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merrygoround is dead by Merry Go Round 1. 同化 (Doka) 2. 失楽 (Shitsuraku) 3. 液状 (Ekijou) 4. 造形 (Zokei) 5. NARCISSE 6. 君は蜜よりも甘く(Kimi wa mitsu yori mo amaku) 7. 赤い絲 (Akai ito) 8. 切断TV (Setsudan TV) 9. ザクロ色の月と狂った恋の旋律 (Zakurairo no tsuki to kurutta koi no senritsu) 10. Beast 11. CHEMICAL CANDY SHOW CASE 12. FISH 13. XX体質 (xxTaitshitsu) 14. 毒蟲 (Dokumushi) 15. 桜の満開の木下で (Sakura no mankita no shita de) 16. SUICIDE DANCE Ladies gentlemen and gays, I present to you the most underrated band of the indies (and major, believe it or not) scene in the 90's: Merry Go Round (otherwise stylized as Merry Go Round, Merrygoround, メリーゴーランド, affectionally refered to as メリーゴ/merigo by japanese fans). I'm sure the rarez queens on here would beg to differ and probably offer up some other band with a bunch of apostrophes and misspent words in their title because Merry Go Round are too popular but NO. They have a point, as anyone worth their weight in Nagoya kei history knows the impact of Merry Go Round on the local scene at the time, but the lasting influence of Merry Go Round isn't as widely known. Here I've come, along with the aid of this thread to help decode the mystery that is Merry Go Round through their swan song best-of release from 2003, merry go round is dead. There's no better time to go into this, as gibkiy gibkiy gibkiy marked the return of Kazuma to the scene, and they are hot off the heels of a fairly large country-wide tour and now a 3man series of lives with DALLE and 101A. Gibkiy continue onward with merigo's legacy of avantgarde experimentation, pushing the boundaries of not only the visual kei scene, but the underground alt-rock scene. Merry Go Round's cult following continues onward long after their eventual demise, over 20 years after they had started in '91—they even have a fan-run “memorial site” in their honour, still updated to this day. At the party zoo event lives, there's been merigo respect sessions, with MUCC members playing in them. Their releases catch a decent value on the secondary market, with their best-of albums easily catching upwards of 8000 yen. Something's in the water with these guys, and I don't think its any coincidence they are still mentioned in the same breath with the major label successes of the Nagoya scene despite their relative obscurity outside of the scene: Laputa, ROUAGE, Merry Go Round. The short answer is that they were legendary in every sense of the word; everything merigo did was fucking iconic. There was a sense of genuine darkness about the band, no one was flashing around their goth clothes for the chicks only to switch it up afterward when they got bored. The twitter thread was quite helpful, as they pinned a lot of influence to Merry Go Round that I didn't otherwise know. They claim that Kyo (DEG) and Daisuke (Kagerou) were quite influenced by Kazuma, and while I don't have anything to back this up, I totally believe it. Kiyoharu and his very obvious influence on like...99% of visual kei aside, Kazuma's edgy antics have clearly played a role on Kyo. He was the first person to rock the metal face piercings-all-over look, which Kyo later donned in the 2000's, coming to a fever pitch in the 2010's with band guys literally filling their faces with as many piercings as possible. Of more importance is the inheritance of an independent and unique being that merigo embodied; they were so unique that even the japanese source had to struggle from talking in hyperbole. Honestly, I'd argue that Kyo's closest comparison point is Kazuma, in terms of avantgarde leanings and their individualist persona that was cultivated through their almost outsider leaning art. They also pin Merry Go Round as the prototype for menhera love songs, whatever the fuck that means; my understanding of Kazuma's lyrics are limited but there's a lot of sex...s&m...sex...S&M! Of equal importance was this new influence of a darker perspective--taking into consideration the misfortunes of the world and informing one's art, which encapsulated a lot of themes which would later pop up in kotekei and the boom of menhera in the 2010s. Kazuma alone is not to credit for this, but along with the early Nagoya's kei scene's influence in ushering in this new era of ~yami~, he made a decent impact on the darker bands that would follow in later years. Throughout their history, even through lineup changes, their brooding energy stayed constant and so did their experimental, post-punk edge. While firmly rooted in the history of the scene, they sounded equally distant and removed from the scene. Whereas other bands mixed in sharp melody and pop sensibilities to the doom and gloom of the time, Merry Go Round nixed conventional song structure altogether. They had the melancholy down pat, but they added an almost relentless sense of repetition. Songs wouldn't move much as compositions, focusing on a guitar motif or rhythm and pushing it to the desired running length. It's a sound that is hard to describe without listening to their songs, but also a sound that varies with time. Notable is a 1997 cover of Bauhaus's “Hair of The Dog”, in which the spacey guitar lead of the original is turned into a fast-flicking, treble-y riff; the rhythm replaced with a syncopated drum beat. Kazuma sings coldly, screaming and cackles hysterically, pushing the frantic energy of the song into maniacal heights. The end result is so fucking merigo that I'd have a hard time believing this wasn't the band's own composition. This speaks to the quality of the re-arrangement of the cover but also their brilliance, in turning the frantic yet restrained energy of the original into a fully realized, uniquely dark visual kei song. The guitar tone and technique are a definite echo of the indies sound at the time, but the chord progressions dubbed over the melody of the original are totally post-punk, dour and dire. It all makes a lot more sense when hearing "Ame to muchi", which is an original composition yet it manages to sound quite close to “Hair of The Dog”. This is a perfect representation of merigo's traditional sound, equally visual and goth. Besides, when was the last time you heard a visual band cover fucking Bauhaus? These two tracks are part of their old sound before '99, which was more typical of mid 90's gloomy-kei and Nagoya bands, but as they went on things got weirder and weirder, peaking with their 2000 full length. Past then, things got a bit more sober and streamlined, with a more rock sound but were still quite distant from the third generation of Nagoya kei, which included the more goth-inclined Lamiel, kein and later Blast and deadman. Merry Go Round - "HAIR OF THE DOG" Bauhaus - "Hair of the Dog" Merry Go Round - "Ame to Muchi" Speaking of all this history, lets get into the band's tea. merigo is messy to say the least, and there's not much I have to add that isn't already on the net, so I'll offer the interesting points. Merry Go Round's history is marked with stuff that doesn't happen at all anymore, including massive lineup changes, being together for 10+ years (believe it or not), falling in and out of major label contracts and a weird discography, with only 1 full length album and a scattering of minis and singles to count for the fajillion years Merry Go Round was a thing. Vocalist Kazuma and ex-Laputa guitarist Hideno were pretty much the only constant in the band's recording history, excluding their pre-demo years. Before '95 was probably a whirlwind, they cycled through 2 guitarists, 2 bassists and a drummer over the course of 4 or so years, with only recorded 1 demo (before their official demo) to show for their early years. None of the members at that time went onto any other bands after their time in merigo and so what went on in those years is entirely unknown, but totally interesting. I'd like to think the band was a volatile group of goths going around Nagoya with violence (a-la X-Japan), crappy music, drugs and S&M orgies but we might never know. The reality of the situation is likely a lot more boring, with Kazuma refusing to let go of his little project despite the financial and personal difficulties that come with trying to get a band going, especially considering it was before visual kei's mainstream popularity in Japan. They found stability after 1995, with their first main lineup's output stretching from '95-'98 before losing their only other composer, the now deceased Junna and drummer Kyo. Hideno then became the sole composer of the band's music, and whether for his personal taste or just overall circumstances, shit got very dark, very quickly. Song lengths could be brief, with weird minute-long voice solos or drag on for seven, eight minutes at a time with their typically minimal instrumentation, leaving Kazuma's croon to fill in the spaces. This was hinted at in their earlier days, as S featured the 12 minute monster “Dokumushi”, one the creepiest songs ever put to tape, which was composed by none other than Hideno. Catchy choruses became even more sparse, as songs were more about mood than melody. The jazz and industrial influence became stronger, with an alt-rock vibe creeping up on them in the later years, replacing the remnants of their old school style. Basically, as an album, merry go round is dead is not much more than an afterthought. There's actual little reason to purchase the album, as its limited 1200 press has ascended it to god rare status and it doesn't show up often or for anything remotely cheap and all the tracks have been released before. That said, most of the stuff from their marder suitcase/Fuji days are impossible to find now. Nothing was done with purpose in terms of arrangement, inclusion of tracks, etc. The track list is mostly chunked from the original releases, with little integration. The first chunk was their new stuff from 2003, then most of the tracks from the 1999 singles, with only 2 other b-sides that went to their 1999 best-of REDDISH COLLECTORS NO DEAD ARTIST. There's a lot of overlap between these compilations, and REDDISH... is a weird enough album that it deserves its own article. There's a lot of repetition in their discography, but also a lot of remixes/re-recordings and little tracks thrown in as interludes. Their first full length is also entirely absent absent here, as well as pretty much anything during their second lineup. The only song unique to merry go round is dead was "NARCISSE", which was later thrown into a marder suitcase V.A comp. The last chunk was a throwback to their older days, with the whole IMPERIAL DRUGS single and “xxTaishitsu” thrown in for whatever reason, as it is the only track solely composed by Junna. The classic “Sakura no mankita no shita de” appears as well, with “Dokumushi” cut down to a slightly more palatable 4 minutes. “SUICIDE DANCE” is the only song composed by Kazuma and ends the album as a throwback to their eaaaaarly days, as the song has been around in some way since their first unofficial demo in the early 90's. In terms of the tracklist contribution, I'd chalk it to who owned the rights for the tracks as well as aesthetic representation. Even if the band wanted to include their stuff from the semi-major days, my guess is that they didn't have the rights to those songs, which were conveniently mostly Junna compositions. So whether by design or coincidentally, it's mostly Hideno composed, reflecting the musical design of the band from 1999-2004. On to the music itself, it is spectacular to say the least. No matter how much you prime yourself to hear something of comparative style to other artists, or rather the inverse—expecting to hear something completely alien, the experience itself is neither. Tracks 1-6 were their post-2001 output, a mix of melancholy ballads and crunching alternative rock numbers. The sense of theatrics is mostly toned down for a primal rock energy. “Shitsuraku” is straight up aie chords played for seven minutes on end with what sounds like Kazuma on xanax. He takes the track towards a lullaby, threatening to pierce that threshold and roar yet it never approaches those heights. “Zokei” is among the best of the new material, with a percussive rhythm accented by dissonant guitar chords and Kazuma totally riding the track with vocals oozing sensuality. These tracks are a perfect example of merigo's penchant for repetition, as there are few diversions from the introductory chords and melodies. Hideno overlays a new motif or two to keep the songs from being mind numbingly repetitive, and it works to keep interest but otherwise keep the tracks hypnotic. “Narcisse” and “Kimi wa mitsu yori mo amaku” are shocking in that they're almost—joyful—ballads, not creepy or brooding (spare the intro to “Kimi...”) and a departure from anything they had done in the past. These were a look into merigo's possible future, a fascinating look at what could have been. I'm not sure it would have been a future we'd have wanted, but thankfully gibkiy gibkiy gibkiy came up 10 years later and swooped up the remnants of Merry Go Round's old craziness instead of letting this acoustic cheese bloom. That said, I like them in the context of the album's melange of mess. Merry Go Round - "Zokei" Then begins the older output (this album goes in reverse chronological order, basically, LOL), the more essential or classic Merry Go Round songs. “Akai ito” is the song that more or less got me hooked on art kei (I was already a Diaura stan, #sorrynotsorry), as the song was so...un-visual. It is a naked and haunting ballad, and it struck me as visual kei style vocals over a sped up Low or Codeine song. The guitar line had the dissonant feel of a darkened post-rock or midwest emo track, and I'm a huge fan of all of that so its safe so say I was shaking in my boots. To this day, it is my favourite Merry Go Round track and I literally melt the second I hear those opening chords. This haunting sound is echoed by “Zakuroiro no tsuki to kurutta koi”, which is in the same stylistic vein but a more drudgy, spacey number. Kazuma kills both with his vocals, dipping in and out of vocal acrobatics, occasionally pushing the border between fascinating and gratuitous but never overstepping his bounds. The template for these ballads is toward the closing of the album, with Merry Go Round's classic “Sakura no mankita no shita de”, which more or less birthed true emo balladry. It is covered in sessions to this day, and from merigo, it is the one track that is remembered from non-fans and fans alike as an iconic bit of Nagoya kei history. “Setsudan TV”, “Beast” and “FISH” are the flipside to the traditional melancholy rock balladry, as the band step into dub, industrial and jazz sounds. “Setsudan TV” is absolutely insane, with a thumping, urgent instrumental, not too far off from a cyberpunk anime soundtrack. Kazuma's vocals are...[redacted]. It's the peak of madness for the album and a track so bizarre it warrants a listen, just for the shock experience. “CHEMICAL CANDY SHOWCASE” is a look into merigo's traditional sound, as its a straightforward, punky rock piece. Merry Go Round - "Akai ito" From the traditional sound to the straight up old school, “xxTaishitsu” brings the vintage heat, as it is one of the older tracks. The looping/glitching vocals from “Setsudan TV” are here in a lower dosage, contributing to the intensely psychedelic vibe of the track. The track comes to a climax with a bizarrely spaced and composed solo, in a much higher pitched voicing than the rest of the track; it's orgasmic to say the least. If you're not air guitar-ing to it, then what kind of a wannabe guitar player are you? From then on comes “Dokumushi”, unfairly cut down from its originally wonderfully messy glory. In fact, the horrific and disturbing effect of the original is almost entirely lost in this 5 minute edit, as the song is made all the more creepy for how long it goes on for. The album ends with “SUICIDE DANCE”, an otherwise unremarkable song for how much it resembles other, better merigo hit songs; however, credit is due as this was the template for pretty much all of Merry Go Round. Merry Go Round - "Dokumushi" (Live) And so the snake swallows its tail, merry go round is dead. Hideno has pretty much fallen off the face of the earth, and that's a real shame. Otherwise, Kazuma's contribution in gibkiy gibkiy gibkiy keep the spirit of the old school alive, and that is testament to the strength of the Nagoya scene. There is nowhere else in vk, aside from the legends of the late 80's-early 90's that musicians have remained active for so long. Peers play with up and coming musicians along with their influences, producing new and dark sounds, equally indebted to the past as they are to the future. Here's to our darkened future, and the merry go round which will spin eternally. gibkiy gibkiy gibkiy trailer References: please note that this is mostly limited to english sources, the gaps in my knowledge could possibly be filled by japanese sources or defunct english pages. please let me know of other additions and translations if possible, do it for the oldies!!! 1.) this awesome nagoya kei intro thread (JP) 2.) western news sources: jame (s/o to the girl who upped the band bio in 2010, it was of great help) vk wikia junna memorial blogs compiled on shattered tranquility 3.) memorial site 4.) yunisan (song credits, lineup information, press numbers)

its almost like he should be taking the advice himself

I usually like to get angry about stupid shit, but these I'm not even going to give the courtesy of clicking. Fuck this guy, his shitty flop band and everyone who likes them.

1. How familiar are you with this band? ✓ I've listened countlessly / own 99% of their stuff and every single shit kazuma has produced after MGR + a bunch of related vk magazines / believe kazuma is god ○ I've listened to a few of their songs / own their music / am familiar with some members side projects ○ I've heard of this band in passing but never bothered to give them a whirl ○ Don't know who these guys are at all basically, the biggest MGR sucker in captivity.. *sigh*

I didn't even click "play" in these videos. The thumbnails speak for themselves.

Something about the visual kei aesthetic is lost in translation when Westerners try to do it. Let the scene influence you but to be derivative of a derivative scene is just copycat at that point. Come up with your own fashions. Set your own trends. Learn photoshop. Try not to look like a $5 Five Below reject. Small things would help me to take his opinion even slightly more seriously than I do now.

Today I learned that toe is one of my favourite visual kei bands. Anyway, it's rather amusing to see the sort of stuff Patrik is up to these days. If memory serves me correctly he was always one of the people shit-talking bland, generic, and derivative visual kei bands back when I used to frequent Fukkatsu. Gotta love the irony.

wtf @ all u swedekei shittalkers dont make me dig out my pokemon alt accounts again

Renaissance in the west? Was it ever alive? Does anyone want it to be?

its funny because how can you resurrect something that literally never existed?

What has always struck me when it comes to Merry Go Round is how disconnected they were from the "visual" scene of it's day. And I feel like it was almost a conscious choice to keep a distance stylistically to the other bands around at the time. I've met Kazuma briefly a few times and he's a seemingly very nice (and ancient-looking) guy, but his connections to the "visual kei" scene remains fringe at best, despite participating in some sessions and things with established people in the scene he's never been a part of it properly in my opinion and his influences and interests at large seems to lay elsewhere. In terms of their influence on the next generation it's the most obvious in the other "fringe" acts, bands like deadman, mucc, emmuree, munimuni, etc. owes a lot to Merry Go Round and I don't think anyone disputes that, just look at how aie rushed at the chance of forming a band with Kazuma back with highfashionparalyze like a giddy fanboy (And for anyone who has watched KEEL live can attest that he treats Tomoi the same way, haha). If you compare it to ROUAGE for example you'd find that they did their part influencing these acts somewhat as well but carried more influence into the more "typical" visual kei of the late 90s what with the chorus style and more "melodic" touches in the darkness. Anyway, great that you're shedding some light on this band again because they're easy to forget about these days and certainly easy to overlook for anyone new to the genre.

i'm so sick of hearing about this #resurrectvk garbage, how bout #resERECTmyErection

Deviloof will pause live activities after their live on May 3 to focus on recording their first full album~ They have also revealed they will be recording with their new guitarist!

Ugggghhh I saw this guy's videos on FB this morning and was about to go awf on him but remembered that 90% of the people in the vkei facebook group use Yohio as a reason to not kill themselves. Plus there's a few people who are still bitter from when I told Bataar they had bad makeup.

Ok last post here probably (sorry not sorry) masaya's blog post today: http://ameblo.jp/blesscode-masaya/entry-12269792347.html

God why are all the weebs trying to say every Japanese subculture that they are into is dying? Oh my god guys! What are we gonna to our vizual keys are dying! Our haroojookoo fashions are no longer popular, even though they never were to begin with....

Merry Go Round are one of the bands that act as a bellwether for my judging others' tastes........ like "oh you like Merry go round? You're a good egg" Good work creating a thread where we can come out and gush a little a bit.

best nagoya kei band ever. me when I was able to purchase a majority of their discography

eiowjiofjmkldsjf stop making this fucker relevant

hey he did a new one "visual kei is the japanese rock scene" ?????

#gacktproblems their music isn't that awf compared to 1) tragic choice of vocalists twice (?) already 2) looks their motherfucking myspace mollywhore looks jeffrey starr didn't retire this style in 2005 for this to be happening now

Setlist of their last live: i will fucking love them forever.

tbh all these drag queens impersonating other drag queens is starting to get old altho i am looking forward to Nina's Jasmine impersonation *_* inb4 someone else impersonates a man in this season too ((haven't watched the preview yet))

I saw that Nina is gonna be Jasmine Masters and someone else is gonna be Alyssa Edwards... Like, even Violet Chachki BARELY made it funny. Why you wanna try it again...?

They're releasing their new album on 8/9 called 「万謡集」 ・蒼き独裁者に告ぐ（作詞・作曲：TAKURO） ・きかせて！アンコール（作詞・作曲：Sho Kiryuuin） ・恋するクリスチーネ（作詞：ATSUSHI SAKURAI / 作曲：HISASHI IMAI） ・スポットライト（作詞・作曲：RYOHEI SHIMA） ・チャオ ～傷だらけのバンドの旅（作詞：KENJI OHTSUKI / 作曲：NARASAKI） ・東京湾大飯店（作詞・作曲：KEN YOKOYAMA） ・逃げろ！ 逃げろ！（作詞・作曲：MASATOSHI MASHIMA） ・はすっぱ（作詞・作曲：Kenichi Maeyamada） ・BANG ON!（作詞：藤井フミヤ / 作曲：Naoyuki Fujii） ・バームクーヘン（作詞・作曲：Naotaro Moriyama、Kite Okachimachi） ・フォーサイクル（作詞・作曲：TAKUMA） ・羅武尊寓（ラブソング）（作詞・作曲：Kankuro Kudo） ・R“N”R P@RTY（作詞・作曲：ABEDON） ・タイトル未定（プロデュース：Yasushi Akimoto） Show's instagram also has a bunch of screenshots of celebrities that covered Kishidan's AI RA BU YU and BOY'S BRAVO as a personal gift for the band. https://www.instagram.com/showayanocozey/

Here's the t-shirt I ordered it arrived fast, it's made out of good quality material, and @Juka08Juka08 works very fast! I recommend buying a t-shirt from here!

The reason Kazi supplied for his departure was musical differences and that he feels he can't continue as a FEST member.

can vk please chug out a band this prominent once again before the only note-worthy thing left is kamijo hemorrhoid surgery anniversaries

MERRY's latest pamphlet featuring a photoshoot of the band in Taiwan!

The bands participating in the starwave fest vol. 17 have been revealed! - FIXER - Scarlet Valse - SchwarzKain - Labaiser - LIKI PROJECT - THE SOUND BEE HD - UNDER FALL JUSTICE - Magistina Saga - rui & Tadayoha SESSION BAND - La'veil MizeriA - Re:move - GAMEOVER - DiSPiИA - REVINE - Tsuki yoi no 戯 Re gen (ツキ酔ノ戯レ言) - FULL EFFECT' The concerts will be held in two different locations at the same time!

There (thumbnail gives me nightmares tbqh) This and Patrik's brainfarts deserve to be pinned to MH frontpage. #ressurectVK #makeSeremedyYOHIOagain #Swedekeiprevails #VKrenaissance #Bataarwho

New Band LAVANS has formed. They will release their first Single, "LOVELESS", on June 6. Line-Up: Vo. NANA Ba. こうすけ Gt. 玲 Gt. ナツ Dr. isamu You can also listen a preview here:

tracklist CD 01. Utopia 02. Lose Control 03. Without You 04. ジレンマ 05. 梅華 06. alright 07. マリーゴールド 08. ノスタルジック（NEW MIX） 09. Reincarnation 10. Go away 11. IN THIS WORLD 12. fragile（ALBUM MIX） DVD 01. Utopia 02. Without You 03. fragile 04. PIECE OF MY WISH 05. die for you 06. Re:fire 07. Sweet Temptation

-> http://blog.livedoor.jp/variablemessiah/archives/52183409.html <- These three bands will hold a one-day revival at Holiday Osaka on 07/07/2017! The event will be called "Legend Of Strangene"

I don't wanna jinx it and make everyone turn a blind eye before they hit us with it for real... XD it IS kinda weird. but yeaaah I guess it could just be a matter of how to provide the best management of a channel like that for promotion I just hope all their PVs will remain available as always XD

why

Mejibray's YouTube channel has changed to FORUM OFFICIAL and overseas fans are losing their shit:

I don't know how it was in the 90s, and PIERROT was never my "main" band during my bangya days, but I know that over time Dir has lost a lot of its original fan base according to some of my best (Japanese) friends that used to be Dir bangya. I think it's a combination of the musical/visual change and their original fans getting older and moving on. Like over time many of the original fans have stopped going, and there hasn't been enough new fans (v-kei bangya or otherwise) coming in to take their place. Generally I think much like Janne Da Arc, PIERROT was better at bridging the visual and non-visual fandom during their heyday/before mainstream visual kei completely "died". I originally got into PIERROT via v-kei, but my husband originally started listening to them because of an old middle school classmate and hasn't ever been a fan of any other v-kei bands. PIERROT seems to have a lot of fans like that. At the PIERROT reunion live they even had a "daycare" to babysit kids while their parents attended the show(s). Dir en grey is definitely more well-known internationally, though. I don't know about in Japan with people outside the scene, however. I agree there was probably some novelty in their reunion so they could still fill such a large venue, but I think even if PIERROT were to do a proper activity restart now, they would still play bigger venues than Dir does currently, like Luna Sea and GLAY do. (Maybe not as big as that.) Just my two yen, though. I'm not personally involved in either scene. (Like I don't go see any of the PIERROT members side projects and my Dir bangya friends have moved on/I was never into them after Vulgar.)

I didn't even notice that! It's a damn good drawing too so I'll leave it there to show it off. Also speaking of pictures I almost used for this topic, I thought about using the mugshots of Manew and SHINTARO but I thought that might be a little scummy. I did want to contrast how they look without make up on since in their cases it ties in, but then they would stand out from the rest of the featured pics in a bad way.

There was a non-FC version, but it didn't have the bonus offshot disc. I also believe each night's DVD had to be bought individually... Anyway, I'm going to both shows because I live and die for PIERROT and Dir was the first vk band I really got into years and years ago, so this event is like a dream for me! And I never imagined I'd have another opportunity to see PIERROT again after DCF.

Guess it means they're taking a break from live performances only.

Many bands have done it before. It's mainly to abstain from live activities to focus on recording.

もう行き場を失くす　夢と現実が この胸を刺して　崩れ落ちて行く I have already lost the place where I feel like home Dreams and reality is piercing my chest and I'm falling down そう繰り返される　嘘と偽りが 言葉を失くして　全て壊れた The lies are repeating themselves I'm at a loss for words, and everything has been broken 鳥籠に揺られている僕の声は君に届かない 逃れる事も出来ないままに　もがき続けてた I'm trembling inside a bird cage, and my voice is not reaching you Not being able to run away, I continue struggling 君の顔から離れられない 狂わされてく（inside, outside） 僕の脳裏に絡みつく声　取り払えない香りが もう返らないもう戻れない　君の心に（inside, outside） この苦しみを君にあげたい 僕のそばから消えてくれ I don't want to separate from your face I’m going insane (inside, outside) The voice that is entangling inside my mind, the smell I can't erase, won't return to your heart (inside, outside) I want to give this suffering to you Please disappear もう巻き戻せない　壊れた時計が 扉を閉ざして　鍵を亡くした… I can't rewind the broken clock anymore I closed the door, and the keys are gone... 時間を切り裂く眠りの中で 君の理想に埋もれた 見えない未来に怯え続けた自由を求めて 鳥籠に揺られている僕の声は君に届かない 逃れる事も出来ないままにもがき続けてた During a never ending sleep I was buried in your ideal In a future* I can't see, I continue seeking for freedom while being scared. I'm trembling inside a bird cage, and my voice is not reaching you Not being able to run away, I continue struggling * in the lyrics it's written mirai, but Yayoi sings asu (tomorrow)

Here;s mine. Order is not optional (everything is my #1) Ⅰ　EX-ANS 「HABIT OF SEX」 Ⅱ　MADAME EDWARDA「ヒステリックな侯爵夫人」 Ⅲ　AINSI SOIT JE...「MY IDEAL」 Ⅳ　D≒SIRE 「– 終末の情景 -La Scène Du Finale-」 Ⅴ　GOATBEDｘSilhouetteNewRomance「STOWAWAY TO PARADIS」　 Ⅵ　cali≠gari「第三実験室」 Ⅶ　Sense of Shape「étoile」 Ⅷ　メリーゴーランド「放送禁止の死んだふりをする潔癖症の実験体と…」 Ⅸ　SAKRUN「－刹那－」SORRY SHUUJ

My name is STAR. Actually, my real name is Tiffany, but I prefer STAR. I am a 14 year-old female. I am an honors student, and I will be entering ninth grade in the fall. For anyone who cares, I do study Japanese independently. I am a bit shy and reserved in real life, so please forgive me if I act obnoxious or annoying online. Its the only way my real personality gets to come out. I'm just going to put it out there, I'm a massive fan of both Yohio and Seremedy (Or what was Seremedy). I know they both have their haters on this forum, respectively, but I don't really care. I love them both unconditionally. I am also a Malice Mizer and Gackt fan. And I don't care about that Gackt sexual assault allegation that is going around, I will always adore him and his voice. To be honest, I only came here for album rips. I was sent here by a member, but I don't know their screen name on this site, so I'll update that later when I do figure it out. List of My Favorite Visual-Kei/JRock Bands Alice Nine BABYMETAL D DIAURA GACKT High And Mighty Color LoVendoR Malice mizer MoNoLith ONE OK ROCK SCANDAL SCREW Seremedy Stereopony the GazettE UVERworld Versailles YOHIO Honestly, I couldn't think of many off the top of my head so I went through my YouTube history and picked the ones that appeared the most. EDIT #1: I'd also like to mention that first and foremost I am a fan of H!P more than a visual kei fan. So I'm pretty out of date with visual-kei things other than what I choose to look up. I don't keep up on news or things like that for bands other than my favorites, so please don't expect me to know everything you're talking about. EDIT #2: I Also forgot to say that I am a fan of LoVendoR. Which, to anyone who doesn't know, is the rock band that Reina Tanaka started and graduated from Morning Musume to focus on. They don't really qualify as rock . . . maybe Idol-Rock, but that's about it. But I will still follow them because I am a Reina fan.