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Showing content with the highest reputation on 02/10/18 in all areas

  1. 5 points
    Back at it again with my review on DEZERT's 「STUDY」 live just in case anyone is interested in watching
  2. 5 points
    In case someone didn't see. Upcoming PV song is included
  3. 5 points
    merchenticneurosis

    Show Yourself (again)

    Hey guys! Been aware of this forum for ages but only now getting into participating. Me casually and me being vk, haha. We have some fun annual vk nostalgy nights in Helsinki, so it's a cool chance to dress up!
  4. 4 points
    The Moon

    Dir en grey

  5. 3 points
    Their first live will be on 2018.04.08 at 高田馬場AREA. Members : Vo.行来 Gt.Takuya Ba.Ryuichi Dr.satoshi (ex-DIV) Twitter : https://twitter.com/Laplus_official Instagram : https://www.instagram.com/laplus.official/ Website : http://laplus-official.com/
  6. 3 points
    CELESTIAL CIEL

    Show Yourself (again)

    your face when you hate flights
  7. 3 points
  8. 3 points
  9. 3 points
    as someone who'd never listened to defspiral before (TRANSTIC NERVE doesn't really count), I'm really surprised at how much I'm digging their latest album. decided to give it a chance after hearing the previews and the whole thing is just mature, slick and catchy visual kei clearly made by some guys who truly know how to make good music. highly recommended!
  10. 3 points
    Mihenno

    Show Yourself (again)

    I started off 2018 by buying a tiger (his name is johnny)
  11. 3 points
    hiroki

    Your last music-related buy!

    They first performed their new song ガラス越しの君へ last month at a live I was at, and I still can't get over how emotional Ohayuuki got when he was singing it T_T I'm glad they were able to at least record it and put it in their last album <333 Gonna listen to it and die 123712938 times haha
  12. 2 points
    Jun_

    Show Yourself (again)

    Cutie picture with my girlfriend (We just started, guys. I'm so happy <3) in a Lolita Fashion Meeting: Edit: It looks like the picture is really low quality here e_e I shall search the picture on my phone and send it to Imgur.
  13. 2 points
    chemicalpictures

    Show Yourself (again)

    which vk singer am I this time? freaking carnivaal in Rio and Im way too drunk
  14. 2 points
    I'm so excited to hear the rest of their music!!! Ryo is the first one to come back in an actual band since Tra T_________T My friend is def going to their shidou live! I might not be able to go, but I really hope I can! And I hope Hiroki and Omi form new bands soon too! <3 I really miss Tra, but I'm glad at least Ryo has joined a new band! In any case, I really like the sound of this song!! <3 can't wait to hear more!!!
  15. 2 points
    appl-

    MEJIBRAY new live DVD release

    Cover looks like this. I'm so curious about this DVD..... Will they cut out concert end or not.... We need video preview!!!!
  16. 2 points
    Tokage

    Dir en grey

    everything released before dum spiro spero is pretty much unlistenable
  17. 2 points
    nekkichi

    Dir en grey

    personal question: is she one of those "eat pray love"/"manifest your life into existence" people? asking for ~science.
  18. 2 points
  19. 2 points
    doombox

    The Official Mix-Tape thread

    I got a sexy slow jams K-Pop/K-R&B playlist going for Valentine's day if anyone is interested.
  20. 2 points
    Jigsaw9

    BUCK-TICK new album "No. 0" release

    The tracklist and the cover artwork has been revealed! 01. 零式13型「愛」 (Reishiki 13gata "Ai") [lyrics: Atsushi Sakurai / music: Hisashi Imai] 02. 美醜LOVE (Bishuu LOVE) [lyrics: Atsushi Sakurai / music: Hisashi Imai] 03. GUSTAVE [lyrics: Atsushi Sakurai / music: Hisashi Imai] 04. Moon さよならを教えて (Moon sayonara wo oshiete) [lyrics: Atsushi Sakurai / music: Hisashi Imai] 05. 薔薇色十字団 - Rosen Kreuzer - (Barairo juujidan - Rosen Kreuzer -) [lyrics: Atsushi Sakurai / music: Hidehiko Hoshino] 06. サロメ - femme fatale - (Salome - femme fatale -) [lyrics: Atsushi Sakurai / music: Hidehiko Hoshino] 07. Ophelia [lyrics: Atsushi Sakurai / music: Hidehiko Hoshino] 08. 光の帝国 (Hikari no teikoku) [lyrics & music: Hisashi Imai] 09. ノスタルジア - ヰタ メカニカリス - (Nostalgia - Vita Mechanicalis -) [lyrics & music: Hisashi Imai] 10. IGNITER [lyrics & music: Hisashi Imai] 11. BABEL [lyrics: Atsushi Sakurai / music: Hisashi Imai] 12. ゲルニカの夜 (Guernica no yoru) [lyrics: Atsushi Sakurai / music: Hisashi Imai] 13. 胎内回帰 (Tainai kaiki) [lyrics: Atsushi Sakurai / music: Hisashi Imai] Limited A/B cover: Limited C cover: Regular cover:
  21. 2 points
    Seimeisen

    The OFFICIAL RPDR Discussion Thread

    Jeffrey Bowyer-Chapman stole the entire episode; he is so fucking hot I want him to fuck my brains out. I was jealous as hell of everyone who simply laid a finger on him, Ru making googley eyes and touching his ear, Chi-Chi licking up his chest, even Shangela diving down there (though she may not have touched anything), UGHHH!! Let's just take a minute to appreciate him UNHhhh Anyways, @Jigsaw9your meme basically sums up how I feel about Milk, I was looking forward to seeing her in the beginning of the season, but between her throwing a fit over being safe and BULLDOZING Trixie in The Bitchelor, I am so glad she went, she got real annoying real quick. I'm also glad she left because it's too early to send Aja or Chi-Chi home. The second the top 2 and bottom 3 were announced, I knew if Kennedy won the lip-sync, she would be sending Milk home. I was really hoping Trixie would have made it into the top 2 this time, I LOVED her act in The Bitchelor. I was really conflicted about last weeks elimination, I don't think Thorgy should have been sent home, but at the same time, if Kennedy was sent home, then she wouldn't have stayed to kick Milk off the island, which we needed! Thorgy's elimination was a sacrifice for the greater good haha. I like Ben, but I would like for him to be "safe" next week, I don't know if I like him enough to be in the top 2 e-v-e-r-y episode
  22. 2 points
    Singer is ex TRA TRA TRA (リョウ-Ryou)
  23. 2 points
    Triangle

    Show Yourself (again)

    This is how I love to remember myself : crying and being sweaty after a MUCC concert XD. First half of last year was amazing XD.
  24. 1 point
    doombox

    Worst to First: MUCC Albums

    It's nearing twenty years together for one of the most prolific bands to come out of the visual rock movement. MUCC were able to start out as a band of ragtag oddballs to become one of the most eclectic and resilient bands in the scene today. Though, they still manage to fly under the radar for many, especially newer, visual kei fans. Even with the string of anime themes they've worked on, MUCC seem to have their own corner of the market they had to forge for themselves and have never settled fully into any trend or label. Maybe it is that unpredictable nature that scares prospective fans off, but this list is here to tell you that it shouldn't. MUCC have covered enough ground with their career that there really is a little something for everyone in there. You just gotta dive in! So to help we've gone ahead and ranked every MUCC album from worst to best! It should go without saying that this list is subjective and an artist that has been around this long with such a wide spectrum of influences is hard to pin down. So we welcome discussion about your own favorite albums from MUCC and why you love them! Worst to First: MUCC Albums 15. アンティーク (ANTIQUE) [1999] Depending on which pressing you have of ANTIQUE could determine how you feel about this release (since the tracklist for the second pressing a year later was rearranged and included a brand new song) or you could have been stuck with much of the foreign fan-base who had to wait until the re-recorded re-release 哀愁のアンティーク(aishuu no antique) allowed us to finally get our hands on the sought after tunes. It's no stretch of the imagination that ANTIQUE ranks low among fans due to the combination of its rarity and shoddy production quality. However, as far as quality of first releases go, it's not the worst any of us has heard, that's for certain. You can still find all the core MUCC melody traits in this release, especially when you compare "九日(kokonoka)" to the updated version on Cover Parade years later where only a few small updates were necessary to bring the song seamlessly into their modern sound-- mainly Tatsuro's vocals and Satochi's drum fills. But fans of MUCC at their quirkiest will easily see the merits of ANTIQUE, even if the band themselves had not come to their full potential just yet. Highlights: オルゴォル(ORGEL), 四月のレンゲ草(shigatsu no rengesou) - @doombox 14. 哀愁 (Aishuu) [2001] Aishuu wasn't so much a 'new' release as it was a collection of MUCC's demo songs re-recorded. Ironic that this collection would also become so rare the re-recordings would be recorded yet again in just over 10 years time. This does seem to be a theme with MUCC. To find re-imagined versions of songs and remixes on their B-sides is a pretty common occurrence. Aishuu offers probably the truest sense of MUCC's humble beginnings and musical roots. Though, it suffers mostly the same issues as ANTIQUE with muddy guitar tones where Miya had not yet perfected the nu-metal low-end he was going for or how to level harmony vocal tracks into the mix properly. However, diversity of the tracks was a step in the right direction and it helped this album feel more creative despite its shortcomings. There's also the live staple of "ロバートのテーマ (Robert no theme)" (Robert being the frog puppet and companion of Yukke that was a part of many performances over the years) that helped make this release a must-have for early Muckers. Highlights: 花(hana), 狂想曲(kyousoukyouku) - @doombox 13. カルマ (KARMA) [2010] Even though KARMA ranks fairly high in its home country, it did not resonate as well with many fans outside of it. Part of loving MUCC is accepting their wide range of musical styles and experimentation, at least until they ventured further into electrorock and EDM than they ever had before with this release. MUCC's albums flirted with dance-pop influences leading up to it, yet KARMA pressed on past the point of no return. Outside of layering dance beats and synth on many of the songs, there wasn't much new, creative songwriting going on. Though one could argue that MUCC's main foray into new territory is how they blend outside genres onto their core sound. And in countries where rock and dance genres couldn't be more separate, this choice alienated a large portion of their audience. The greatest crime on KARMA is perhaps that the definitive MUCC sound simply felt lost. They took a risk trading in their emotional, passionate approach for a colder, computerized one and it didn't quite payoff. However, this may be the album for curious listeners who never could get on board with the "old" MUCC style as it's the antithesis of earlier works such as Kuchiki no tou. Highlights: ケミカルパレードブルーデイ(CHEMICAL PARADE BLUE DAY), A., フリージア Karma Edit(FREESIA Karma Edit) - @doombox 12. 痛絶 (Tsuuzetsu) [2001] The quintessential release from MUCC's indies period is hands down Tsuuzetsu. Unfortunately, that didn't help many of the songs on it stand the test of time. Even the digital re-release sounds muffled and lo-fi without any of the usual analog charms which makes the repetitious nature of the songwriting near un-listenable at points. But since we're nitpicking the recording quality as the biggest flaw in this release, it still easily tops the rest of MUCC's catalog from this era. It's evident the band finally solidified their foundation working together and for the first time some bass even got its turn in the spotlight since YUKKE's addition. This came in the form of the song "夜(yoru)" which he also composed the music for. Some of Tatsuro's trademark vocal tricks make solid appearances on this record as well. Even though a number of songs were still hit-and-miss for Tsuuzetsu, the band's energy was undeniable-- especially at the time of its release when visual kei was gaining attention in the global market. Highlights: 盲目であるが故の疎外感 (moumoku de aruga yue no sogaikan), 断絶(danzetsu) - @doombox 11. シャングリラ (SHANGRI-LA) [2012] MUCC's Shangri-La was the first album I decided to try out when it came to picking a release from their discography back in 2013. From there I've checked out THE END OF THE WORLD, 鵬翼 (houyoku) and 極彩 (gokusai), but Shangri-La still stands as my most favored. Despite its backlash, it is well worth a shot just as much as their more preferred albums. This is especially true to those who are on the same boat as I was at first. There's so many sounds the guys implemented in such a standard sized album, that it becomes especially enjoyable the more spins you give it. From the hard opening hitter ,"Mr Liar" , to the opposite of the rocking, jazzy "ピュアブラック (Pure Black)", and even anime tie-ins "Nirvana", the opening to Inu x Boku, a pleasant, soft rock number and "Mother", an emotional belter from Naruto. Tatsuro even shows us a powerful and heavy side in the tear-jerking closer of "Shangri-La". While it's understandably not everyone's cup of tea, especially for their fans, this can be a great choice for those pondering where to start with them. There's clearly a lot a variety and appreciation that can come from it. No matter what your taste is, a mixed bag of an album such as this one may have at least a couple of tracks you'll dig (or hate to admit you do!). Highlights: G.G., 狂乱狂唱~21st Century Baby~ (kyouran kyoushou~21st Century Baby~), Marry You, 夜空のクレパス(yozora no kurepasu) - @beni 10. 葬ラ謳 (Homura uta) [2002] Homura uta served as a major transitional album for MUCC. Finally there was solid production which had been the band's largest hindrance up until then. "絶望(zetsubou)" unleashed the most nu-metal aggression anyone had heard from them as yet and it could not have been a more perfect time to rocket MUCC into the national visual kei scene under the wing of Danger Crue Management. Not only was Homura uta their largest collection of songs to date, the consistency of the entire album was an entirely new level for them. With some money backing them and good advice from their management, Homura uta's songs were much more approachable to the average rock listener but that doesn't mean some cringe-worthy moments didn't slip through. Tatsuro still had a tendency to howl out vocals that were beyond his capabilities, certain songs remained too repetitive, and attempts at other genres (such as jazz) weren't integrated very well that felt like distractions rather than proper additions to songs. In spite all of that, it was still a huge step in the right direction and the the industry undoubtedly began to take notice. Highlights: 絶望(zetsubou), 前へ(mae e), 黒煙(kokuen) - @doombox 9. THE END OF THE WORLD [2014] We've cracked the top 10! And even though I'm personally a huge fan of this album, it seems fair that due to its somewhat recent release date and it being one of MUCC's more musically diverse albums it hasn't connected in the way some of the other albums have. THE END... genre-splices everything from metalcore in "ENDER ENDER" (while gaining some street cred by featuring gang vocals from scene veterans ROACH and new poster kids MAKE MY DAY among others) to disco and funk influences in "369(miroku)". There are also some beautiful ballads and mid-tempo numbers that are the heart of the record. It opens up fierce and feisty, but easily half the album heavily pushes the emotional spectrum which is a side of the band that hadn't been in the forefront for a few years. THE END... ultimately serves as a collection of mini-experiments in MUCC's sound instead of a large departure in the way KARMA was. This approach kept the album more accessible for fans of any MUCC era. Electronic bleeps and bloops are at a minimum on this release -mainly the singles- and it's hard to deny that the organic rock feel is the band's strongest suit. Highlights: ENDER ENDER -album edit-, HALO, Hallelujah - @doombox 8. T.R.E.N.D.Y. -Paradise from 1997- [2015] MUCC have always claimed to write music for themselves despite expectations and criticism, though TRENDY is proof the band is not out of touch with their fanbase in the least when it comes down to it, even if they aren't always understood by them. In fact, MUCC wanted to show their fans some love with a release written specifically with the live performance in mind and inspiration from fan favorites over the years. This brought the four main instruments and rock sound back to the forefront and gave a lot of fans exactly what they had been waiting for. Small inspirations from THE END... still carried over in very subtle synth harmonies, and guitar-work dropped the -core and kept it mostly hard rock this time around. While purists could argue MUCC should have pushed the envelope more on this record, it still ends up being a seriously fun release for new and old fans alike as it sits right in a sweet spot. Headbang, jump, mosh, fist-pump, tap your toes, or sway, this release works hard to get you moving along to it and showcases a lot of strong hooks to sing along to. Highlights: 睡蓮(suiren), TONIGHT - @doombox 7. 是空 (Zekuu) [2003] From the first notes of "心奏(shinsou)" you will know you are in for a totally new and improved MUCC. This album marked their major label debut with Universal Music and it was obvious the band put their best foot forward. The down-tuned, distorted, intensity of Zekuu was its own force to be reckoned with as MUCC continued their forward momentum from Homura Uta the year before. Their style-hopping had streamlined and finally fused genres creating the what would from then on the be the 'core' of MUCC's distinctive sound. The album was so well received that "蘭鋳(ranchuu)" became a resident staple of their live sets for the next ten years. As much as MUCC like to re-record their songs and put new spins on them it's surprising they haven't chosen to rework any material from Zekuu. Maybe even MUCC know these songs are too sacred at this point. The album isn't perfect, the bass levels are too high, vocals too low, and the guitars down-tuned to oblivion. But that was also extremely common for the time this album was released and the nu-metal hints were the perfect thing to separate them from the rest of the pack within the visual scene to begin to focus their sights on the much larger mainstream rock stage. Highlights: 我、在ルベキ場所(ware, arubekibasho), 1979, 蘭鋳(ranchuu) - @doombox 6. 6 [2006] How fitting our number six ranking would belong to none other than this release. 6 felt like it was a solution to the band having too many strong songs for their previous album but not enough to make it a double album. So they waited a few months and kicked out this gem. And whereas Houyoku had felt more conceptual and showed the band's softer side, 6 effectively came back swinging full force. It resonated with an underlying sense of power and optimism for how dark and aggressive the compositions were, save for the weirdness of "夕紅(yuubeni)" that was simply the random folk-country visual kei crossover you never knew you needed in your life. MUCC were nearly at the pinnacle of their popularity and their confidence really came across on this record. Highlights: フォーティーシックス(fourty-six), 夕紅(yuubeni) - @doombox 5. 朽木の灯 (Kuchiki no tou) [2004] You could almost cut MUCC's career into eras of three albums each. Kuchiki no tou would round out the darkest era that started with Homura uta and Zekuu. This album was the most poignant of the three, and some of the most down-tuned as well as speedy guitar work in the form of "濁空(dakuu)" really brought it to a caliber all of its own in their discography. Expectations had skyrocketed thanks to the band's recent growth spurt in popularity and MUCC delivered. Kuchiku no tou is full of hard-hitting, near bulldozing compositions that for many fans to this day still can't be topped. The band didn't need any tricks or 'bells and whistles' to sell the album, they had learned their strengths and had enough kick-ass songs for a surprisingly long 15 tracks. I don't think anyone would have complained if they added a few more and went for a legit double album with this one but that doesn't seem to be MUCC's thing. Though the album blazes by pretty quickly at just over an hour, the final track "朽木の塔(kuchiki no tou)" is a strong contender for MUCC's pièce de résistance, as it sprawls out over an expansive eight minutes and sucks you down to the deepest pit of your own soul. Highlights: 幻燈讃歌(gentousanka), 路地裏 僕と君へ(rojiura boku to kimi e), 朽木の塔 (kuchiki no tou) - @doombox 4. 鵬翼 (Houyoku) [2005] MUCC was one of the bands that did the deed of getting me sucked deeply not just into visual-kei but Japanese music in general. The first album of theirs that I owned and listened to was 鵬翼 (Houyoku) and it sealed the deal on me being a fan of their music. It's a very strong album and takes you on a emotional roller coaster in a way not much artists can. I remember getting it a little after it came out and being completely sucked in from the moment the opening track "輝く世界 (Kagayaku Sekai)" started and not being able to refrain from putting the album on repeat. Maybe that's why 鵬翼 (Houyoku) as a whole has such an impact on me, at the time I was going through a lot of loss and emotional turmoil in my life and music had a big part in helping me move on from that. The album as a whole may have a strong theme of loss but in the end empowers you to move on become a stronger person. At least that's the way I interpreted it when I gave it a listen and if you're going through some emotional turmoil give 鵬翼 (Houyoku) a listen and maybe you'll get some musical freedom from MUCC to help you move on from your pain. Highlights: 1R, 雨のオーケストラ (Ame no Orchestra), モンスター (Monster) - @tetsu_sama69 3. 球体 (Kyutai) [2009] One of MUCC's most well-rounded albums (pun intended!), Kyutai really shows yet another new fire had been lit under MUCC put everything they had on display. There's fist-pumping rock anthems, headbangers, dance-able jams, and even near-religious experiences in the operatic surprise "讃美歌(sanbika)". Kyutai is more rock driven than its predecessor Shion, however there is synthwork layered ever-so-subtly in the background if you listen for it. It truly feels like a combination of their previous two albums worked seamlessly into one plus some interesting experimentation to spice it up. The band showcases all of their best facets without straying far from their core strengths yet kept the album fresh. It's no small miracle MUCC were able to keep pressing out fantastic album after album during this decade leading them to be one of the most prolific bands in modern visual kei! Highlights: 咆哮(houkou), アゲハ(ageha), 陽炎(kagerou) - @doombox 2. 志恩 (Shion) [2008] I remember when I first heard the singles leading up this album and getting so hyped for it because MUCC just fit into the style of music I loved. For me 志恩 (Shion) is my favorite album that MUCC has ever done and it's one I always go to when I need great music to give me life again. From the beginning of the album you're pulled into a rush of chugging heavy instrumentals and rough vocals that take you over to point where you can't refuse the call of the repeat button. There's a lot of flavors put into 志恩(Shion) from the insane harmonica spiced addictive sound of "ファズ (FUZZ)" to the energetic positive powerhouse of "フライト (Flight)". And then it shifts to the emotional rollercoaster of "空忘れ (Sorawasure)" and the extremely touching and dark tinted taste of "リブラ (Libra)". 志恩 (Shion) overall is right in the vein of what represents MUCC's heavier side and is the first album I would go to when it comes to introducing someone to their music. Hightlights: THE ENTIRE ALBUM IS THE HIGHLIGHT YO! - @tetsu_sama69 1. 極彩 (Gokusai) [2006] Were you really surprised? Of course it's Gokusai!! 2006 was such a great year for visual kei and Gokusai was one of the bright shining lights making that year so memorable. It's hard to pick stand out songs on this album when every track from the opener to the twinkly send-off song "流星(ryuusei)" is MUCC undeniably at their best. Admittedly, not as dark or heavy as their previous work, but the aggressive songs had the perfect amount of bite and grit to them, just enough to blend seamlessly when the band changed gears and slowed down for the emotional side of the album. "パノラマ(panorama)" pulled at the heartstrings as a dedication to the break up of ラヴィアンローズ(LA VIE EN ROSE), a brother-band of sorts that members are still close with to this day. And the song is still just as potent 10 years later, even if you never knew what it was referencing. The singles off of Gokusai were all strong, but when listening to the complete album it shows each and every song is just as strong and catchy as the next. Each shows a different side of MUCC leading up to it. Gokusai shot MUCC into the stratosphere to transcend the Japanese music scene, and by their next album they would be touring with some of the world's most famous rock bands of their generation. It would send them to tour the globe and cement themselves as no-longer up-and-comers but one of the pillars of the visual arena. Highlights: ALL OF IT. EVERY SONG. - @doombox Thanks for reading! ♪ Please share your favorite MUCC albums and songs with us below!
  25. 1 point
    His new album 『FOCUS』 will be released on 2018.04.04. Limited edition A : 3200 yen CD : 9 songs DVD : 2 clips + off-shot Regular edition : 2500 yen CD : 8 songs
  26. 1 point
    Jigsaw9

    BUCK-TICK new album "No. 0" release

    Hot on the heels of announcing their upcoming single for February, BUCK-TICK has just announced that they will be releasing their new album "No. 0" on 2018/03/14. The new full-length (which will be their 21st studio album) is planned to feature 13 tracks. The release will come in 4 types: regular (CD), limited Type-A (CD+Blu-ray), limited Type-B (CD+DVD) and limited Type-C (CD+VR content). The bonus video contents of Types A and B will be the same. Furthermore, they will hold their nationwide "BUCK-TICK 2018 Tour No.0" from 31st March to 19th July.
  27. 1 point
    During their live on 2018.02.16, the band will release a single called "Civet". (1000 yen) Tracklist : 1.Civet 2.禁断の果実 Remix (Kindan no kajitsu)
  28. 1 point
    Ozileras10

    Worst to First: MUCC Albums

    Thank you for responding! Well I’m trying to get into Plastic Tree, Merry, Buck Tick but I don’t know where to start. Lists like this would help so much. But in general I’d make sure to check out every band from a list like this.
  29. 1 point
    doombox

    Worst to First: MUCC Albums

    I am so happy to hear that you have taken the time to check out Mucc's music. It definitely makes projects like this worth it. Are there other bands specifically you'd be interested in seeing lists like this for? Or just in general?
  30. 1 point
    Ro plz

    Dir en grey

    I find a good bunch of the old stuff that’s not MISSA, or GAUZE , very unlistenable. I hate Kisou also. There’s some of the songs that have aged well and sound awesome if you watch the MODE of DVDs. But I love the progression from WTD to ARCHE. They satisfy my metal needs in their own special ways. But lately I’ve been bumping ARCHE over And over.
  31. 1 point
    Ozileras10

    Worst to First: MUCC Albums

    Thank you guys so much for this topic. it really got me into mucc. I know it’s irrelevant here but i think you should do it to other bands as well
  32. 1 point
    Saishu

    Dir en grey

    To be honest, for most of the time spent loving this band, I’ve never understood the praise for Gauze. Now, mind you, I got into DEG when Vulgar was the newest album. I went backwards from there and everything still sort of made sense. So naturally I got super excited about Withering to death and preordered it and everything. What I got, to my American ears that were new to jrock, was a bunch of dudes that didn’t know how to play metal. I hated it, and to this day it’s still my least played DEG album. I went thru my own little revolt and would only listen to the first three albums for a while. But Gauze. Gauze is held in this lofty position of being some great cornerstone of VK. Why? Once you dig deeper into VK you realize that tons of bands were already doing what DEG had done on Gauze. What makes it so special compared to anything Luna Sea and Kuroyume did? There are people that say Gauze is their best album. Are they serious? Is this coming from Yoshiki fans? I dont get it.
  33. 1 point
    finally hearing ジャルダン's only song in full and goddamn they left us too early
  34. 1 point
    HOW GOOD DOES THIS LOOK? (and why the fuck is Marluxia back smh)
  35. 1 point
    The Moon

    BUCK-TICK new album "No. 0" release

    buck tick going art kei i CANNOT believe it..!!
  36. 1 point
    The Moon

    The OFFICIAL RPDR Discussion Thread

    i'm sad to see milk go TBH her delusional ass made for some great TV & her looks so far were spectacular (except that celine dion cuz...what.) my heart broke for chi chi what she's going through is so relatable omg but she looked fucking stunning. this was such a good episode imo. even the weakest queens still made me laugh and/or kill it on the runway. i fucking love this cast. as2 WHO kennedy shangela trixie top 3 pls. also the next runway theme looks like its gonna be FLORAL and im gonna DIE
  37. 1 point
    Well, there is La'Veil Mizeria, whose theme is basically that late-90's early 2000's Matina sound, but they're on Starwave, so their recent stuff has really bad sound quality. There is also Crucifixion, which is practically a Madeth Gray'll tribute band, but with a very good vocalist lol
  38. 1 point
    Apologies for resurrecting another old thread, but I wanted to the chance to throw in my contributions. In alphabetical order: Ali Project: Coppelia's Casket (Noir) Bana: Shell (Witch Hunter Robin) Buck-Tick: Kuchizuke (Shiki) Granrodeo: Decadence (Demon Prince Enma) Granrodeo: Rose Hip Bullet (Togainu no Chi) Granrodeo: Trance (Black God) LM.C: Rock The LM.C/Oh My Juliet (Red Garden) Nana Kitada: Kesenai Tsumi (Full Metal Alchemist) Nana Kitada: Tsukihana (Hell Girl, 3rd season) Origa/Yoko Kanno: Rise (GITS:SAC 2nd Complex) Suilen: Magnolia (Hellsing Ultimate) All three Suilen tracks on that show are excellent, but that's the best one. X-Japan: Forever Love (X: The Movie) There are others- Ready Steady Go is the only L'Arc-en-ciel song I actually like (likewise the Galneryus OP theme for Rin: Daughters of Mnemosyne), Granrodeo could fill a list by themselves, and that's before we even get started on Yoko Kanno and Yuki Kajiura/Kalafina- but those are my favourites. The Dress remix is okay, but it's just not in the same league as the original. It was tempting to squeeze Mell's 'Red Fraction' in there somewhere too....
  39. 1 point
    Reminds me of the ziggy stardust lp cover
  40. 1 point
  41. 1 point
    emmny

    Kaya new single, "FABULOUS" release

    rooster calls at 6:30? legends only kaya is the most pure soul in all of this godforsaken scene....she even cured mako's depression, he's dancing in the audience, 4th row, left side of the stage.
  42. 1 point
    omg, i really really like it
  43. 1 point
    DETAILS メリーバッドエンド(Merry Badend) NEW SINGLE 「生殖ノ経典(seishoku no kyouten)」2018.05.16 RELEASE!! [A TYPE](CD+DVD)¥2,000+tax (2 songs + PV) [B TYPE](CD-only)¥1,500+tax (3 songs) ps. Sound producer of this single is Eve(ex Lycaon) [CD] 1.神厄性書 (Kami yaku sei sho) 2.蠱毒 (Kodoku) 3.TBA (Type-B only) [DVD] (Type-A only) 「神厄性書」(MUSIC CLIP) NEW LOOK __ Dildo, condom, sexdoll and latex XD
  44. 1 point
    -Tetsu-

    Show Yourself (again)

    got myself some new lenses and tried some make up for carnival on Saturday. not really satisfied but I still kind of like the result.
  45. 1 point
    Alkaloid

    Your last music-related buy!

    REIGN "疑惑 " photocard (龍史 ver.) tarrot-タロット- - ~新未来ゲート 雀羅 - マリィの赫檎 BLACK CAT - MAY サウイフモノ - UN-DEADHOUSE
  46. 1 point
    togz

    Show Yourself (again)

    From December but it's the most recent of a little bit of quality plus i just like snow.
  47. 1 point
    itsukoii

    Show Yourself (again)

    need jesus
  48. 1 point
    Shaolan974

    Your last music-related buy!

    - DIMLIM - THE SILENT SONG 【Limited edition】 - D - 7th Rose 【Regular edition】 - the GazettE - NIL 【Regular edition】 - the GazettE - TOXIC 【Regular edition】 - the GazettE - BEAUTIFUL DEFORMITY 【Regular edition】 - the GazettE - DIVISION 【Regular edition】 - Kyo - Dans la peau
  49. 1 point
    Biopanda

    Your last music-related buy!

    Because I'm the #1 gazette stan
  50. 1 point
    Hopefully now that My Dragon disbanded, they can release 4 singles in 2 months
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