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Hey, everyone! I'm back hosting our monthly song recommendations along with @doombox! October was a great month, and we've got a smorgasbord of fantastic music for you to check out! We apologize if some videos aren't available due to region restrictions. We'd also like to thank our record FIVE guest contributors this month: @Ada Suilen, @chemicalpictures, @hiroki, @indigo, @Lestat. It's been awesome to have you guys on board. Now let's dig in! @beni's Picks "LOVE DOLL" by DECO*27 If there's one reason I want people to give Vocaloid a chance, it's all because of this guy right here. DECO*27 is one of the better known producers within the Vocaloid scene for having created several popular songs such as "Aimai Elegy", "Yowamushi Montblac" and "Mozaik Role". His lesser known works include his Utaite covers and contributions outside of Vocaloid, writing songs for other artists such as Hello Project!'s Buono! group. GHOST is his latest album after a two year break, and a personal anticipated release. The album is yet another release he used only Hatsune Miku in, with my selected stand out track "LOVE DOLL" originally being created for and sung by GUMI instead. "LOVE DOLL" had debuted two years ago in fact. But that doesn't take anything away from its enjoyment. It's an absolute treat to hear this freshened up by Miku instead, and included in the album. The song's emotional, metaphorical message and lyrics is another reason to appreciate DECO*27's efforts. "LOVE DOLL" demonstrates what DECO*27 does best: an insanely catchy chorus with wonderful trippy build ups all around it. I suggest checking out Utaite uploads instead if you can't stomach Miku, specifically Soraru and/or Dari's covers. As a plus you can even see the original PV from when GUMI was the singer! "flora" by 南壽あさ子 (Asaco Nasu) Nasu, you've made me wait for almost an entire year for new material! Asaco Nasu was one of my favourite new finds from last year, and I had been anticipating any form of a new release all year, so I'm beyond ecstatic she has delivered something, and of this calibre. It was worth all the waiting even if it's now October! "flora" is the theme song for the PS Vita/PS4 game Firis no Atelier, a long running JRPG franchise Nasu has lended her voice to before. Her gentle yet lush voice takes me back to the likes of the ever so majestic Okazaki Ritsuko, which is an absolute delight since no one comes close to how she had performed, but Nasu makes it a close call. And even though it's just a ballad, "flora" is still absolutely beautiful and whimsical. Nasu's soaring notes in the chorus, and the echoing effect makes this song full of wonder and joy. "flora" is as gorgeous as you would expect. "Pride" by X4 I have already suggested these boys are Japan's calling to K-pop originating in their homeland (just see Future,Super Duper,Nova. You're too late with the PV now though!), and now they go and do this - a ballad. Specifically as a way to celebrate a wedding. With all five of the boys in the group dressed entirely in white like angels, I'm sold right there. X4 can be called Yuya Matushita's boyband, who already has a name for himself for the solo career he's had for almost a decade now. With both tie-in hits left, right and center, including a clear sound of successful R&B and hip-hop influences, he passed this on to X4. The group takes a breather from their louder tendencies with "Pride". Along with their other gorgeous ballad "Will You Marry Me", "Pride" steps it up, with stunning, effortless group vocals, each time all in harmony. And yet each of the boys' distinctive, powerful voices yield all on their own outside of the chorus. This is how you do a boy group! "NANIMONO (feat. Kenshi Yonezu)" by 中田ヤスタカ (Yasutaka Nakata) At this point, I can safely say I am absolutely addicted to "NANIMONO". Made by the efforts of the collaboration of Yasutaka Nakata producing, and Kenshi Yonezu as singer and lyricist, this is the first time the latter has joined forces in making music. He sure should be proud! Having been left feeling disappointed in almost all of his latest efforts, I'm pleasantly surprised at how much this song has quickly grown on me. Nakata's signature Perfume sound with Yonezu's distinctive tone does wonders, making something from Yonezu sound fresh and different. It's certainly a step in the right direction in fleshing out his new sound as being his own artist outside of the Vocaloid scene. The song will be used as the theme for an upcoming movie of the same name, and will appear on their joint release with remixes of the song as the tracklist. I don't think I could ever tire of this tune, so bring it on! "オムライス (Omurice)" by 杉恵ゆりか (Yurika Sugie) One of my favourite new artist discoveries of 2016 has definitely got to be this darling. I just so happened to stumble on her YouTube account, which then took me to avex, the major label she now releases music under, with this latest PV of hers. She seems to still be rather unknown even now which is just devastating. In "Omurice", the build up to the chorus doesn't give away her star potential... completely! In the bridges and verses, her tone is super adorable, exactly what you'd expect from looking at her. And then it all explodes. Every bit of zest in her tiny body reaches new heights as she's hitting all her lines and notes with such bright energy. There's definitely more to this little lady, and I can't wait to follow her and see what else she has to offer. @CAT5's Picks "今が君の思い通りに (ima ga kimi no omoi dori ni)" by infro Chances are, if you're not a connoisseur of Japanese emo and punk, then you may not have heard of infro. They've been around since at least 2007, when their first mini album was released, and since then, they've only released one other EP while appearing on splits and compilations here and there. Of course this is all typical of bands associated with a scene as underground as Japanese emo. So I was pleasantly surprised to see these guys release their very first music video this month, and it's a highly satisfying and earnest piece of melodic punk! So far it doesn't look like infro has any new releases planned, but this song definitely whets the appetite for more. (They also get extra points from me for performing punk music and NOT resorting to Engrish! XD) "Voice" by SOSO BREAK THE WALL Do you guys remember progressive alt-rockers the brown? Well, eye, their vocalist has surfaced with a brand new project called SOSO BREAK THE WALL, and it's everything I could've hoped for! One of my biggest criticisms against the brown was eye's primary use of English, which rendered an otherwise good band mostly unlistenable for me. Fortunately, SOSO has 'broken that wall' and eye has, for the first time I've ever heard, actually sung in Japanese! She sounds marvelous, and in combination with the music, SOSO creates the kind of mournful, female-fronted alt-rock that the J-rock world has desperately been lacking since the demise of REDЯUM and me-al art's third album! The band's debut EP will feature a slew of cool musicians from kamomekamome, ANYO, Vampillia, and more - it might very well be one of the best things to come out this year! Huge thanks to @Hakoniwa for informing me about this! "Rehena" by minakumari Combining traditional Indian music with experimental, ambient, and J-pop, the sitar-wielding singer-songwriter minakumari is a bit of an anomaly, to say the least. Given the atypical nature of her music, she's neither well-known in Japan nor abroad, but she just released her fourth album REHENA, which could very well escalate her to new heights! The album is entirely produced by the renown Hirotaka “Shimmy” Shimizu (of The Cornelius Group and Plastic Ono Band fame), and the title track is one of the most upfront and engaging songs minakumari has ever made. There’s a plodding groove to it that provides a good amount of accessibility, yet minakumari’s worldly outlook remains perfectly intact. “Rehena” is an entirely fresh take on J-pop, and just as worthwhile as it is novel. "美しい孤独 (utsukushii kodoku)“ by paranoid void If you’re like me and think that tricot is heinously overrated or just throw-up in your mouth at the mention of the band, then you might rejoice to know that I’ve come across a band that does what they do, but are actually good at it! That’s right, paranoid void have the potential to completely dethrone 'try-hard-cot' from their questionable reign as the female-fronted champions of Japanese math-rock. “utsukushii kodoku“ proves that not only do these girls have the chops to play math, but they actually put heart and soul into their songwriting and musicality - as opposed to lifelessly doing things by the numbers. The trio just dropped their debut mini-album POP MUSIC, and if this song is any indicator, they will be a band to watch out for. "Mother Fucker" by Limited Express (has gone?) For those of you that enjoy your share of aural anarchy, look no further than the new Limited Express (has gone?) album All Ages. It’s their first release in three years and a welcome site for fans craving zany, alternative punk. “Mother Fucker” is the perfect track to single out, as it sums the album perfectly: turbulent drums, chaotic sax, groovy post-punk basslines, erratic riffs, and YUKARI’s ear-piercing vocals! It’s noisy, it’s bonkers, and it’s a helluva lot of fun! "Taxi" by トクマルシューゴ (Tokumaru Shugo) Tokumaru Shugo albums are always an event worth looking forward to! His folk-infused brand of indie-pop has remained a unique commodity within Japan’s music scene, as no other artist can really replicate what he does. His new album, TOSS, while not as exciting as previous releases, has still managed to provide gems like this, however. “TAXI” delivers all of Tokumaru’s hallmarks with its infectious guitar riffs, jaunty toy instrumentation, and wonderfully wacky arrangement. It’s such a catchy and playful tune that I DARE you to feel anything other than joy while listening to this! "Beryl" by Marihiko Hara & Polar M I’ve always had a keen appreciation for music scores, soundtracks, and instrumental music in general - music that tells a story, but not just that, music that invites your imagination to tell its own stories. Composers Marihiko Hara & Polar M (aka Masumi Muranaka), have managed to do just that with their new, and second collaboration album simply titled Dance. “Beryl" in particular evokes a bittersweet, nostalgic feeling with its lilting acoustic guitar and wistful post-classical piano. It’s a sorrowful, yet contemplative piece that certainly will ‘dance’ with your imagination. Beautiful~ @doombox's Picks "City Lights" by abstracts After a strong album release earlier this year abstracts are back with more awesome melodic metalcore, and this time with a bit more bite! "City Lights" layers their usual bright and djent-tinged guitarwork with a fun, upbeat tempo. The result brings the band into some new, more mature territory we haven't gotten the chance to hear from them before. This composition creatively pushes the vocals to the back seat to really let the playfulness of the guitar melody shine through. It's only a single digital release at the moment, but I hope this song is a sample of what's waiting for us on their next album! "アウトサイダー(Outsider)" by Kidori Kidori The duo returned this month with their new mini album OUTSIDE and if you're familiar with the band you know they are consistently good at what they do. "Outsider" is a bit of an update on their sometimes folk-y, sometimes funky, retro garage rock sound. But both song and video are an interesting peek at this side of the band. I highly recommend checking out the entire mini album to get a proper feel of just how expansive their sound is if you have the time. Kidori Kidori never disappoint! "CRAZY N' SANE" by CRAZY N' SANE I'm a little late to the CRAZY N' SANE party, but I gotta say the 90s kid in me is in love with this track! If any of you miss that ol' funky rap rock, nu metal sound CRAZY N' SANE are here to bring it to you. This band is the Korn, Limp Bizkit, and Linkin Park hybrid you never knew you needed in your life. Though the members' identities are shrouded in mystery I'd place good money there are some familiar faces from the Japanese metal scene hiding under those masks. Am I the only one thinking the screamer sounds a bit like Ikepy from HER NAME IN BLOOD? "5150" by THE ORAL CIGARETTES While I thoroughly enjoy THE ORAL CIGARETTES, their releases have a tendency to be hit or miss and end up a bit same-y. Last year they had a rather hectic release schedule and I think it showed in their stunted creativity, but "5150" brings us back to the kooky-cool side of the band that I really love. The beat drives this song at a near frantic pace, but Takuya's lower vocal tone has a great soothing quality that keeps this track from flying off the rails. The combination is what makes THE ORAL CIGARETTES so special when everything comes together just right. @emmny's Picks "羽花 (Uka)" by MEJIBRAY I'm going to save y'all the shade and not use this as a means to slam MEJIBRAY for flopping consistently for the better part of two years. It's not hating, its all out of love really; I hold 'em to a high standard given their past output. I consider their SM singles compilation to be essential listening for 2010's visual kei: no one did it harder, catchier, and with more charisma than early MEJIBRAY. Their cult following and popularity is pretty apparent given how much their work is more a testament to the members' respective musicianship rather than a collective effort: MEJIBRAY's shining feature and greatest weakness is their individuality. Sometimes it just turns into an ego vs. ego vs. ego vs. ego mess of sloppy metalcore and failed experimentation. I'm happy to report "Uka" is none of that, rather an incredibly balanced and beautiful return to form. It's more layered a composition than usual; the time off they've had from spamming releases has resulted in greater attention to detail. The contrast between the thrashy verses and beautiful chorus is the basis of the track, accented by a stunningly restrained solo from the queen of wannabe virtuosity, MiA, as he undoes the heaviness in the first half with a swaying guitar-line over delicately picked acoustic chords, eventually leading the track to its closing. Balance is everything. "カミオ (Camio)" by Sioux Anyone who knows a thing about me or has been a member here for more than 5 minutes also knows about my love of amber gris and all things 'art-kei'. So when kaname, ex-amber gris guitarist and composer came out with a new band with the totally 'art-kei'-riffic concept of a traveler's existential journey, I knew it was gonna destroy me. I didn't expect it to destroy me this hard though; "Camio" is a straight up amber gris throwback, with all the beautiful guitarwork, layered instrumentation and emotive vocals that came with it--except this time we have kaname on vox. That said, it doesn't sound like kaname singing over an amber gris track: "Camio" has a more mathy-tone, even if it's a ballad. His vocals lend a more indie-than-visual vibe to the track, which keeps it totally fresh, even if the vocals are a bit inconsistent. Considering I'm this enamored over a track off their first single, i have incredibly high expectations for Sioux in the future, and somehow I think this band of wanderers will leave their mark on the scene. "リテラシズム (Literacism)" by THE BLACK SWAN TBS are a perfect example of a band continuing to improve with every release, sharpening their prog-kei the longer they play with each other. "Literacism" is a surprisingly pretty piece marked by contrasts. it opens with Jin crooning over a sombre chord progression, leading you to think a ballad is coming up, which isn't entirely wrong--in true TBS fashion, there's more to this six minute track than meets the eye. Once the tremelo lead guitar in the intro fades out, spastic guitarwork and Ren's blastbeats take over while Jin spits a beautiful vocal melody, unlike anything TBS has done before, all over warring instrumentation. This dichotomy fuels the track, as it floats in and out of of dreamy, slow, guitar-led sequences, blastbeats, a legitimately brutal breakdown and back again. "Literacism" is at once familiar, both with the genre and the band's prior output as well as the new, showing off some cool tricks under their sleeves. @fitear1590's Picks "人間ビデオ (ningen video)" by ドレスコーズ (the dresscodes) What do the dresscodes, the moniker of charismatic solo artist Ryohei Shima, and GANTZ, the super gory anime/manga series, have in common? I'm still trying to figure out the connection, but that didn't stop the former from penning the theme song to the new GANTZ CG film. While the track opens with some dark riffs and some creepy chanting, the chorus is pretty classic ultra-catchy songwriting that we've come to associate with Ryohei. While I have no idea how well this song meshes with the the new GANTZ adaptation (my feeling is NOT MUCH), I'll be rocking out to "ningen video" in the meantime. "亡霊たちの楽園 (boureitachi no rakuen)" by ニカホヨシオ (nikaho yoshio) Remember South Penguin from this summer? Well, what do summery indie riffs dress up as for Halloween? Solo artist Nikaho Yoshio has to be the closest thing. While his style of laid-back guitar pop is comparable, there is something slightly spooky in the atmosphere and lethargic vocals of this song. The title, roughly translated as "Ghosts' Paradise," is surprisingly fitting. Fans of Tempalay should also enjoy this. Check out Nikaho's debut EP SUR LA TERRE SANS LA LUNE on November 2. "マイムマイム (mime mime)" by グリモア (GRIMOIRE) The saying goes, 'If it ain't broke, don't fix it.' I'd wager that GRIMOIRE are operating under a similar motto. Since their debut single in September 2015, they've maintained their niche visual/musical concept. Though only slightly tweaking their sound along the way, they've steadily beefed up production value. I can't find information on their label (they're not even on VKDB!), but if they are self-produced, color me impressed. If you haven't been a fan of them so far, "mime mime" is unlikely to change your mind. For me, however, it's definitely a favorite, combining the creepy ambiance and arrangements from their earliest tracks with their signature chuggy riffs--one of their most balanced efforts to date. The bar around :44 (and its repeats throughout) even has an epic quality, cleverly offset by dissonant riffs--a new twist on the band's sound. Overall, GRIMOIRE are perfect VK band for Halloween! "Adonis" by Sioux Finally, we have Sioux, who combo-break the spooky theme my other tracks/PVs have established. Although... maybe the members popping feathers into their hair and using a dream catcher in their logo for a 'Native American' aesthetic is Halloween after all. How problematique™! All kidding aside, "Adonis" rules. ex-amber gris guitarist Kaname takes up vocals in this band and is seemingly backed by a bunch of talented newbies. Gorgeous guitarwork and raw, evocative vocals hit all the right spots. With only their first release, I can absolutely see Sioux's potential to help fill the void of some of the major art kei disbandments that happened over the past year. @tetsu_sama69's Picks “CROWS” by BLESSCODE Another supercharged release from the overflowing potential of a band, BLESSCODE. The opening of the song sets a strong rhythmic pace that thrives throughout. The track is entirely infectious with powerful vocals and amazing instrumentals that only this band are capable of. It's hard not to feel yourself compelled to dance a little as you listen to the track as it's so steady and solid. By the time you finish the song you'll be singing 'Thank you for the music' and wanting to enjoy more of what BLESSCODE brings to the table. “PERSONA” by THE BLACK SWAN The wait was so long for this new release from THE BLACK SWAN and it was worth every single minute that the fans were a ball of impatient tension for it to surface. The heart beat from the start gets torn apart with a dirty cacophony of guitars and drums that don't hold back. “PERSONA” is a track that feels like a conflicting duality of darkness and rage combating each other with screams and clean vocals leading the charges in dissension. It's hard to decide which part is my favorite because the whole thing is a hard smack to the face of awesome music that any fan of the band should enjoy overall and find it difficult to not have the song on repeat. “Psycho Creature” by MIZTAVLA Rhythmic synth bleeps may start off this track but it's pure deception when the rush of instrumentals start and I found myself bouncing around my room with this vibrant track. The drums are so spirited in this song and they grabbed my attention with the insane mess of power they brought forth. The vocals are a rough shambles of scattered screams and cleans that fit the overall flow. The chorus especially was an amusement ride of headbanging and chaos that made it instantly the standout track of a very solid mini-album. @Zeus' Picks "quiet squall" by siraph Snagging the ending theme song for an anime is always a double edged sword. Unlike the opening, you are not guaranteed that your audience will stay for the credits. So as impressive as it is for siraph's first single to feature as the ending for the anime Bloodivores, it's fortunate it can turn heads given only 90 seconds. siraph plays their first ace card with "quiet squall", an unexpected but not unwelcome smooth jazz tune from left field. For a band that many may have classified away as 'school food punishment 2.0', it's great to see siraph take steps towards creating their own identity so early. It's perfect to unwind to while also flexing their diverse influences, if you can look past Annabel's less than perfect English. Personally, I'm excited to see how many different directions this band can go in successfully. Guest Recommendations @Ada Suilen's Picks "Phoenix" by 摩天楼オペラ (Matenrou Opera) It was thought that, after the departure of the historical guitarist Anzi, considered as a key element for this band's sound, Matenrou Opera wouldn't had been the same rock act arrived with the EP Phoenix Rising, where they went back to their origins, but not so much; in fact, each song, especially the one featured, is driven by the same unique energy and which they were from their 'golden age' (since 2009). In other hand, the recent album Chikyuu extended a lot their musical range, bringing to them a little ray of hope. A hope that versatility which always characterized them, with the guitar which this time belongs to the talented Leda; so if you saw this band as done, you got it wrong! "Give me a break, stop now!" by REOL I rarely listen to contemporary pop music, especially Japanese (apart from the great ladies of the scene), but some time ago I read about this singer and her debut in pop music, as she was in the Vocaloid scene, and several people were pretty enthusiastic about her, so I tried the first album Sigma. And the first impression has been pretty good, even if at the first notes I thought I was listening to an idol; but Reol is definitely closer to the banging-dancing electro-pop music, which is more appreciated by the Western audience, with an eccentric use of auto-tune and engaging beats, without forgetting her charismatic presence. I tell only that you should only give her a try, since she is fresh, energetic and catchy, and you cannot resist her style. @chemicalpictures' Picks "Get up" by MONOEYES Takeshi Hosomi is a giant in Japanese music that I think hardly gets any recognition by western audiences... ELLEGARDEN was HUGE, the HIATUS and MONOEYES are filled with respected musicians and draw crowds all around. While the HIATUS is fully experimental post-rock, MONOEYES embrace the simplicity of ELLEGARDEN and Hosomi's earlier american rock influences. "Get Up" is a nod to 90's pop-rock sound, like Third Eye Blind, Spin Doctors, and Semisonic. Simple, straightforward guitar lines, and groovy bass and drums contrasting with Hosomi's great feelgood lyrics ("If you are sore from yesterday, the sunrise means that you are still alive" is lovely, come on!) make this a perfect sunny-afternoon-by-the-pool track for you to rock out with your friends! "感情トリートメント (Kanjou Treatment)" by Develop One's Faculties Unsurprisingly, DOF did it again. The VK gods are backing blowing our minds once again with another intense, emotional track that only they can do so well. During the first minute, the guys have already set the mood for one of their best tracks of 2016. Yuya going back and forth, with Johannes' crazy-pace drumming and a simple, yet beautiful violin line sprinkling on the back creates a powerful chorus that will be stuck in your head for a while. During the bridge, the fast tempo instrumentals while yuya keeps his vocals in check is clever and makes for a nice contrast, and shows how they already mastered the sound they are trying to achieve. It is refreshing to see how they can play with their formula to provide a different experience each time. I can only imagine how rocking this must be during their lives. It's a real shame this is a live limited release, though. Here's hoping to see it on their next full length. @hiroki's Picks "この手に在るもの (kono te ni aru mono)" by Blu-BiLLioN Blu-BiLLioN’s "この手に在るもの" is at once a return to their signature synth-pop blend that many later bands have attempted to appropriate but few have come close to matching, and at the same time a small nudge towards the EDM elements from “S.O.S” which earned them mixed reviews from even their most ardent fans. What impressed me most this time, however, was the thoughtful restraint So-ya has exercised in his infusion of dance elements to produce an upbeat, delicately balanced title track—translated as “what I have in my hands”—which doubles as an assuring nod to the fans that the band will not recklessly abandon what they started out with even as they mature (indeed, the lyrics are all about the future instead of some hazy indistinct need to return to the past that you tend to find). Needless to say I’ve always admired Mike’s vocals; it’s versatile but never outrageously flamboyant, markedly precise but never mechanical, and he’s simply exquisite across all 3 tracks here (the groovy B-side "レプリカ (Replica)" is my personal favorite). Overall, "この手に在るもの" is an accomplished distillation of the Blu-BiLLioN’s 6-year career thus far, with a not-so-faint whiff of what one might expect from them in time to come. "ラストシーン (Last Scene)" by グラムヘイズ (glamhaze) It is difficult for me to review this single without lapsing into a eulogistic mode after the awful news that グラムヘイズ will be disbanding in January. Even after having listened to many many visual kei bands I struggle to name another vocalist with Satoru’s combination of a powerful chest register, intricate gradations in his falsettos, and above all, his effective and deeply emotional tone that just tears at my heart. While tempting, it would be misleading to brand "ラストシーン" an out-and-out ballad, for its melancholic piano introduction quickly gives way to a cascade of sounds that nonetheless continue to foreground Satoru’s gripping vocals, before finally capping off with a fiery, drawn-out recapitulation. Stylistically the composition of "ラストシーン" is reminiscent of a number of JILLED RAY songs, most notably the equally expansive "DOLL", while the B-side “I say goodbye, what about you?” is a really sweet song that’s loads of fun live (lots of moshing). If this single is Satoru’s heartbreaking farewell to us, it will be one that’s painful to come to terms with even as he pleads to us, in his lyrics, to “remember that this song exists only because of you and I.” @indigo's Picks "Puke" by Age Factory Age Factory is a relatively young J-indie rock band who just released their debut full album. I'm a sucker for heartfelt music and that's exactly what Age Factory does the best, mostly thanks to young vocalist/guitarist Shimizu Eisuke with his husky and soulful voice. "Puke" is admittedly one of the standout tracks on the album for me - with slap bass, screamed vocals and a loud, almost ferocious guitar, it's sure to make your head nod along! @Lestat's Picks "Perfana" by Kaya Succeeding the untimely demise of the simultaneously robust and tender Femme Fatale, the thespian queen-monarch Kaya re-enters upon the scaffolding, donned in an extravagant outfit plenteous in theatrical and melodramatic presence; with a performance encompassing artistical freedom, the singer once again appears to find himself in his traditional element. Self-assured and dauntless, layered thickly in unique vocal processions and otherwise uncharted areas, "Perfana" returns to us the ever-thriving solo-career of an already undoubtedly qualified artist, now formally in league with the multifaceted and accomplished KAMIJO, whose creative expertise once again flowers gracefully in the composing of the single's electronic, buoyant title-track. "今日死ぬ (Die today)" by SIKI VERNISSAGE SIKI VERNISSAGE is the handle given to an unrestrained and seemingly limitless project whose genesis-story currently remains unknown as no information is present. Unpredictable and haphazard, "今日死ぬ (Die today)" stampedes violently from EDM Trap, to Black metal, to Crust punk, to Hip-hop, to Shoegaze and Hardcore in nine mile boots, and not one distinctive label appears to be reserved for the sum total of the grandiose debut release REPLICA. Rarely have I encountered a group this difficult to describe and this daring to embrace such a colossal range between genres. Avant-garde and hard to digest, SIKI VERNISSAGE may not be an enjoyable experience for everyone, but certainly arrives on the Japanese music scene with a monstrous entrance. Thanks for checking out our recommendations this month! If you have any thoughts on our list or recommendations of your own, please feel free to comment below! If you're interested in being a guest contributor, contact either @CAT5 or @doombox! See you all next month!

dude srsly, get a blog

Gu.燈華(touka) has left the band today and ceased his music activities. The loans he had taken and equipment have been returned to the band.

Successfully finished the Inktober challenge!! Inktober Day 23: "Shattered Tears" Inktober Day 24: "Droop" Inktober Day 25: "Zephyr" Inktober Day 26: "Falling Apart" Inktober Day 27: "Curse" Inktober Day 28: "Trap" Inktober Day 29: "Relief" Inktober Day 30: "Creature" Inktober Day 31: "Farewell" Phewww, that took a toll on me. I'm gonna need a little break before the next time I draw. There were days when I'd rather not draw, but knowing that I couldn't skip a day, and me not wanting to either, helped me in picking up the pens and brushes more easily. Tbqh though I want to trash some of these lol. But on a positive outlook, it taught me how to not be such a perfectionist with my drawings, like I always am. And I think that's one very important aspect of these daily challenges with a limited time. It was a great experience, but I'm not sure if I'd do it again next year. Maybe I'll do something else~

Jupiter new live-limited single "The spirit within me" (2 tracks w/ 24-page booklet, 2500 yen) will be released at their live event, "IGNITED DICE" at SHIBUYA CLUB QUATTRO on December 29. They will also hold their fanclub-limited Christmas live, "IGNITED DICE ~前哨戦~" on Christmas Eve at Shibuya Star Lounge, and HIZAKI Birthday Live "Elizabeth" at Shibuya REX on February 17, 2017.

Hi everyone! I've never posted on a forum before so here goes! I go by ghata, I'm a 25-year-old guy from California. I work in the family business as an ISP. I got into Japanese music when I started watching anime when I was 13 listening to all the intro and closing songs! I like just about any genre of music but VK is definitely my favourite. My favourite bands are Versailles, Girugamesh, Dir en Grey, The Gazette, and many more! If I'm not listening to music I'm trying to play it on guitar (and hopefully piano and violin one day) I also practice Wing Chun(kung fu) when i can. I play lots of video games and watch any anime I can get my hands on. I always wanted to find a community of other people who liked Japanese music as much as I did that I could talk to, and I'm really excited about this forum! Thanks for reading! Please feel free to message me anytime

hey buds, news for you. the freshest pack of photos from 10/26 liveshow is available for downloading! it seems all downloads will expire in the end of november, so hurry up to get your goats! i have no idea if they're going even sale USB in the future, but i hope they will.

Glad to be part of this thread again! Really glad to see TBS, Sioux (a great surprise for me), Mejibray, Develop one's faculties, Grimoire and Kaya! I will surely try Siraph and Miztavla!

not good evidence, but every time i ask a japanese person their favorite japanese band they usually say bump of chicken.

They're really beating that single into the ground, aren't they

I'm always updating here in big dumps, haha. So yeah, have some more draws~ Old sketches from last month. And more inktober~ Inktober Day 9: "Worn Legs" Inktober Day 10: "Fading Away" Inktober Day 11: "Forbidden Touch" Inktober Day 12: "Land of Misery" Inktober Day 13: "Shadows" Inktober Day 14: "Gantz: O" Inktober Day 15: "Wandering" Inktober Day 16: "Where Are You?" Inktober Day 17: "Deform" Inktober Day 18: "Bouquet" Inktober Day 19: "Tormented" Inktober Day 20: "Cruel Warmth" Inktober Day 21: "HARI" (not a fanart, just a random vk inspired dude) Inktober Day 22: "Corner" Art block is kicking in, but what matters more is that I don't miss a day~ (i'm starting to miss doing digital works too....)

^haha, thanks chi <3 here are some older sketches

Okay, time for me to post this up. I recently found my drawing motivation back so I decided to show it around here. Stuff I post here will mainly come from my tumblr. I also have a deviantArt which includes more of my serious projects, so check it out if you'd like! Here's a drawing I drew today to start off. And a couple others. I was sort of inspired by Tsuzuku while drawing this. : 3 Thanks for looking! I hope I can draw more soon~

I'm done with you.

This.

That's me whenever I go to a party. Not because I like Nuit Noire or anything, i just enjoy playing shitty music at parties. It's always fun.

absolutely godlike thread!!

wtf i thought u were a panda.................

IS THAT EVEN POSSIBLE??

pls take my photo down tia

Haha I the guys thought they were sneaky lol

The event "REX ~ COUNTDOWN '16 ~ '17" will be held at Shibuya REX! Participants band : - ELYSION - Unite (Guest) - amanjaku - Avanchick - Dangan NO LIMIT - LEZARD - LIRAIZO - LONDBOY - MeteoroiD - MORRIGAN - REIGN - Smileberry - Starku - Sonic Death Monkey - THE DC - Zonbi

B'z easily they're the best selling and most successful by far.

I was surprised some of my kids actually know who ONE OK ROCK are. Uhm, does Man with a Mission count? Not super familiar with them, but my kids know them too. Otherwise it's all about the pop life.

I'm not sure what "nowadays" (only newer bands, active bands?) really means... but some of the best selling rock acts in Japan are B'z, Mr. Children, L'arc, Glay, X, Spitz... as far as these acts pull in millions of dollars. I know when I traveled to Asia earlier this year One Ok Rock was all over the radio, so on the younger side I know they are probably doing quite well as they have no problem filling arena tours.

watching now: Six Feet Under (s03e11) welp, it's HBO and stuff, but somehow i cannot feel this show. there are no characters to whom i can sympathize or relate to. it's good overall, but just that, nothing special. Carnivale (s02e09) also HBO, and this one is more interesting for me than the previous show. it pretty dark and atmospheric stuff. there was suppose to be 6 seasons of it but the show has been closed after 2nd and i can see why. the pace was slow, especially in the 1st season. and such show is not for everyone, that's for sure. Damages (s01e07) lol now i see which show How to Get Away with Murder shamelessly ripped off! even some characters were copypasted from there. anyway, Damages seems to be much better and more mature from what i've seen so far (those sex scenes in HTGAWM were so out of place and were pretty much a fan-service fillers, ugh). also finished 3rd season of The Fall. even though, there was less suspense than in previous seasons, it still delivered. also Gillian Anderson <3

let's start a petition for gackt to be on the new carpool karaoke with James Corden

Are you talking about the female or martian-kei look? XD tbh I have no idea what they cosplayed. I do know however that they did the same female look last year, and this year they improved it ✨

MYGOD that LONDBOY's full album is disappointing.

Marco: Merry ♥:

Psycho Le Cemu had Halloween all year round

Since I'm late, I've been doing at least 3 whenever I find the time... so I did 3 more last night. I didn't get to do all days, but that's okay, it sure was fun! : 3 Yaaaay, Moon Jumper!! This was inspired by Uchuu Kyoudai manga <3 Buster-kun from the pillows! This guy:

Das "Schlimme" ist, dass Dein Deutsch dennoch besser ist, als das vieler besoffener Deutscher (und genug Idioten, selbst wenn sie nüchtern sind). :'D

More Inktober!! I'm not gonna fall behind yet. Inktober Day 2: "Brittle Hope" Inktober Day 3: "Aftergrowth" Inktober Day 4: "Ungiven" Inktober Day 5: "Unfold" Inktober Day 6: "Cut" (did this one rather quickly) Inktober Day 7: "Drowning" Inktober Day 8: "Promised Day"

Finished Watching Mr. Robot season one. It's one of the most engaging shows I've seen since Breaking Bad. The show reminded me of Fight Club, but with hacking/IT stuff.

-dump- I kinda happened to draw Takashi and Tomo from Dadaroma, haha. The rest are colored versions of some sketches I posted here.

a bunch of things

Infested by Loneliness

concept art practice and experimenting with brushes kuchinashi ANDDDDDD.........announcing a tentative design of a demon vocalist for a possible future fictional band?? (tentative because hairstyle might change) further news will be released FAR FAR in the future.

whoo~ i've been drawings lots, maybe i should put some under spoiler.

mamire shibaris

More stuff! A fanart of The Evil Within and one of my favorite antagonists. Original drawing.