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Kyouka said they've been in studio lately and he also posted a preview on some lyrics at twitter, but that's Kyouka after all, who knows. He seems to be very busy with daily instagram lives about shit nobody cares about instead.

it's still 2 months till end of tha year, but my 2018 ✡️d✡️r✡️e✡️a✡️m✡️y✡️ wishlist currently looks like this: — new DOAK/unsraw follow-up band w. some better bandomen than yuuki's current nobody support line-up; —new akane full-time visual project; —sukekiyo disbanding, Deg squeezing extra hard and sharting that new album out; —rentrer en soi cawkteasing tha fans w. a comeback teaser and releasing an unexpected single-less album; —megamasso label ressurecting jinkaku radio full-time out of obscurity. —kisaki relocating to cambodia and reforming undercore with local talent; world tour, hollywood appearance, modeling career, and a lot more underway! what are the secret desires you are tempted to put out in tha universe?

It's been a while since their last live, but I've finally finished writing about it for anyone who's interested <3 I love this band so much and I still can't believe they're gone T_T But at least most of them are continuing with music in some form or another <3 2017.10.17@渋谷REX CLear LAST ONEMAN SHOW ～夢の邂逅～ SETLIST キセキ Dearest チョコレヱトケーキ -MC- Visit a rain 星流る夜に グッド・バイ -アコースティック- つきみ。piano solo 幻想曲(acoustic ver.) Surround(acoustic ver.) 妄想クローゼット(acoustic ver.) 夢うつつ(acoustic ver.) -MC- 夢ノカケラ Dizzling Dance 妄想クローゼット モノクロの未来 EN1. Surround EN2. 夢うつつ WEN.キセキ I'll break up what I wrote in sections, cos it's long af @_@ Before the live/OA: The live: MCs: Random things: Picspam: Last messages from the members: I've been able to experience so much and meet so many people and closer with people I've already known thanks to this band <3 This is definitely a band I will never ever ever ever ever forget <3 I hope they all stay with music for a long, long time <33333

Better late than never! Here's the newest batch of recommended tracks from the amazing ORZ team! Check them out and let us know what you think! @tetsu_sama69's Pick "PM:500" by ラッコ(LACK-CO.) I really don't know why it is that LACK-CO.'s ballads always seem to hit me in the right spot. "PM5:00" is definitely a track to be noted (if you can look past their drummer's current visual style) with its strange power ballad styling. It's very easy to get swept away by the tidal wave of guilt and depression, leaving you stranded in a sea of psychosis emitted perfectly though tenten's vocals and the bands messy but perfect instrumentals. Granted the rap segment of the track seems very awkward but it fits for me since it feels more like the ramblings of a man questioning his choices in life. Unfortunately, since I am not fluent in Japanese, I can't translate what is being said, only what is being musically expressed and LACK-CO. definitely know how to compose a robust track that can't be categorized as something "stereotypical". I really look forward to the release of their first album 『弱肉教職』 (Jakuniku Kyoushoku) , as it's hard to predict how it's going to end up. But if it's spiced up with a track like "PM5:00", then it's sure to land a place on this year's favorites list. @helcchi's Pick "お邪魔します" (Ojamashimasu) by まみれた (mamireta) Mamireta have brainwashed me. This song is a drug. From the unnerving yet catchy door-knocking, to the deliriously hypnotic opening riff, to the disturbing lyrical and visual themes, “Ojamashimasu” is the intoxicating psycho fix that VK has been thirsting for. This band is so shameless in expressing their corrupt morals, and so unhinged in their mannerisms, you can't help but feel like many years of lunacy have been packed into the unit's short lifespan. Laden with fast talking featuring the ramblings of a madman, the eccentric vocal delivery adds to the song's intrigue, as this trope is so steeped in VK tradition. Whilst a passionate chorus cuts through the repetitive rhythm that has pervaded through almost half the song, it quickly spirals into a fast-paced whir of pure neuroticism, leading back into the unnerving yet catchy door-knocking that started it all. I've lost count of how many synonyms for “crazy” I've already used in writing this, but did I mention that this band is crazy? Let Mamireta “ojamashimasu” into your head. @emmny's Pick "朧月夜 (Oborozukiyo)" by 己龍 (Kiryu) Kiryu have passed 10 years together as a band, a massive milestone for any band, let alone a visual kei band. To celebrate they're...throwing it back to 1997? It's no surprise that Kiryu have an old school influence, especially as the band members have been active since the early 2000's. They're just very good at infusing it into trendy structures with their loud traditional instrumentation. I, however, live for the moments in their dark tracks when they really let loose and wear some blood on their sleeves *wink*. "Oborozukiyo" is three minutes and thirty seconds of kote-kei styled mayhem, melodrama, guts, gore; it's so indulgent and obvious a throwback that it feels like an inside joke between the band and their older fans, with the youth at the butt of the joke. Of course, all parties are in gleeful, head snapping, harakiri'd joy. Mahiro's vocal gymnastics recall the tortured voices of the late 90's, but with an amazingly melodic chorus to match the growls and grunts (all on pitch by the way, eat your heart out Matina and Soleil). The trebly, pitch-harmonic laden guitar lines paired with frequent gyakudai-style rhythm shifts disorient the listener, creating an air of chaotic noise. The track is a throwback, but not a copy in anyway- a representation fitting of an intelligent band who have grown from the scene and still know how to extract every bit of theatric gold from a sound long forgotten, keeping it fresh 20 or so years later in 2017. @plastic_rainbow's Picks "管" (Kan) by umbrella umbrella is a band that I regrettably have not paid much attention to until recently. I don't know what I was thinking at the time, but I've finally realized the greatness of their soft and melodic rock sound, plus their heartbreaking and soothing ballads are to die for. "Kan" sits as one of those beautiful tracks but takes it up another level. The beginning feels cinematic with the playing strings until a steady drum line and lovely guitar walk in. Yui's comforting vocals both sing like a slow heartbeat and an ocean wave that clashes against a rock gently; the perfect balance of softness and passion put into a ballad. Although umbrella may fall short because of their messier production, especially in their early days, they deserve much more love than they already do. I mean, if those mellow guitars don't tug at your heart strings then you must be on crack. "Snow the Dark" by Spook Jack Not being a fan of The Candy Spooky Theater, this new solo project of their vocalist Spook Jack (aka Jack Spooky) took me by surprise. While Spook Jack continues to portray his 'spooky' character, his solo work is not the usual fun spoopy-Halloween trope that The Candy Spooky Theater was. Instead, it's downright gothic and dark industrial. Apparently, Full (ex. Guniw Tools, Nookicky, Shilfee and Tulipcorobockles) collaborated with his solo project and although it's not certain how much he was involved in producing the music, some Nookicky influences can be heard. The slow tempo, the ghostly ethereal singing, the use of pianos and harmonious noises in "Snow the Dark" all make up the sound of Nookicky. However, being much darker, the track opens with a haunting industrial vibe, setting a gothic and bone-chilling atmosphere. Spook Jack's ethereal vocals tinged with a gloominess works wonderfully and reveals how mesmerizing his voice can be, unlike his The Candy Spooky Theater performances. If Spook Jack keeps this up with his new approach to a sinister and despairing night of horror, I'm all for it. "ニヤ" (Niya) by Large House Satisfaction There seem to be little to no fans of Large House Satisfaction here, so it's my job to make you start listening to them now, especially to those who like some new J-indie music. Large House Satisfaction is a three-piece band that have been around for over 10 years and play garage to classic rock music accompanied with harsh grating vocals. If you like Thee Michelle Gun Elephant, The Birthday, or any of Chiba Yusuke's side projects you may be interested in them. Usually their music is upbeat and faster-paced, but once in a while they'll chug out a few slower-paced songs as well. "Niya", from their newest album Highway to Hellvalley, happens to be one of those slower songs, yet is still stirred up by their punching garage-y guitar riffs and thick bass lines. The vocalist goes all out, and even sounds like he's about to croak, but his harsh singing effectively renders this piece as truly endearing. You'll be singing 'darling darling' all night once you listen to this. Guest Blurbs from @Ada Suilen "蛙-Kawazu-" (Kawazu) by キズ (Kizu) In the contemporary visual kei scene, it's incredibly hard to find something appealing and worthy of some attention. One of the few times I had such a feeling has been with the second single of the new band Kizu, where the lead track "蛙-Kawazu-"shows their unexpected and engaging style: a powerful melody driven by astonishing riffs, and intense vocals by the former singer of Lezard, who seems to have found his own maturity with this new band. I can surely consider Kizu as one of the most interesting rookies of the year. "愚かしい竜の夢 " (Orokashii Yuu no Yume) by D D has been one of my first visual bands, and they are nowadays one of my fixed listenings. When they came back from the hiatus, they redid one of their dearest themes and tried to experiment with something new, which I enjoyed but not so much as I thought I would. But I was sure that one day this band would have found their unique energy, and in their fifth mini-album, a limited release, they used what made them so popular for the visual fans. The title track is surely one of the best works in their career, featuring an incredible mix of languages (a la Rozova Dolina) and a clash of tempos, going from soft to powerful in a blink, with a great technique and sublime vocals. If you had lost hope in D, with this track you will surely find it again. Thank you for reading everyone!

don't let this stop you from getting into VoD. the members are all very talented musicians and definitely deserve to have their past releases recognized, because they are incredible. and i'm sure they'd appreciate any support they can get right now.

This limited single will be sold at Village Vanguard on 2018.02.14. The theme of the single will be Saint Valentine. (1800 yen + taxes) Tracklist : 1.誤DIVA 2.タイトル未定(Title unknown) DVD : 01.「誤DIVA」MV＋MVmaking＋振り付け動画

Their first single 「痛チョコ」 will be released on 2018.02.14. TYPE A : 1800 yen + taxes CD : 1.痛チョコ 2.Title unknown DVD : 01.痛チョコ TYPE B : 1500 yen + taxes CD : 1.痛チョコ 2.Title unknown 3.Title unknown

I was just thinking that!

Ganmi staff announced ba. Mako left the band on the 3/11. They'll continue activity with 3 members.

Is it car accident season? Glad to hear they're okay.

I actually really like it! Everyone is trying to add the party scene to their music honestly so it's not surprising but I think it's still well done!

^ probably the best / most touching live report i've ever read.. i was reminded of so many of my own experiences and how much i'd cry and/or appear ridiculous for bands i fucking love T____________T i don't think i'd ever be able to describe the emotional turmoil as well as you do, so thank you <3 everyone who doesn't understand what it means to be "into" a band def needs to read this.

I watched Puppetmaster yesterday. Pretty fucking fun, but it's a shame the puppets only get like... what, 5 minutes of screentime? Especially the more interesting ones like the driller and the leech lady. Are any of the million sequels worth watching, or is this another case like the Hellraiser franchise where I'd do better to just keep far away from the later parts?

THE BLACK SWAN – 蟲聲 (Type A) THE THIRTEEN – EVIL MAD SCIENCE (regular edition) JILUKA - 「Ajna -SgVer-」 バラライカ - チェアー

It may be depressing but their output has reduced dramatically. Kisou, six Ugly, and VULGAR all released in less than two years of each other (not to mention all the singles for those LPs). Nowadays, they are really focussed on touring their material as much as possible and writing is almost non-existent. Maybe they want quality rather than quantity. It does mean that any new release is appreciated more. However, I'd really love to hear some more raw, experimental stuff from them. Almost every band member has a solo project now, so there's plenty of other music to listen to by them, even if it doesn't quite scratch the DEG itch.

I was legit shocked when Rinkaku showed up on Arche.

Moran have two unreleased songs - according to one user on an archived tanuki thread, they're called "nun" and "深海魚” - and were only played once. They may have been reworked into later songs, but I couldn't find any proof of that. Proof from Soan himself: https://ameblo.jp/moran-soan/entry-10136691782.html

No point in doing a survey theres only one country that matters #SorryNotSorry

Ci sono le Japan Night oppure i dj set in cui viene sempre invitato Dj Sisen lol se cerchi su facebook trovi qualcosa. In questi ultimi due anni non ne hanno organizzate molte ma tempo fa ricordo che andava molto di moda (sorry for not writing in english)

V STAR PROMOTION working with Kinetic Vibe are about to bring MORRIGAN to Europe for a tour starting next week. It is our first time bringing a band to Europe, but I'm sure it won't be our last! As for me @BrenGun is correct, I am currently based in Osaka Japan as are a percentage of V STAR staff, however, I am originally from Australia.

Deshabillz #impact

support members @ 9/10: Vo.優羽 (yuuha) (リザイア ‏ (resire)) Dr.hayata

when ur gaijin card gets u old goth pussy and u destroy ur going nowhere band for it........100% worth it.

glamscure released a better full album