku-daibu portions, and I'm certainly not jumping into the backs of some tiny Japanese girls, but they were fun to watch. Nov was kneeling on the backs of a couple girls during one diving song and slipped off them and stumbled backwards onto the stage. Wajou occasionally tried to demand the crowd participate in the diving like the other members were, but he is way too smiley and couldn't really pull it off. He just couldn't help being happy even trying to look mean. The Gallo ended their set with a really high energy rendition of "Incubus" (which I'm still disappointed has no theremin in the live version) during which Jojo was leaning over the crowd singing and got some feedback when he put his mic in front of the amp and proceeded to give it a disappointed look and bop the amp on its 'head' like it was a recalcitrant child. With The Gallo finished with their set thus began the churning of the crowd as Lack-co fans moved into the frontmost positions and many girls invaded my small space in the back looking to find their bags and check their phones and makeup. It kind of sucks for people in the back, as the polite spot changing for peoples' favorite bands leads to a weird concert-going scenario where the back of a venue is often more crowded than the front, but it is kind of cool that the scene (or just Japanese live music fans?) doesn't require people who want to be up front for the band playing last to endure being crushed through all the other shows as concerts in the west would. Interesting note about Den-atsu: in tearing down the stage between sets (which isn't quite the production at these Japanese clubs where you basically just have to bring your instrument and plug in) the bands/roadies had to move equipment down from the stage into the audience area and out through a side door that wasn't connected to the stage. So after the curtain was closed on The Gallo, a couple minutes later we saw band members bringing things down from the stage to this side door. (from Lack-co Twitter) While The Gallo fans can be identified by their white bowls and spoons, Lack-co fans had all produced blue and red clamshell castanets to clap along with. I have to say these did dramatically change the sound of the crowd applause in a way that might get old, but was kind of refreshing for the first time. Lack-co's intro SE was a piano rendition of "Twinkle Twinkle Little Star" that gradually morphed into the requisite fist-pounding, techno track. The first member to take the stage was drummer Higiri, and wow I thought I hated his black face, but this blue Alfalfa x Cindy Lou Who hairstyle he was rocking for the show might actually bother me even more (not bother in the same way obviously, but it was not pleasant to look at.) I resolved to avoid watching him as much as possible. The band, except for Tenten who had a Lack-co band tee over a white shirt, were all wearing the red suits with writing strewn all over them from their most recent look. I recognized some of the words scrawled on their suits like 'shine' and 'kimoi' as 'mean things to say to someone'. Very edgy boys. Between not loving their output so far, and the majority of their tracks having titles in Japanese, I didn't recognize much of Lack-co's set list other than a riff here or there. The show did remind me of why I keep giving Tenten's bands chances and will continue to; he is one hell of a charismatic frontman. His sly smiles and confident stage mannerisms had the audience eating out of the palm of his hand and made it so it was hard to pay attention to any of the other members of the band. His best move was when he parted the Red Sea of fans to do a bit of 'everyone run into each other from opposite sides of the venue' but just as the opening in the center stabilized, he jumped down and ran to the cameraman at the back of the venue, struck a pose for a moment, then dove back onto the stage just as the cue for the crowd to go wild hit. Lack-co's set actually resembled a straight up rock show the most of any VK bands I've seen I think. There was very little *furi*, most of the synchronized moves were headbanging, clapping, fist-pumping type stuff that required no direction from Tenten or the band. Tenten even commanded an almost bona fide circle pit during which one girl lost her sweater and it ended up absolutely trampled. In fact, I was a little surprised by how much the show, for lack of a better word, rocked. Lack-co has always seemed like an assemblage of too cute ideas in search of a central theme or melody to hold on to on wax, but live their songs resonated nicely even with perhaps a 'jazz' breakdown a little too often. Milk threw a carton of milk into the crowd as the band were leaving the stage... ride that USP hard buddy. Ivy was fun strutting around the stage and headbanging as usual. I say as usual because I'm pretty sure I saw him at three different shows the week I was in Tokyo, at Lack-co and as a session bassist the other two. When the set ended the girls chanted and clapped in unison for an encore. (Though they appear to be saying "an-ko-re" instead of "an-ko-ru"? I guess the first group that did it had only seen the word encore and not heard it spoken??) They even started up a chant for a second encore that was cut off by the house lights and a voice over the PA system telling them, I'm guessing here, that the show was actually over and it was time to go home. This was a fun pairing for a two-man show as both bands and their groups of fans have pretension-free fun jumping around to some quality tunes. I'll be sure to check out Tenten's next band if I visit Japan again 😉.

Looking at the OHP there are an announcement.. The release of the album its postponed and presumably see the light someday in July. Is going to be only one version and the price is uncertain.. (EDIT) Seems to be there is a design issue, so, the plan is to start it late July, early August... Really looking for this CD to be released.. 💀

Back in 2010 at Sonisphere as a small snippet in the middle of LIE BURIED WITH A VENGEANCE.

Marvelous Cruelty demo, "幾何学模様ノ歪人形" has officially been sold out at their live on June 15. their 3rd demo,「悲壮ヲ奏デル懺悔ノ十字架」 will be released at their oneman live at Shinsaibashi JUZA on August 18, and it will come with a live PV

I bought the new album off bandcamp last night. Can't wait till it ships! Glad to support something so genuine and genuinely good. Its like completely up my ally.

Now I need his discography

That's been my experience in a nutshell. Different bands provide a different fan 'aura', but generally my experience as a 20-something's gaijin has been pretty accommodating. The awkwardness always melts away when my favorite bands take the stage anyway \m/ (I've just learned to stay out of the furitsuke for my own good LOL)

I only care about the EU tour coming up if they keep zetsu

They are there, obviously, but isn't that generally how visual kei works? I don't think this is on the same level as copycats like grieva as their own style is clearly audible and also, in my opinion the clichés they choose are nicely arranged and combined. As for Dir en grey, ZAN (or any other 黒夢 inspired rush song) is definitely there, but the guitar in 運命開化 reminds me of much older melodic mid 90s bands and that is not really a common occurence.

Also, you forgot the best part! Kenji's doing an "Abdominal Muscle Touch Event" if you buy the deluxe version! But to keep people from lining up all night, the specific stores holding the event won't be announced until 8am the day the CD will be released.

Black suits are a pro ‘my band is breaking up’ move because you can go to job interviews during the day without having to bring a change of clothes for your show at night.

I lived in Tokyo and went to all their local shows and many of the away ones too during their second period in the 2000s. Something that I think isn’t fully appreciated among international fans is just how unpopular and broke Lareine was during that time, and how desperately and passionately they worked despite the obstacles. But every concert was magical. It had to be. There was no reason to do it otherwise, and a million reasons to quit. It felt like borrowed time, and I was always so happy and grateful to be able to see them despite the bittersweet feeling they would have been better off doing something else. They always looked exhausted at events, rarely had new costumes, rarely even had new goods because I think they had trouble coming up with deposits. Cheki didn’t start to become a thing until late in their history (2005-ish?) when they’d already spent years grinding away with little return. I suspect the reason why they were able to put out as many releases as they did is because back during Lareine’s Sony days Kamijo invested in buying a bunch of his own production equipment. I think normally an indie band at that level wouldn’t have had those resources. But time to write and rehearse seemed like a scarce commodity too back then. There were times when Kamijo looked half dead. And every time Lareine did a little tour we could watch Kamijo perk up day by day, at the same time as us fans with normal lives were getting more and more tired as the tour went on. It always made me wonder what on earth kind of awful schedule he normally had in Tokyo, juggling the band and probably a part-time job, that going on tour would feel like a vacation to him. (Later on when I read Versailles interviews, they mentioned that Kamijo and Hizaki first met while working at Third Stage.) Unfortunately by 2003 Lareine was already perceived as old, out of date, and uncool. A ‘90s band. If they hadn’t paused in 2000 maybe things would have been different, maybe they could have built a solid base like Dir or Pierrot. But coming back in 2003 it was too late, the trends had already changed. Lareine had few fans back then, and it seemed like all of us were fans from before. I never met any Japanese fans who said they were new. (only international fans) Young VK fans didn’t care. Lareine wrote some of the currently trendy themes into their music in ways that were interesting instead of pure copy/paste, and us old fans had fun, but nobody else cared. They did some amazing experimental stuff on stage, and nobody saw it except us few old fans. To give you an idea of how young fans perceived them, there was a big outcry when Versailles was announced because people didn’t think a pansy weak vocalist with a thin high voice like Kamijo should be playing with awesome (but unknown) guitarists like Hizaki and Teru. They really got outraged when we heard Versailles was going to have a heavy sound. I got in a lot of arguments online at that time with people who clearly thought I was a delusional fangirl for saying that Kamijo’s voice is powerful enough to sing heavier music. In February 2006 Kazumi announced that he was leaving Lareine and retiring from music. I never blamed him, I was thankful that he had done his best to help bring us great music for so long despite the hardships. But this was really the beginning of the end. Lareine put out big ads in the major VK magazines looking for a new drummer, and they even went out of their way to explicitly write that they would take applications from anybody regardless of age or sex or nationality, as long as they could play and would love the band. I think that would be shocking to see in a band’s want ad even today, and this was in 2006 before the explosion of international tours had happened. But they weren’t able to find a drummer, and then during the summer Mayu vanished again. Honestly I can’t even blame Mayu either for wanting to quit under the circumstances, but it was terrible that he vanished without communication or warning. The Club Citta live they did in October was originally supposed to be a Halloween Party event live with multiple bands, not their last live. I went to as many of Kamijo’s anniversary tour dates as I could, since it was so special. The Tokyo final with everyone was amazing. So glad I went. p.s. “Drama” was so great live that to this day I can still half-hear the performance in my memory, even though they only played it twice in Sapporo in February 2006 before Kazumi left. It was so powerful. Kazumi and Emiru were much louder than on the studio version; this song actually has a really sexy rhythm when you can hear them. Mayu took the electric part instead of the acoustic one. They came together solid and strong booming on the beat in that last chorus on the song, Kamijo singing powerfully instead of gently, and hard on the beat like the others. I regret not bringing my MD recorder to Sapporo, but I never imagined that those 2 nights would be the last times we could enjoy Lareine normally.

If I have permission from an admin, then I'll drop the highlights. Mostly I just don't want anyone to think I'm doing it to smear the bandmen in question or attempting to pass anything off as an absolute truth. The stories about Harcon in particular are generally considered to be a mix of truths, half-truths, exaggerations and total fabrications. The following is a selection of posts just from this archived Harcon thread: http://old.bbs.2ch2.net/admin/readkako.cgi?bbs=visualtanuki&key=1223287368 Byou is called by his real last name throughout the thread, I've replaced it in the translation. Also, some of the content below is disturbing. I also found some thread about bandmen and fighting but it's mostly about extremely early vk bandmen (RAPES, Charisma, Dynamite Tommy, X, LUNA SEA). I'll come back with those highlights when I have some time!

It's been quite a while since my last visit to Monochrome Heaven. Some of you may remember me, but a lot of you may not. I've already introduced myself way back in 2011, so I've decided to make a new introduction thread 😁 Anyway... My name's Kacper and I'm from Poland. I'm currently 26. My major hobbies include heavy metal, learning Japanese, drawing, computer graphic design and some sport activities during free time When it comes to music, I love power/speed metal, traditional heavy metal and a bit of thrash. But when there is something else and it doesn't have to be metal, I like it too 😉 I've been into Japanese music since 2008, started with Visual Kei, then progressed into J-metal. My favourites range from classic (X Japan, Loudness, Seikima-II, Bow Wow/Vow Wow, Anthem, Outrage) to modern bands (Sex Machineguns, The Kanmuri, Gargoyle, Concerto Moon, Crossfaith, Dir en Grey). Perhaps, there is anyone else into Japanese metal? There's a chance I'll be writing album reviews in the future Anyway, nice to meet you all and to some of you nice to see you all again

I did! Barely though... haha But it was fun!

the cuter version of this band

[tracklist] 01. 僕は雨 (Boku wa Ame) 02. 残骸 (Zangai) 03. 咲き誇る薔薇　悲しみのように (Sakihokoru Bara Kanashimi no Yō ni) 04. DISCORDANCE 05. SNOW THE DARK ( VER : 3.0 ) 06. NEVER END 07. PERSONIFIED PAIN 08. 夢魔 (Muma) 09. MONSTER 10. 覚醒 (Kakusei) [DVD_Tracklist] 01. SNOW THE DARK ( VER : 2.0 ) 02. SHADOW 03. GARDEN

DIMDIVISION? Gazette knock-off?

Great! Versailles has at least 20 comment CD/DVD's. Some of these have no cover at all are are completely white. So the owner of this DVD probably just wrote it with a marker so he won't forget what it is. Here's just a few: Not mine BTW, someone sold these but others got it instantly

Is it a reedition of their first album "上映禁止の水玉キネマ" (Jouei Kinshi no Mizutama Kinema) released on 2012.11.18 ?? Only 2 new songs : 迷い猫のドォリス (Mayoi neko no Doris), and ダレカサンガ コロンダ (Dare kasan ga Colonda). But maybe others are rerecorded...

guize https://www.setlist.fm/setlists/dir-en-grey-43d6c33b.html https://www.oricon.co.jp/prof/6902/rank/album/

Any thoughts on their disbandment? I've always felt that 95% of the stuff after Fierte was pretty generic, thus boring. I deeply believe it reflects an atmosphere of low creative energy, clearly derivated of the loose bonds between the members, with their easy comes and goes. This is something I've never came to understand fully, since there is much evidence that, although they never reached the mainstream attention bands like Shazna had, neither the levels of popularity bands like Dir en grey or Pierrot enjoyed in those years, Lareine was indeed a solid band with a strong concept, decent musicians and organic compositions, that had marked with fire the scene for ever. In fact, it is obvious to me that they started the prince and princesses trope back in the day. I will always praise their contribution of a very genuine and refreshing approach to the visual kei clichés that will never be forgotten. A tragic-concept band project met an actual tragic end...😢 P.D.: the tears I shed while watching Kamijo sing Fiançailles during his anniversary tour date in my country were the worthiest ever. 💗🌹